Notes and Queries, Number 201, September 3, 1853. Various

      That runaways' eyes may wink, and Romeo

      Leap to these arms, untalk'd of and unseen."

      "Runaways'" being a manifest absurdity, the recent editors have substituted "unawares," an uncouth alteration, which, though it has a glimmering of sense, appears to me almost as absurd as the word it supplies. In this dilemma your correspondent Mr. Singer ingeniously suggests the true reading to be,—

      No doubt this is a felicitous emendation, though I think it may be fairly objected that a rumourer, being one who deals in what he hears, as opposed to an observer, who reports what he sees, there is a certain inappropriateness in speaking of a rumourer's eyes. Be this as it may, I beg to suggest another reading, which has the merit of having spontaneously occurred to me on seeing the word "runaways'" in your correspondent's paper, as if obviously suggested by the combination of letters in that word. I propose that the passage should be read thus:

      A subsequent reference to Juliet's speech has left no doubt in my mind that this is the true reading, and so obviously so, as to make it a wonder that it should have been overlooked. She first asks the "fiery-footed steeds" to bring in "cloudy night," then night to close her curtain (that day's eyes may wink), that darkness may come, under cover of which Romeo may hasten to her. In the next two lines she shows why this darkness is propitious, and then, using an unwonted epithet, invokes night to give her the opportunity of darkness:

      The peculiar and unusual epithet "civil," here applied to night, at once assured me of the accuracy of the proposed reading, it having evidently suggested itself as the antithesis of "rude" just before applied to day; the civil, accommodating, concealing night being thus contrasted with the unaccommodating, revealing day. It is to be remarked, moreover, that as this epithet civil is, through its ordinary signification, brought into connexion with what precedes it, so is it, through its unusual meaning of grave, brought into connexion with what follows, it thus furnishing that equivocation of sense of which our great dramatist is so fond, rarely missing an opportunity of "paltering with us in a double sense."

      I think, therefore, I may venture to offer you the proposed emendation as rigorously fulfilling all the requirements of the text, while at the same time it necessitates a very trifling literal disturbance of the old reading, since by the simple change of the letters naw into ded, we convert "runaways'" into "rude day's," of which it was a very easy misprint.

      Having offered you an emendation of my own, I cannot miss the opportunity of sending you another, for which I am indebted to a critical student of Shakspeare, my friend Mr. W. R. Grove, the Queen's Counsel. In All's Well that ends Well, the third scene of the Second Act opens with the following speech from Lafeu:

      On reading this passage as thus printed, it will be seen that the two sentences of which it is composed are in direct contradiction to each other; the first asserting that we have philosophers who give a causeless and supernatural character to things ordinary and familiar: the second stating as the result of this, "that we make trifles of terrors," whereas the tendency would necessarily be to make "terrors of trifles." The confusion arises from the careless pointing of the first sentence. By simply shifting the comma at present after "things," and placing it after "familiar," the discrepancy between the two sentences disappears, as also between the two members of the first sentence, which are now at variance. It should be pointed thus:

      It is singular that none of the editors should have noticed this defect, which I have no doubt will hereafter be removed by the adoption of a simple change, that very happily illustrates the importance of correct punctuation.

      Shakspeare's Skull.—As your publication has been the medium of many valuable comments upon Shakspeare, and interesting matter connected with him, I am induced to solicit information, if you will allow me, on the following subject. I have the Works of Shakspeare, which being in one volume 8vo., I value as being more portable than any other edition. It was published by Sherwood without any date affixed, but probably about 1825. There is a memoir prefixed by Wm. Harvey, Esq., in which, p. xiii., it is stated that while a vault was being made close to Shakspeare's, when Dr. Davenport was rector, a young man perceiving the tomb of Shakspeare open, introduced himself so far within the vault that he could have brought away the skull, but he was deterred from doing so by the anathema inscribed on the monument, of—

      This is given upon the authority of Dr. Nathan Drake's work on Shakspeare, in two vols. 4to. Now in this work much is given which is copied into the memoir, but I do not there find this anecdote, and perhaps some reader of "N. & Q." may supply this deficiency, and state where I may find it. I may be allowed to state, that Pope's skull was similarly stolen and another substituted.

      I annex Wheler's remark that no violation of the grave had, up to the time of his work, taken place.

      On a Passage in "Macbeth."—Mr. Singleton (Vol. vii., p. 404.) says, "Vaulting ambition, that o'erleaps itself," is nonsense—the thing is impossible; and proposes that "vaulting ambition" should "rest his hand upon the pommel, and o'erleap the saddle (sell)," a thing not uncommon in the feats of horsemanship.

      Did Mr. Singleton never o'erleap himself, and be too late—later than himself intended? Did he never, in his younger days, amuse himself with a soprasalto; or with what Donne calls a "vaulter's sombersault?" Did he never hear of any little plunderer, climbing a wall, o'erreaching himself to pluck an apple, and falling on the other side, into the hands of the gardener? "By like," says Sir Thomas More, "the manne there overshotte himself."

      What was the manne about? Attempting such a perilous gambol, perhaps, as correcting Shakspeare.

      To {overleap, overreach, overshoot} himself are merely, to {leap, reach, shoot}, over or beyond the mark himself intended.

      Bloomsbury.

      P.S.—Mr. Arrowsmith reminds us of the old saw, that "great wits jump." He should recollect also that they sometimes nod.

      Minor Notes

      Lemon-juice administered in Gout and Rheumatism.—At a time when lemon-juice seems to be frequently administered in gout and rheumatism, as though it were an entirely new remedy, I have been somewhat amused at the following

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