The Continental Monthly, Vol. 2, No 3, September, 1862. Various

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of the dry branches under their tread; yet nearer they come; she almost feels their breath on her cheek; it is useless to turn at bay; there is hardly time to measure with her eye the depth of the ravine, or its width. A step back, another forward, an almost superhuman leap, and she has cleared the awful chasm.... 'Look before you leap,' is one of caution's maxims. We may stand looking till it is too late to leap. There are times when we must put our 'fate to the touch, to win or lose it all;' there are times when doubt, hesitation, caution is certain destruction. You are crossing a frozen pond, firm by the shore, but as you near the centre, the ice beneath your feet begins to crack; hesitate, attempt to retrace your steps, and you are gone. Did you ever cross a rapid stream on an unhewn foot-log? You looked down at the swift current, stopped, turned back, and over you went. You would climb a steep mountain-side. Half-way up, look not from the dizzy hight, but press on, grasping every tough laurel and bare root; but hasten, the laurel may break, and you lose your footing. 'If thy heart fail thee, climb not at all;' but once resolved to climb, leave thy caution at the foot. Before you give battle to the enemy, be cautious, reckon well your chances of winning or losing; above all, be sure of the justice of your cause; but once flung into the fierce fight, then with 'Dieu et mon droit!' for your battle-cry, let not 'discretion' be any 'part of' your 'valor.'

      Then your careful, hesitating people are cautious where there is no need of caution, they feel their way on the highways and by-ways of life, as you have seen a person when fording a stream with whose bed he was unacquainted. I'd rather fall down and pick myself up a dozen times a day, than thus grope my way along.

      There is Nancy Primrose. I have good reason to remember her. She was, in my childhood, always held up to me as a pattern. She used to come to school with such smooth, clean pantalets, while mine were splashed with mud, drabbled by the wet grass, or all wrinkles from having been rolled up. She would go around a rod to avoid a mud-puddle, or if she availed herself of the board laid down for the benefit of pedestrians, she never, as I was sure to do, stepped on one end, so the other came down with a splash. The starch never was taken out of her sun-bonnet by the rain, for if there was 'a cloud as big as a man's hand,' she took an umbrella. It was well that she never climbed the mountain-side, for she would have surely fallen. It was well that she never crossed a foot-log, unless it was hewn and had a railing, for she would have certainly been ducked. It was well she never went on thin ice, (she didn't venture till the other girls had tried it,) she would have broken through. Her caution, I must say, was of the right kind; it always preceded her undertaking. She had such a 'wholesome fear of consequences,' that she never played truant, as one whom I could mention did. Indeed, antecedents and consequents were always associated in her mind. She never risked any thing for herself or any one else.... Of course, she is still Miss Nancy, (I am 'Aunt Molly' to all my friends' children,) though it is said that she might have been Mrs.–. Mr.–, a widower of some six months' standing, thinking it time to commence his probation—the engagement preparatory to being received into the full matrimonial connection—made some advances toward Miss Nancy, she being the nearest one verging on 'an uncertain age,' (you know widowers always go the rounds of the old maids.) Though, in a worldly point of view, he was an eligible match, she, from her fixed habits of caution, half-hesitated as to whether it was best to receive his attentions—he got in a hurry (you know widowers are always in a hurry) and married some one else.... I don't think Miss Nancy would venture to love any man before marriage—engagements are as liable to be broken as thin ice, and it isn't best to throw away love. As for her giving it unasked!… How peacefully her life flows along—or rather, it hardly flows at all, about as much as a mill-pond—with such a small bit of heaven and earth reflected in it. Oh! that placidity!—better have some great, heavy, splashing sorrow thrown into it than that ever calm surface.... As for me—it was a good thing that I was a girl—rash, never counting the cost, without caution, it is well that I have to tread the quiet paths of domestic life. Had I been a boy, thrown out into the rough, dangerous world, I'd have rushed over the first precipice, breaking my moral, or physical neck, or both. As it is, had I been like Miss Nancy, I would have been spared many an agony, and—many an exquisite joy.

      You may be sure that I have well learned all of caution's maxims; they have, all my life, been dinged into my ears. Now I hate most maxims. Though generally considered epitomes of wisdom, they should, almost all of them, be received with a qualification. What is true in one case is not true in another; what is good for one, is not good for another. You, as far as you are concerned, in exactly the same manner draw two lines, one on a plane, the other on a sphere; one line will be straight, the other curved. So does every truth, even, make a different mark on different minds. This is one reason that I hate most maxims, they never accommodate themselves to circumstances or individuals. The maxim that would make one man a careful economist, would make another a miser. 'One man's meat is another man's poison;' one man's truth is another man's falsehood.

      But how many mistaken ideas have been embodied in maxims—fossilized, I may say! It would have been better to let them die the natural death of falsehood, and they might have sprung up in new forms of truth—truth that never dies. What a vitality it has—a vitality that can not be dried out by time, nor crushed out by violence. You know how in old mummy-cases have been found grains of wheat, which, being sown, sprang up, and bore a harvest like that which waved in the breeze on the banks of the Nile. You know how God's truth—all truth is God's truth—was shut up in that old mummy-case, the monastery, and how, when found by one Luther, and sown broadcast, it sprang up, and now there is hardly an island, or a river's bank, on which it has not fallen and does not bear abundant fruit. The 'heel of despotism' could not crush out its life; ages hence it will be said of it: 'It still lives.'

And still lives, yours,Molly O'Molly.

      'THAT LAST DITCH.'

      Many reasons have been assigned for the Chivalry's determining to die in that last ditch. One William Shakspeare puts into the mouth of Enobarbus, in Antony and Cleopatra, the best reason we have yet seen. 'Tis thus:

      'I will go seek

      Some ditch wherein to die: the foul best fits

      My latter part of life.'

      HOPEFUL TACKETT—HIS MARK

BY RICHARD WOLCOTT, 'TENTH ILLINOIS.'

      'An' the Star-Spangle' Banger in triump' shall wave

      O! the lan dov the free-e-e, an' the ho mov the brave.'

      Thus sang Hopeful Tackett, as he sat on his little bench in the little shop of Herr Kordwäner, the village shoemaker. Thus he sang, not artistically, but with much fervor and unction, keeping time with his hammer, as he hammered away at an immense 'stoga.' And as he sang, the prophetic words rose upon the air, and were wafted, together with an odor of new leather and paste-pot, out of the window, and fell upon the ear of a ragged urchin with an armful of hand-bills.

      'Would you lose a leg for it, Hope?' he asked, bringing to bear upon Hopeful a pair of crossed eyes, a full complement of white teeth, and a face promiscuously spotted with its kindred dust.

      'For the Banger?' replied Hopeful; 'guess I would. Both on 'em—an' a head, too.'

      'Well, here's a chance for you.' And he tossed him a hand-bill.

      Hopeful laid aside his hammer and his work, and picked up the hand-bill; and while he is reading it, let us briefly describe him. Hopeful is not a beauty, and he knows it; and though some of the rustic wits call him 'Beaut,' he is well aware that they intend it for irony. His countenance runs too much to nose—rude, amorphous nose at that—to be classic, and is withal rugged in general outline and pimply in spots. His hair is decidedly too dingy a red to be called, even by the utmost stretch of courtesy, auburn; dry, coarse, and pertinaciously obstinate in its resistance to the civilizing efforts of comb and brush. But there is a great deal of big bone and muscle in him, and he may yet work out a noble destiny. Let us see.

      By the time he had spelled out the hand-bill, and

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