of his career. Many of his friends had passed away, but he met his old supporter, Samuel Morley. He made the acquaintance also of Sir Thomas Fowell Buxton Hart, R. C. L. Bevan, and Professor Fowler. But he was then the hero of "Uncle Tom's Cabin." The English people had read of him. They then wanted to see him. He spoke at the Victoria Park Tabernacle and held in London a farewell meeting in Spurgeon's Tabernacle. The buildings were thronged to their utmost capacity and eager crowds on the outside made desperate efforts to see him. He was then called to Scotland that the people farther north might also see this hero. Just as Henson reached Edinburgh the crowning honor of his life was to come. He received a telegram from Queen Victoria inviting him to visit her the following day. After addressing an unusually large audience, Henson proceeded immediately to London. The next day he and his wife were dined by a group of distinguished gentlemen and were then taken to Windsor Castle, where they were presented to Queen Victoria. Her majesty informed him that he had known of him ever since she was a little girl. She expressed her surprise at seeing him look so different from what she had imagined he would. She briefly discussed with him the state of affairs in Canada, and in bidding him and his wife farewell expressed her wish for his continued prosperity, gave him a token of her respect and esteem, consisting of a full length cabinet photograph of herself in an elegant easel frame of gold.
On his return to the United States Henson visited the old plantation in Montgomery County near Rockville, Maryland, finding his old master's wife still living. He then proceeded to Washington to see again the old haunts which he frequented when serving as the market man of his plantation. While in the National Capital he went to the White House to call on his Excellency President Hayes, who chatted with him about his trip across the sea while Mrs. Hayes showed Henson's wife through the executive mansion. When he left the President extended him a cordial invitation to call to see him again. This was the last thing of note in his life. He returned to his home in Canada and resumed the best he could the work he was prosecuting, but old age and sickness overtook him and he passed away in 1881 in the ninety-second year of his life.
ELIZABETH BARRETT BROWNING AND THE NEGRO
Elizabeth Barrett Browning was a poetic artist who was intensely concerned with the large human movements of the world and the age into which she was thrown. Her whole life was one great heart-throb. While the condition of her health and the nature of her early training were such as to cultivate her rather bookish and romantic temperament, she followed with eagerness the great social reforms in England in the reign of William IV and the early years of Victoria; and The Cry of the Children and The Cry of the Human indicated what was to be one of her chief lines of interest. In her later years she threw herself heart and soul into the cause of Italian independence and unity, welcoming Napoleon III as a benefactor. Her political judgment was not always sound: her distinguished husband could not possibly follow her in her admiration for Napoleon, whom he regarded as to some extent at least a charlatan, and Cavour simply represented his countrymen in his amazement and chagrin at the terms of the Peace of Villafranca; nevertheless the great heart of Elizabeth Barrett Browning was ever moved by the demands of liberty, whether the immediate impulse was a child in the sweatshops of England, an Italian wishing to be free of Austria, or the exiled Victor Hugo, and there was no exaggeration in the tribute placed on the wall of Casa Guidi after her death:
To such a woman the Negro, held in slavery in a great free republic, made a ready appeal. The first concrete connection, however, was one directly affecting the fortunes of the Barrett family. For some years Mr. Barrett had made his home at a beautiful estate in Herefordshire known as Hope End. He had inherited from his maternal grandfather a large estate in Jamaica, where the families of both his parents had been established for two or three generations. The abolition of slavery in the British colonies in 1833 inflicted great financial embarrassment upon him, as a result of which he was forced to sell Hope End and to remove his family, first to Sidmouth in Devonshire, and subsequently to London. Elizabeth Barrett foreshadowed this change of fortunes in a letter to her friend Mrs. Martin dated Sidmouth, May 27, 1833:
The West Indians are irreparably ruined if the Bill passes. Papa says that in the case of its passing, nobody in his senses would think of even attempting the culture of sugar, and that they had better hang weights to the sides of the island of Jamaica and sink it at once.9
In September of the same year she wrote from Sidmouth to the same friend as follows:
Of course you know that the late Bill has ruined the West Indians. That is settled. The consternation here is very great. Nevertheless I am glad, and always shall be, that the Negroes are—virtually—free.10
It is some years before we find another reference so definite. Miss Barrett in the meantime became Mrs. Browning and under the inspiration of love and Italy gave herself anew to her work. The feeling for liberty was constantly with her, as was to be seen from Casa Guidi Windows and Poems before Congress. About 1855, when she was on a visit to England, through the work of Daniel D. Home, a notorious American exponent of spiritualism, Mrs. Browning became interested in the current fad, and gave to it vastly more serious attention than most other initiates. Browning himself, while patient, was intolerably irritated with those whom he regarded as imposing on his wife's credulity, and delivered himself on the subject in Mr. Sludge, 'the Medium.' Spiritualism, however, was a topic of never-failing interest between Mrs. Browning and her American friend, Harriet Beecher Stowe, whom she entertained in Italy. Uncle Tom's Cabin made a profound impression upon her. In 1853 this book was still in the great flush of its first success. On April 12, 1853, Mrs. Browning wrote from Florence to Mrs. Jameson as follows:
Not read Mrs. Stowe's book! But you must. Her book is quite a sign of the times, and has otherwise and intrinsically considerable power. For myself, I rejoice in the success, both as a woman and a human being. Oh, and is it possible that you think a woman has no business with questions like the question of slavery? Then she had better use a pen no more. She had better subside into slavery and concubinage herself, I think, as in the times of old, shut herself up with the Penelopes in the "women's apartment," and take no rank among thinkers and speakers. Certainly you are not in earnest in these things. A difficult question—yes! All virtue is difficult. England found it difficult. France found it difficult. But we did not make ourselves an armchair of our sins. As for America, I honor America in much; but I would not be an American for the world while she wears that shameful scar upon her brow. The address of the new president11 exasperates me. Observe, I am an abolitionist, not to the fanatical degree, because I hold that compensation should be given by the North to the South, as in England. The states should unite in buying off this national disgrace.12
Under date Florence, December 11, 1854, Mrs. Browning wrote to Miss Mitford as follows:
I am reading now Mrs. Stowe's Sunny Memories, and like the naturalness and simplicity of the book much, in spite of the provincialism of the tone of mind and education, and the really wretched writing. It's quite wonderful that a woman who has written a book to make the world ring should write so abominably.13
More and more as the Civil War approached was Mrs. Browning depressed by the thought of the impending conflict. Between June 7, 1860, and July 25, 1861, she contributed to the recently established Independent eleven poems, chiefly on subjects of Italian liberty. Sometimes, however, especially in the letters accompanying her poems, she touched on themes somewhat closer to the American
For the inscription we are indebted to the Cambridge edition of the poems of Mrs. Browning, edited by Harriet Waters Preston, Houghton Mifflin, Boston, p. xii. Translation: Here wrote and died Elizabeth Barrett Browning, who united to a woman's heart the learning of a savant and the inspiration of a poet, and made her verse a golden link between Italy and England. This tablet was set by grateful Florence in 1861.
