The ideas of the architects of that age seem to have been limited in their object, to realizing an image of the great feudal principle of preëminence and protection on the one side, submissiveness and reliance on the other. Hence designs and arrangements so little consistent with the privacy and personal independence which we regard at present as indispensable to every scheme of domestic accommodation. But these artists were not limited alone by a defective conception of the objects of their art; they were also embarrassed in its execution by the unequal manner in which the different branches of it had been cultivated and improved. It is doubtless a remark which will admit of very general application, that the arts which may be made subservient to embellishment and magnificence, have always far outstripped those which only conduce to comfort and convenience. The savage paints his body with gorgeous colors, who wants a blanket to protect him from the cold; and nations have heaped up pyramids to enhance their sense of importance, who have dwelt contentedly in dens and caves of the earth. Something of the same incongruity may be remarked at Penshurst, and other English mansions of the same age and order; where we sometimes ascend to galleries of inestimable paintings over steps roughly hewn with the axe, and look upon ceilings of the most exquisite and elaborate carving suspended over floors which have never had the benefit of the joiner’s plane.
In the tastes, too, and personal habits of that elder period, contrasts of a not less striking nature might be easily pointed out. We may doubt, for instance, whether beauty will ever array itself in apparel of more cost and profusion than that in which the high-born dames of Wresill and Penshurst swept through their stately apartments. Grandeur will never make its presence felt by a greater weight of ceremony, nor ever extend a more watchful and provident care to all the equipage of rank and ostentation. Flattery, we may safely assert, will never offer its incense in a more seductive form, than when it borrowed the pencil of Holbein and the lyre of Spenser. Yet these persons were the same who trode upon floors strewn with rushes, and deemed it a point of nicety and refinement if these were changed sufficiently often to prevent the soiling of their clothes. They are the same who dined without forks, and thought pewter dishes too great a luxury to be used in common by the highest nobility; who transported their ladies on pillions for want of coaches, and themselves struggled through mire for want of pavements; who, with a knowledge of the manufacture of glass, and possessed beyond ourselves of an exquisite skill in coloring it, were yet too frugal or careless to use it freely in lighting their houses. It was an age when the sick were plied with such delicate restoratives as ‘mummy and the flesh of hedge-hogs,’ and tables loaded with such dainties as cranes, lapwings, sea-gulls, bitterns and curlews. Such is the unequal progress which is often maintained in habits of undistinguishing luxury and habits of genuine refinement; so great the difference between a state of society which aims at the gratification of pride, and one which contents itself with diffusing comfort and promoting security.
It would be easy, no doubt, to draw from this sketch of ancient manners many reflections consoling to our own sense of superior comfort and discernment. But the subject is susceptible of being viewed under aspects not so flattering yet more instructive. Who is there gross enough to pride himself on superior wisdom because Kepler believed that the earth was a vast animal which breathed and reasoned, or to claim the palm of comparative merit because Sir Thomas More listened to the babbling of a pretended prophetess, and Luther waged what he considered no visionary but actual combats with the powers of darkness. If then we have dwelt on the defects of an age when civilization was still struggling with the remains of barbarism, it is to foster no spirit of vain exultation: it is rather to turn with increased pleasure from those stains which disfigure the picture, to the contemplation of the more prominent and brilliant figures which occupy the fore-ground. We remember that upon times thus backward in many of the refinements of life, and scarcely yet freed from the dregs of medi-œval darkness, genius and virtue have thrown a lustre by their presence, not merely sufficient to retrieve them from our scorn, but to make them in some respects the object of our admiration and even envy. Perhaps, if it were submitted to our choice to take our places at will in any circle which genius and merit have ever dignified and adorned, none could justly claim our preference over that of Penshurst, at the time when Sir Philip Sydney sate there in the same group with his lovely sister, the Countess of Pembroke, and with Edmund Spenser, the poet of ‘the Faërie Queen.’ Of the first of these eminent persons, it is enough to say, that his own age conceded to him the style of ‘the Incomparable,’ and that posterity has amply ratified the title. The second is known to us by that affectionate tribute of her brother’s love, which has identified the name of the Countess of Pembroke with his principal work; nor will the latest readers of English literature be forgetful of one whose memory Jonson has embalmed in the sweetest inscription that ever flowed from a poet’s pen. Of Spenser, the last but not least illustrious of the honored group, it is only necessary to say, that as he shared the hospitality, so he has not left unsung the praises of Penshurst. Where is the circle which shall again combine so many claims to our admiration and respect? What age shall presume to vaunt itself for genius or for virtue above the age of Sydney and of Spenser?
Later times have added to the social and literary lustre of Penshurst. It has been still farther illustrated by the talents and fame of Algernon Sydney, whose name never fails to awaken the sympathies of every friend of liberty for his honorable labors and unhappy fate. It has numbered among its guests and its eulogists such men as Jonson, Waller, and Southey; finally, even in our own time it has seen its horizon momently illuminated by the brief but dazzling splendors of the poet Shelly. This last was of the lineage of Sydney, and shared the talents and proud integrity, but not the wisdom and milder virtues of his house. It only remains to say, that the dwelling and estate of the Sydneys has passed into other hands, but finds, it would seem, in Lord De Lisle a proprietor not insensible to the worth nor regardless of the memory of his far-famed predecessors.
Thus the remarks intended, draw to an end. We leave the halls of Penshurst, and the gates of that venerated mansion close behind us forever. Even thus did they close ages ago upon him, the light and honor of that ancient house, who, leaving it in the glow of health, in the pride of manly beauty, in the aspirations of a high but not a haughty spirit, was destined never to cross that paternal threshold more. The blessings that went with him have mouldered on the lips that pronounced them; the tears that mourned his fall have dried upon the lids from which they streamed; all who knew and loved, all who watched and wept for Sir Philip Sydney are silent in the dust to which he himself has long been gathered. Yet does not his spirit commune with ours as we tread the halls once familiar with his presence, or gaze upon those all but animated portraits which Penshurst still numbers among the richest of its treasures? Does nothing survive here of so much honor, so much courtesy, so much courage, to elevate us by its example and to inspire us with new hope, ere we turn again to tread the toilsome mazes of the world? Let the acknowledgments of all those who with no unworthy or unreflecting spirit have traced these paths, reply; or rather let the answer embody itself in the words of a poet, who, while expressing his own sense of the merits of Sydney, has but given a suitable expression to sentiments which find an echo in every bosom:
‘Are days of old familiar to thy mind,
Oh reader? Hast thou let the midnight hour
Pass unperceiv’d, whilst thou in fancy lived
With high-born beauties and enamor’d chiefs,
Sharing their hopes, and with a breathless joy,
Whose expectation touched the verge of pain,
Following their dangerous fortunes? If such lore
Has ever thrill’d thy bosom, thou wilt tread
As with a pilgrim’s reverential thoughts
The groves of Penshurst. Sydney here was born,
Sydney, than whom no gentler, braver man
His own delightful genius ever feign’d,
Illustrating the vales of Arcady,
With courteous courage and with loyal loves.
Upon his natal day an acorn here
Was planted; it grew up a stately oak,
And in the beauty of its strength it stood
And flourished,
