The Egoist: A Comedy in Narrative. George Meredith

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The Egoist: A Comedy in Narrative - George Meredith

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She remembered with some half-conscious desperation of fervour what she had thought of him at his first approaches, and in accepting him. Had she seen him with the eyes of the world, thinking they were her own? That look of his, the look of "indignant contentment", had then been a most noble conquering look, splendid as a general's plume at the gallop. It could not have altered. Was it that her eyes had altered?

      The spirit of those days rose up within her to reproach, her and whisper of their renewal: she remembered her rosy dreams and the image she had of him, her throbbing pride in him, her choking richness of happiness: and also her vain attempting to be very humble, usually ending in a carol, quaint to think of, not without charm, but quaint, puzzling.

      Now men whose incomes have been restricted to the extent that they must live on their capital, soon grow relieved of the forethoughtful anguish wasting them by the hilarious comforts of the lap upon which they have sunk back, insomuch that they are apt to solace themselves for their intolerable anticipations of famine in the household by giving loose to one fit or more of reckless lavishness. Lovers in like manner live on their capital from failure of income: they, too, for the sake of stifling apprehension and piping to the present hour, are lavish of their stock, so as rapidly to attenuate it: they have their fits of intoxication in view of coming famine: they force memory into play, love retrospectively, enter the old house of the past and ravage the larder, and would gladly, even resolutely, continue in illusion if it were possible for the broadest honey-store of reminiscences to hold out for a length of time against a mortal appetite: which in good sooth stands on the alternative of a consumption of the hive or of the creature it is for nourishing. Here do lovers show that they are perishable. More than the poor clay world they need fresh supplies, right wholesome juices; as it were, life in the burst of the bud, fruits yet on the tree, rather than potted provender. The latter is excellent for by-and-by, when there will be a vast deal more to remember, and appetite shall have but one tooth remaining. Should their minds perchance have been saturated by their first impressions and have retained them, loving by the accountable light of reason, they may have fair harvests, as in the early time; but that case is rare. In other words, love is an affair of two, and is only for two that can be as quick, as constant in intercommunication as are sun and earth, through the cloud or face to face. They take their breath of life from one another in signs of affection, proofs of faithfulness, incentives to admiration. Thus it is with men and women in love's good season. But a solitary soul dragging a log must make the log a God to rejoice in the burden. That is not love.

      Clara was the least fitted of all women to drag a log. Few girls would be so rapid in exhausting capital. She was feminine indeed, but she wanted comradeship, a living and frank exchange of the best in both, with the deeper feelings untroubled. To be fixed at the mouth of a mine, and to have to descend it daily, and not to discover great opulence below; on the contrary, to be chilled in subterranean sunlessness, without any substantial quality that she could grasp, only the mystery of the inefficient tallow-light in those caverns of the complacent-talking man: this appeared to her too extreme a probation for two or three weeks. How of a lifetime of it!

      She was compelled by her nature to hope, expect and believe that Sir Willoughby would again be the man she had known when she accepted him. Very singularly, to show her simple spirit at the time, she was unaware of any physical coldness to him; she knew of nothing but her mind at work, objecting to this and that, desiring changes. She did not dream of being on the giddy ridge of the passive or negative sentiment of love, where one step to the wrong side precipitates us into the state of repulsion.

      Her eyes were lively at their meeting—so were his. She liked to see him on the steps, with young Crossjay under his arm. Sir Willoughby told her in his pleasantest humour of the boy's having got into the laboratory that morning to escape his task-master, and blown out the windows. She administered a chiding to the delinquent in the same spirit, while Sir Willoughby led her on his arm across the threshold, whispering: "Soon for good!" In reply to the whisper, she begged for more of the story of young Crossjay. "Come into the laboratory," said he, a little less laughingly than softly; and Clara begged her father to come and see young Crossjay's latest pranks. Sir Willoughby whispered to her of the length of their separation, and his joy to welcome her to the house where she would reign as mistress very won. He numbered the weeks. He whispered: "Come." In the hurry of the moment she did not examine a lightning terror that shot through her. It passed, and was no more than the shadow which bends the summer grasses, leaving a ruffle of her ideas, in wonder of her having feared herself for something. Her father was with them. She and Willoughby were not yet alone.

      Young Crossjay had not accomplished so fine a piece of destruction as Sir Willoughby's humour proclaimed of him. He had connected a battery with a train of gunpowder, shattering a window-frame and unsettling some bricks. Dr. Middleton asked if the youth was excluded from the library, and rejoiced to hear that it was a sealed door to him. Thither they went. Vernon Whitford was away on one of his long walks.

      "There, papa, you see he is not so very faithful to you," said Clara.

      Dr Middleton stood frowning over MS notes on the table, in Vernon's handwriting. He flung up the hair from his forehead and dropped into a seat to inspect them closely. He was now immoveable. Clara was obliged to leave him there. She was led to think that Willoughby had drawn them to the library with the design to be rid of her protector, and she began to fear him. She proposed to pay her respects to the ladies Eleanor and Isabel. They were not seen, and a footman reported in the drawing-room that they were out driving. She grasped young Crossjay's hand. Sir Willoughby dispatched him to Mrs. Montague, the housekeeper, for a tea of cakes and jam.

      "Off!" he said, and the boy had to run.

      Clara saw herself without a shield.

      "And the garden!" she cried. "I love the garden; I must go and see what flowers are up with you. In spring I care most for wild flowers, and if you will show me daffodils and crocuses and anemones . . ."

      "My dearest Clara! my bride!" said he.

      "Because they are vulgar flowers?" she asked him, artlessly, to account for his detaining her.

      Why would he not wait to deserve her!—no, not deserve—to reconcile her with her real position; not reconcile, but to repair the image of him in her mind, before he claimed his apparent right!

      He did not wait. He pressed her to his bosom.

      "You are mine, my Clara—utterly mine; every thought, every feeling. We are one: the world may do its worst. I have been longing for you, looking forward. You save me from a thousand vexations. One is perpetually crossed. That is all outside us. We two! With you I am secure! Soon! I could not tell you whether the world's alive or dead. My dearest!"

      She came out of it with the sensations of the frightened child that has had its dip in sea-water, sharpened to think that after all it was not so severe a trial. Such was her idea; and she said to herself immediately: What am I that I should complain? Two minutes earlier she would not have thought it; but humiliated pride falls lower than humbleness.

      She did not blame him; she fell in her own esteem; less because she was the betrothed Clara Middleton, which was now palpable as a shot in the breast of a bird, than that she was a captured woman, of whom it is absolutely expected that she must submit, and when she would rather be gazing at flowers. Clara had shame of her sex. They cannot take a step without becoming bondwomen: into what a slavery! For herself, her trial was over, she thought. As for herself, she merely complained of a prematureness and crudity best unanalyzed. In truth, she could hardly be said to complain. She did but criticize him and wonder that a man was unable to perceive, or was not arrested by perceiving, unwillingness, discordance, dull compliance; the bondwoman's due instead of the bride's consent. Oh, sharp distinction, as between two spheres!

      She meted him justice; she admitted that he had spoken in a lover-like tone. Had it not been for the iteration of "the world", she would not have objected critically to his words,

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