nature avenges them.
"When does Colonel De Craye arrive?" said Clara.
"Horace? In two or three days. You wish him to be on the spot to learn his part, my love?"
She had not flown forward to the thought of Colonel De Craye's arrival; she knew not why she had mentioned him; but now she flew back, shocked, first into shadowy subterfuge, and then into the criminal's dock.
"I do not wish him to be here. I do not know that he has a part to learn. I have no wish. Willoughby, did you not say I should come to you and you would listen?—will you listen? I am so commonplace that I shall not be understood by you unless you take my words for the very meaning of the words. I am unworthy. I am volatile. I love my liberty. I want to be free . . ."
"Flitch!" he called.
It sounded necromantic.
"Pardon me, my love," he said. "The man you see yonder violates my express injunction that he is not to come on my grounds, and here I find him on the borders of my garden!"
Sir Willoughby waved his hand to the abject figure of a man standing to intercept him.
"Volatile, unworthy, liberty—my dearest!" he bent to her when the man had appeased him by departing, "you are at liberty within the law, like all good women; I shall control and direct your volatility; and your sense of worthiness must be re-established when we are more intimate; it is timidity. The sense of unworthiness is a guarantee of worthiness ensuing. I believe I am in the vein of a sermon! Whose the fault? The sight of that man was annoying. Flitch was a stable-boy, groom, and coachman, like his father before him, at the Hall thirty years; his father died in our service. Mr. Flitch had not a single grievance here; only one day the demon seizes him with the notion of bettering himself he wants his independence, and he presents himself to me with a story of a shop in our county town.—Flitch! remember, if you go you go for good.—Oh, he quite comprehended.—Very well; good-bye, Flitch;—the man was respectful: he looked the fool he was very soon to turn out to be. Since then, within a period of several years, I have had him, against my express injunctions, ten times on my grounds. It's curious to calculate. Of course the shop failed, and Flitch's independence consists in walking about with his hands in his empty pockets, and looking at the Hall from some elevation near."
"Is he married? Has he children?" said Clara.
"Nine; and a wife that cannot cook or sew or wash linen."
"You could not give him employment?"
"After his having dismissed himself?"
"It might be overlooked."
"Here he was happy. He decided to go elsewhere, to be free—of course, of my yoke. He quitted my service against my warning. Flitch, we will say, emigrated with his wife and children, and the ship foundered. He returns, but his place is filled; he is a ghost here, and I object to ghosts."
"Some work might be found for him."
"It will be the same with old Vernon, my dear. If he goes, he goes for good. It is the vital principle of my authority to insist on that. A dead leaf might as reasonably demand to return to the tree. Once off, off for all eternity! I am sorry, but such was your decision, my friend. I have, you see, Clara, elements in me—"
"Dreadful!"
"Exert your persuasive powers with Vernon. You can do well-nigh what you will with the old fellow. We have Miss Dale this evening for a week or two. Lead him to some ideas of her.—Elements in me, I was remarking, which will no more bear to be handled carelessly than gunpowder. At the same time, there is no reason why they should not be respected, managed with some degree of regard for me and attention to consequences. Those who have not done so have repented."
"You do not speak to others of the elements in you," said Clara.
"I certainly do not: I have but one bride," was his handsome reply.
"Is it fair to me that you should show me the worst of you?"
"All myself, my own?"
His ingratiating droop and familiar smile rendered "All myself" so affectionately meaningful in its happy reliance upon her excess of love, that at last she understood she was expected to worship him and uphold him for whatsoever he might be, without any estimation of qualities: as indeed love does, or young love does: as she perhaps did once, before he chilled her senses. That was before her "little brain" had become active and had turned her senses to revolt.
It was on the full river of love that Sir Willoughby supposed the whole floating bulk of his personality to be securely sustained; and therefore it was that, believing himself swimming at his ease, he discoursed of himself.
She went straight away from that idea with her mental exclamation: "Why does he not paint himself in brighter colours to me!" and the question: "Has he no ideal of generosity and chivalry?"
But the unfortunate gentleman imagined himself to be loved, on Love's very bosom. He fancied that everything relating to himself excited maidenly curiosity, womanly reverence, ardours to know more of him, which he was ever willing to satisfy by repeating the same things. His notion of women was the primitive black and white: there are good women, bad women; and he possessed a good one. His high opinion of himself fortified the belief that Providence, as a matter of justice and fitness, must necessarily select a good one for him—or what are we to think of Providence? And this female, shaped by that informing hand, would naturally be in harmony with him, from the centre of his profound identity to the raying circle of his variations. Know the centre, you know the circle, and you discover that the variations are simply characteristics, but you must travel on the rays from the circle to get to the centre. Consequently Sir Willoughby put Miss Middleton on one or other of these converging lines from time to time. Us, too, he drags into the deeps, but when we have harpooned a whale and are attached to the rope, down we must go; the miracle is to see us rise again.
Women of mixed essences shading off the divine to the considerably lower were outside his vision of woman. His mind could as little admit an angel in pottery as a rogue in porcelain. For him they were what they were when fashioned at the beginning; many cracked, many stained, here and there a perfect specimen designed for the elect of men. At a whisper of the world he shut the prude's door on them with a slam; himself would have branded them with the letters in the hue of fire. Privately he did so; and he was constituted by his extreme sensitiveness and taste for ultra-feminine refinement to be a severe critic of them during the carnival of egoism, the love-season. Constantia . . . can it be told? She had been, be it said, a fair and frank young merchant with him in that season; she was of a nature to be a mother of heroes; she met the salute, almost half-way, ingenuously unlike the coming mothers of the regiments of marionettes, who retire in vapours, downcast, as by convention; ladies most flattering to the egoistical gentleman, for they proclaim him the "first". Constantia's offence had been no greater, but it was not that dramatic performance of purity which he desired of an affianced lady, and so the offence was great.
The love-season is the carnival of egoism, and it brings the touchstone to our natures. I speak of love, not the mask, and not of the flutings upon the theme of love, but of the passion; a flame having, like our mortality, death in it as well as life, that may or may not be lasting. Applied to Sir Willoughby, as to thousands of civilized males, the touchstone found him requiring to be dealt with by his betrothed as an original savage. She was required to play incessantly on the first reclaiming chord which led our ancestral satyr to the measures of the dance, the threading of the maze, and the setting conformably to his partner before it was accorded to him to spin her with both hands and a chirrup of his frisky heels. To keep him in awe and hold him enchained, there are things she must never do, dare never say, must
