The Four Faces. Le Queux William
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"So sorry," he said, and, after thanking us for coming out so far to ascertain if he had lost his purse, he pulled up a chair, seated himself between us, lit a big cigar, and helped us to whiskey from a silver tantalus.
"You had better add the soda yourselves," he said. "And now there is something I want to say to you both. You must have been surprised at my declaring so emphatically this evening that I had not met either of you before—eh?"
"I can answer for myself," Osborne exclaimed quickly. "Are you going to admit, after all, that you were on the Masonic?"
"Of course! Who else could it have been? Any more," he added, addressing me, than it could have been someone other than me whom you met in Geneva?"
"Then why did you deny it?" Osborne said rather irritably, looking hard at him with an expression of disapproval and mistrust, while my eyes wandered to that little gold medallion upon his chain.
"Because I had to,—that is, it was expedient that I should," was his reply. "I have a reason for not wanting it to be generally known that I am married,—least of all did I want Easterton, whose house I have just leased, to know me to be a married man; indeed, I told him some weeks ago that I was a bachelor—I had to, for reasons which I can't reveal at present."
He stopped speaking, and we watched him narrowly.
"Still," I remarked, "I don't see how you could have been on board ship in the middle of the ocean, and at the same time in London."
"I didn't say I was. I wasn't. I was in London a fortnight ago, and spent some hours with Lord Easterton. On the same day I sailed for Madeira, where I joined my wife on the homeward-bound Masonic. Think, Mr. Osborne," he ended, his curious gaze set on my companion's face, "think when we first met on board. It was not before the ship reached Madeira, surely."
Jack Osborne reflected.
"By Jove, no!" he suddenly exclaimed. "How odd I should all along have thought you had embarked at Capetown with the rest of us. But Mrs. Gastrell came from the Cape, surely?"
"She did, and the name 'Mr. Gastrell' was also in the passenger list, because a cousin of mine should have been on board. At the eleventh hour he was prevented from sailing, and it was upon receipt of a cable from him that I decided to catch the next boat to the Canaries and there meet my wife."
I admit that, as he paused, I felt rather "small"; and I believe Osborne felt the same. We had driven from the club right out here to Swiss Cottage, and on the way we had conjured up in our imaginations all sorts of mysterious happenings, even possible intrigues; and now the whole affair proved to have been "quite ordinary," with a few commonplace incidents to relieve its monotony—notably the incident of the giant cobra.
True, there was the mystery of the locked door. But then, had it really been locked? I had not myself tried to open it, and now as I thought about it, it seemed to me quite possible that Jack Osborne might, in the excitement of the moment, have failed to turn the handle sufficiently, and so have believed that the door was locked when it was not. Again we had Gastrell's assurance that he had found himself locked in one day. As for his declaration to Easterton that he was not the Gastrell whom Osborne had met on the Masonic, it was clear now that he had some secret reason for wishing to pass in London as a bachelor, and as Osborne had told Easterton that the Gastrell on the Masonic had told him that he had met me in Geneva, naturally Gastrell had been driven—in order to conceal his identity—to maintain that he had never before met me either.
Our host insisted upon our taking another of his very excellent cigars before we left,—it was close upon one o'clock when we rose to go. He rang up a taxi for us, helped us on with our coats, accompanied us to the door, and shook hands with each of us most cordially.
"What do you make of it, Michael?" Osborne asked, when we had remained silent in the swift-travelling taxi for five minutes or more, and were approaching Marlboro' Road Station."
"Nothing," I answered bluntly. "I don't know what to make of it."
"Suspect anything?"
"Yes—and no."
"That's just how I feel, and yet—"
"Well?"
"I mistrust him. I don't know why, but I do. I mistrust them both. There's something queer happening in that house. I am certain there is."
"You can't be certain, as you don't know."
"My suspicions are so strong that they amount to convictions."
"So I think, too. And those dirty tumblers on the tray, and the hot arm-chair I sat down in—Jack, I believe there were a lot of people in that house, hidden away somewhere, all the time we were there. I believe Gastrell admitted his identity only because he was obliged to. Our calling like that, so unexpectedly, and being admitted by his wife—if she is his wife—disconcerted him and took him unawares. I can't think why she admitted us—especially I can't think why she kept us so long in the dark in the hall before she switched on the light. By Jove! What a stunning woman!"
"She is—but crafty. I thought that when I met her on board ship. And those eyes of hers. Phew! They seem to read right into one's soul, and discover one's secret thoughts." He stopped for an instant, then added, meditatively, "I wonder what makes Gastrell keep that horrible cobra as a pet."
I yawned, and we relapsed into silence. Then gradually my thoughts drifted—drifted away from London, far from crowds and hustle, the rumble of motor 'buses and the hootings and squawkings of ears, to a peaceful, rural solitude.
I was in Berkshire. Down in the picturesque valley into which I gazed from the summit of a wooded slope stood a Manor house, ivy-grown, old, very beautiful Facing it an enormous plateau, hewn out of the Down, had been converted to various uses—there were gardens, shrubberies, tennis lawns. Lower came terrace after terrace of smoothly mown grass, each with its little path and borders of shrubs, interspersed with the finest Wellingtonias in the county, tapering gracefully to heaven, copper-beeches and grand oaks.
The house itself was very long and low, its frontage white, mellowed with age, and broken up by old-fashioned, latticed windows which gleamed blue and grey in the translucent, frosted air. The roof of the Manor boasted a mass of beautiful red-brown gables, many half hidden from sight by the wealth of ivy; last summer also by a veritable tangle of Virginia creeper and crimson rambler, now sleeping their winter sleep.
My thoughts wandered on. They travelled with extraordinary rapidity, as thought does, picture after picture rising into the vision of my imagination like the scenes in a kaleidoscopic cinema.
Now I was seated in the old Manor. I could see the room distinctly. It was a small boudoir or ante-room opening into the large drawing-room—a cosy, homely place, its low, latticed windows, divided into four, opening outwards on to garden and terraces, its broad, inviting window-seat comfortably cushioned. Nearly all the furniture was quite old, dark oak, elaborately carved—writing-table, high-backed chairs, an old French "armoury" in the corner; but near the hearth there were two or three deep, modern armchairs of peculiarly restful character, covered with exquisite flowered chintzes.
This vision deepened. I started. The door of the quiet room had suddenly opened, and, humming a gay little French air, a young girl had entered—fresh, exquisite, like a breath of early Springtime itself in the midst of Winter. With her deep eyes, so soft and brown, her skin of a healthy olive pallor, the cheeks just flushed