Absalom's Hair. Bjørnstjerne Bjørnson

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world-weary.

      With her one could lead a thoroughly stylish life, full of art and taste and comfort. She was highly cultivated, and absolutely emancipated—our little country did not, in those days, possess a more alluring expression.

      When face to face with her they were uncertain how to act, whether to approach her diffidently or boldly, smile or look serious, talk or be silent.

      What these idle wooers gleaned from her stories, her characteristic dress, her wondering eyes, and her quiet dreaminess, was not the highest, but they expended their energy thereon; so that their unbounded discomfiture may be imagined when, in the autumn, the news spread that Fruken Kristen Ravn was married to Harald Kaas.

      They burst into peals of derisive laughter they scoffed, they exclaimed; the only explanation they could offer was that they had too long hesitated to try their fortune.

      There were others, who both knew and admired her, who were no less dismayed. They were more than disappointed—the word is too weak; to many of them it seemed simply deplorable. How on earth could it have happened? Every one, herself excepted, knew that it would ruin her life.

      On Kristen Ravn's independent position, her strong character, her rare courage, on her knowledge, gifts, and energy, many, especially women, had built up a future for the cause of Woman. Had she not already written fearlessly for it? Her tendency towards eccentricity and paradox would soon have worn off, they thought, as the struggle carried her forward, and at last she might have become one of the first champions of the cause. All that was noblest and best in Kristen must predominate in the end.

      And now the few who seek to explain life's perplexities rather than to condemn them discovered—Some of them, that the defiant tone of her writings and her love of opposition bespoke a degree of vanity sufficient to have led her into fallacy. Others maintained that hers was essentially a romantic nature which might cause her to form a false estimate both of her own powers and of the circumstances of life. Others, again, had heard something of how this husband and wife lived, one in each wing of the house, with different staffs of servants, and with separate incomes; that she had furnished her side in her own way, at her own expense, and had apparently conceived the idea of a new kind of married life. Some people declared that the great lime-trees near the mansion at Hellebergene were alone responsible for the marriage. They soughed so wondrously in the summer evenings, and the sea beneath their branches told such enthralling stories. Those grand old woods, the like of which were hardly to be found in impoverished Norway, were far dearer to her than was her husband. Her imagination had been taken captive by the trees, and thus Harald Kaas had taken HER. The estate, the climate, the exclusive possession of her part of the house: this was the bait which she had chosen. Harald Kaas was only a kind of Puck who had to be taken along with it. But it is doubtful whether this conjecture was any nearer the truth. No one ever really knew. She was not one of those whom it is easy to catechise.

      Every one wearies at last of trying to solve even the most interesting of enigmas. No one could tolerate the sound of her name when, four months after her marriage, she was seen in a stall at the Christiania Theatre just as in old days, though looking perhaps a little paler. Every opera-glass was levelled at her. She wore a light, almost white, dress, cut square as usual. She did not hide her face behind her fan. She looked about her with her wondering eyes, as though she was quite unconscious that there were other people in the theatre or that any one could be looking at her. Even the most pertinacious were forced to concede that she was both physically and mentally unique, with a charm all her own.

      But just as she had become once more the subject of general conversation, she disappeared. It afterwards transpired that her husband had fetched her away, though hardly any one had seen him. It was concluded that they must have had their first quarrel over it.

      Accurate information about their joint life was never obtained. The attempts of her relations to force themselves upon them were quite without result, except that they found out that she was enceinte, notwithstanding her utmost efforts to conceal the fact.

      She sent neither letter nor announcement; but in the summer, when she was next seen in Christiania, she was wheeling a perambulator along Karl Johan Street, her eyes as wondering as though some one had just put it between her hands. She looked handsomer and more blooming than ever.

      In the perambulator lay a boy with his mother's broad forehead, his mother's red hair. The child was charmingly dressed, and he, as well as the perambulator, was so daintily equipped, so completely in harmony with herself, that every one understood the reply that she gave, when, after the usual congratulations, her acquaintances inquired, "Shall we soon have a new story from you?"—she answered, "A new story? Here it is!"

      But, notwithstanding the unalloyed happiness which she displayed here, it could no longer be concealed that more often than not she was absent from home, and that she never mentioned her husband's name. If any one spoke of him to her, she changed the subject. By the time that the boy was a year old, it had become evident that she contemplated leaving Hellebergene entirely. She had been in Christiania for some time and had gone home to make arrangements, saying that she should come back in a few days.

      But she never did so.

      The day after her return home, while the numerous servants at Hellebergene, as well as the labourers with their wives and children, were all assembled at the potato digging, Harald Kaas appeared, carrying his wife under his left arm like a sack. He held her round the waist, feet first, her face downwards and hidden by her hair, her hands convulsively clutching his left thigh, her legs sometimes hanging down, sometimes straight out. He walked composedly out with her, holding in his right hand a bunch of long fresh birch twigs. A little way from the gallery he paused, and laying her across his left knee, he tore off some of her clothes, and beat her until the blood flowed. She never uttered a sound. When he put her from him, she tremblingly rearranged—first her hair, thus displaying her face just as the blood flowed back from it, leaving it deadly white. Tears of pain and shame rolled down her cheeks; but still not a sound. She tried to rearrange her dress, but her tattered garments trailed behind her as she went back to the house. She shut the door after her, but had to open it again; her torn clothes had caught fast in it.

      The women stood aghast; some of the children screamed with fright: this infected the rest, and there was a chorus of sobs. The men, most of whom had been sitting smoking their pipes, but who had sprung to their feet again, stood filled with shame and indignation.

      It had not been without a pang that Harald Kaas had done this, his face and manner had shown it for a long time and still did so; but he had expected that a roar of laughter would greet his extraordinary vagary. This was evident from the composure with which he had carried his wife out; and still more from the glance of gratified revenge with which he looked round him afterwards. But there was only dead stillness, succeeded by weeping, sobbing, and indignation. He stood there for a moment, quite overcome, then went indoors again, a defeated, utterly broken man.

      In every encounter with this delicate creature the giant had been worsted.

      After this, however, she never went beyond the grounds. For the first few years she was only seen by the people about the estate, and by them but seldom. Sometimes she would take her boy out in his little carriage, or, as time went on, would lead him by the hand, sometimes she was alone. She was generally wrapped in a big shawl, a different one for each dress she wore, and which she always held tightly round her. This was so characteristic of her that to this day I hear people from the neighbourhood talk about it as though she were never seen otherwise.

      What then did she do? She studied; she had given up writing: for more than one reason it had become distasteful to her. She had changed roles with her husband, giving herself up to mathematics, chemistry, and physics, she made calculations and analyses—sending for books and materials for these objects. The people on the estate saw nothing extraordinary in all this. From the first they had admired her

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