opened, and the real Marionetta appeared.
The motives which had led her to the tower were a little penitence, a little concern, a little affection, and a little fear as to what the sudden secession of Scythrop, occasioned by her sudden change of manner, might portend. She had tapped several times unheard, and of course unanswered; and at length, timidly and cautiously opening the door, she discovered him standing up before a black velvet chair, which was mounted on an old oak table, in the act of throwing open his striped calico dressing-gown, and flinging away his nightcap—which is what the French call an imposing attitude.
Each stood a few moments fixed in their respective places—the lady in astonishment, and the gentleman in confusion. Marionetta was the first to break silence. 'For heaven's sake,' said she, 'my dear Scythrop, what is the matter?'
'For heaven's sake, indeed!' said Scythrop, springing from the table; 'for your sake, Marionetta, and you are my heaven,—distraction is the matter. I adore you, Marionetta, and your cruelty drives me mad.' He threw himself at her knees, devoured her hand with kisses, and breathed a thousand vows in the most passionate language of romance.
Marionetta listened a long time in silence, till her lover had exhausted his eloquence and paused for a reply. She then said, with a very arch look, 'I prithee deliver thyself like a man of this world.' The levity of this quotation, and of the manner in which it was delivered, jarred so discordantly on the high-wrought enthusiasm of the romantic inamorato, that he sprang upon his feet, and beat his forehead with his clenched fist. The young lady was terrified; and, deeming it expedient to soothe him, took one of his hands in hers, placed the other hand on his shoulder, looked up in his face with a winning seriousness, and said, in the tenderest possible tone, 'What would you have, Scythrop?'
Scythrop was in heaven again. 'What would I have? What but you, Marionetta? You, for the companion of my studies, the partner of my thoughts, the auxiliary of my great designs for the emancipation of mankind.'
'I am afraid I should be but a poor auxiliary, Scythrop. What would you have me do?'
'Do as Rosalia does with Carlos, divine Marionetta. Let us each open a vein in the other's arm, mix our blood in a bowl, and drink it as a sacrament of love. Then we shall see visions of transcendental illumination, and soar on the wings of ideas into the space of pure intelligence.'
Marionetta could not reply; she had not so strong a stomach as Rosalia, and turned sick at the proposition. She disengaged herself suddenly from Scythrop, sprang through the door of the tower, and fled with precipitation along the corridors. Scythrop pursued her, crying, 'Stop, stop, Marionetta—my life, my love!' and was gaining rapidly on her flight, when, at an ill-omened corner, where two corridors ended in an angle, at the head of a staircase, he came into sudden and violent contact with Mr Toobad, and they both plunged together to the foot of the stairs, like two billiard-balls into one pocket. This gave the young lady time to escape, and enclose herself in her chamber; while Mr Toobad, rising slowly, and rubbing his knees and shoulders, said, 'You see, my dear Scythrop, in this little incident, one of the innumerable proofs of the temporary supremacy of the devil; for what but a systematic design and concurrent contrivance of evil could have made the angles of time and place coincide in our unfortunate persons at the head of this accursed staircase?'
'Nothing else, certainly,' said Scythrop: 'you are perfectly in the right, Mr Toobad. Evil, and mischief, and misery, and confusion, and vanity, and vexation of spirit, and death, and disease, and assassination, and war, and poverty, and pestilence, and famine, and avarice, and selfishness, and rancour, and jealousy, and spleen, and malevolence, and the disappointments of philanthropy, and the faithlessness of friendship, and the crosses of love—all prove the accuracy of your views, and the truth of your system; and it is not impossible that the infernal interruption of this fall downstairs may throw a colour of evil on the whole of my future existence.'
'My dear boy,' said Mr Toobad, 'you have a fine eye for consequences.'
So saying, he embraced Scythrop, who retired, with a disconsolate step, to dress for dinner; while Mr Toobad stalked across the hall, repeating, 'Woe to the inhabiters of the earth, and of the sea, for the devil is come among you, having great wrath.'
* * * * *
CHAPTER IV
The flight of Marionetta, and the pursuit of Scythrop, had been witnessed by Mr Glowry, who, in consequence, narrowly observed his son and his niece in the evening; and, concluding from their manner, that there was a better understanding between them than he wished to see, he determined on obtaining the next morning from Scythrop a full and satisfactory explanation. He, therefore, shortly after breakfast, entered Scythrop's tower, with a very grave face, and said, without ceremony or preface, 'So, sir, you are in love with your cousin.'
Scythrop, with as little hesitation, answered, 'Yes, sir.'
'That is candid, at least; and she is in love with you.'
'I wish she were, sir.'
'You know she is, sir.'
'Indeed, sir, I do not.'
'But you hope she is.'
'I do, from my soul.'
'Now that is very provoking, Scythrop, and very disappointing: I could not have supposed that you, Scythrop Glowry, of Nightmare Abbey, would have been infatuated with such a dancing, laughing, singing, thoughtless, careless, merry-hearted thing, as Marionetta—in all respects the reverse of you and me. It is very disappointing, Scythrop. And do you know, sir, that Marionetta has no fortune?'
'It is the more reason, sir, that her husband should have one.'
'The more reason for her; but not for you. My wife had no fortune, and I had no consolation in my calamity. And do you reflect, sir, what an enormous slice this lawsuit has cut out of our family estate? we who used to be the greatest landed proprietors in Lincolnshire.'
'To be sure, sir, we had more acres of fen than any man on this coast: but what are fens to love? What are dykes and windmills to Marionetta?'
'And what, sir, is love to a windmill? Not grist, I am certain: besides, sir, I have made a choice for you. I have made a choice for you, Scythrop. Beauty, genius, accomplishments, and a great fortune into the bargain. Such a lovely, serious creature, in a fine state of high dissatisfaction with the world, and every thing in it. Such a delightful surprise I had prepared for you. Sir, I have pledged my honour to the contract—the honour of the Glowries of Nightmare Abbey: and now, sir, what is to be done?'
'Indeed, sir, I cannot say. I claim, on this occasion, that liberty of action which is the co-natal prerogative of every rational being.'
'Liberty of action, sir? there is no such thing as liberty of action.
We are all slaves and puppets of a blind and unpathetic necessity.'
'Very true, sir; but liberty of action, between individuals, consists in their being differently influenced, or modified, by the same universal necessity; so that the results are unconsentaneous, and their respective necessitated volitions clash and fly off in a tangent.'
'Your logic is good, sir: but you are aware, too, that one individual may be a medium of adhibiting to another a mode or form of necessity, which may have more or less influence in the production of consentaneity; and, therefore, sir, if you do not comply with my wishes in this instance (you have had your own way in every thing else), I shall be under the necessity of disinheriting you, though I shall do it with tears in my eyes.' Having said these words, he vanished suddenly, in the dread of Scythrop's logic.
Mr Glowry
