In a Cottage In a Wood: The gripping new psychological thriller from the bestselling author of The Woman Next Door. Cass Green
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A few moments later she had scurried away, eyes gleaming. It made Neve feel as though she was the one who had done something shocking and violent.
She’s gazing balefully at her friend now when someone comes through the double doors and stops by the desk. It’s Fraser, the editor of Modeller Monthly, a magazine filled with stories about model trains that is, bafflingly to Neve, one of CPP’s best sellers.
He’s only in his thirties but favours tweedy academic-looking jackets and, with his unfashionable glasses and thin pale hair, looks much older. He behaves as though he’s the editor of a major broadsheet and heaven help anyone who cracks jokes about the readership, as Neve has done many times.
It’s why, she thinks, he likes to throw his weight around with her, and gets her to do silly little admin jobs he’s perfectly capable of doing himself.
She pretends not to notice him, so he has to clear his throat. It’s childish, but she takes her pleasures where she can in this job. Looking up, she rewards him with a beaming smile, all teeth and sparkly eyes, which makes the tips of his ears flush almost purple.
‘Uh, yes, Neve,’ he says, quickly, ‘I wonder if I can trouble you to do something for me.’
Neve leans over, conspiratorial, and says, ‘Fraser, you know that serving your needs is what I live for.’
She’s hoping Miri will hear and that they can snigger about it later, but she glances over to see that Miri has finished her copying job and gone.
‘I did actually email you about this earlier,’ Fraser says pointedly and Neve, chastised, lets her grin slide away.
‘Phones have been crazy,’ she lies.
‘Yes, well, anyway, there was a problem with some of the subs for Creative Stamp Monthly and Weave It,’ he says. ‘I need you to send out a standard apology letter to the readers affected.’ He pauses and his eyes gleam as he adds, ‘There are quite a few. Should keep you busy for a while.’ He hands her a sheet of paper, dense with names and addresses.
Neve takes it from him and murmurs that she will get on to it. As he moves away with his quick, pigeon-toed walk, she watches him go and thinks there’s no sport in this job any more. She is suddenly filled with an overwhelming weariness.
She turns the switchboard to the answering machine and goes to the Ladies to hide for a while. Inside the cubicle she blows her nose furiously until the desire to cry passes.
When she is washing her hands she hears a flushing toilet. She’d thought she was the only one in there and is relieved when it’s Miri who emerges from the cubicle.
‘Christ on a bike,’ says her friend. ‘I swear it would be easier to wear a nappy and be done with it. That’s the sixth time I’ve had to pee since nine.’ She pauses and sees Neve’s blotchy face. ‘Oh, what’s the matter, honey? Thinking about Mum and Dad?’
One of the many reasons Neve loves Miri is that her friend is capable of mentioning Neve’s orphan state.
Neve shrugs and washes her hands. When she speaks, her voice is thick and snotty.
‘Not really. Just … this place, you know? Can’t believe I’m still here sometimes.’
Miri washes her hands and regards her in the mirror, her brow creased and her eyes soft.
‘Well you’re not alone there,’ she says kindly. ‘Anyway, not long now until the holidays.’
Neve snorts, impatiently.
‘Yeah, I’m really excited about Christmas,’ she says, deadpan, then makes a doomy face in the mirror.
‘Spending it with Mr and Mrs Tight Arse?’ says Miri doing a pert, rabbitty gesture with hands bent like paws.
‘Yep,’ says Neve. ‘Yay.’
Miri sighs. ‘You know I’d have you to mine in a shot,’ she says, ‘but I have several million aunties and uncles coming over in order to create my own festive hell.’ She slips into a broad Indian accent and waggles her head, ‘You need to eat a bit more, Amira-Ji, or that baby is going to come out a lanky bean like his father.’
Neve laughs as she throws the tissue into the bin.
‘Arjan is dreading it,’ continues Miri with a sigh. ‘It’s his first one where he hasn’t been on call and he’d rather be there. Can you imagine preferring to help sick people than have a family gathering? That’s my lot for you.’ Miri holds her hand up with a flourish, as though revealing words on a banner. ‘The Sharma family: Not quite as much fun as a winter vomiting virus.’
Neve laughs and feels cheered up, a little.
Miri pauses before speaking. ‘Hey, I’ve been meaning to ask you. Did you find out anything else about that woman? The one who killed herself?’
Neve shakes her head, mood instantly sinking again. ‘I tried Googling it,’ she says. ‘But I think too many people in London top themselves for it to be news.’
Miri makes a disapproving sound in her throat. ‘That’s depressing. Still,’ she says, perking up, ‘for all you know, they may have rescued her. Why don’t you ring the police and ask someone? You have the right to know. You were there, after all.’
Neve takes her mobile out into the stairwell for privacy.
It takes ages for her to be put through to anyone who can help. She starts off with 999, then is directed to another department. Finally, after being on hold for almost five minutes, she’s connected with a bored-sounding woman who tells her someone will look on the system for further information and then puts her on hold again.
Neve sighs and entertains the possibility of hanging up. But no, she needs to see this through.
Eventually a different woman comes to the phone. She sounds a little warmer.
‘Hello, you were asking about the suicide from Waterloo Bridge on December twenty-first?’ she says.
‘Yes, that’s right.’ Neve’s heart speeds up and she finds herself clutching the receiver, her hand damp. There’s a pause.
‘I’m afraid a body was found the following morning.’
‘Oh …’ Neve puffs out the word in a sigh. She didn’t know what else she had been expecting, but the news still feels electric and cold in her stomach.
‘Did you know the individual?’ the woman continues brightly.
‘Well, no, I was just there. You see …’
She finds herself recounting the whole thing again, while the woman on the other end of the phone clucks, ‘Oh dear’ and ‘What a shame,’ at