Wonders of the Universe. Andrew Cohen

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hour) at which sound travels in air at twenty degrees Celsius. But what is the meaning of this speed limit? What is the underlying physics, and how does it affect our engineering attempts to break it?

      Sound in a gas such as air is a moving disturbance of the air molecules. Imagine dropping a saucepan lid onto the floor. As it lands, it rapidly compresses the air beneath it, pushing the molecules closer together. This increases the density of the air beneath the lid, which corresponds to an increase in air pressure. In a gas, molecules will fly around to try to equalise the pressure, which is why winds develop between high and low pressure areas in our atmosphere. With a falling lid, some of the molecules in the high-pressure area beneath it will rush out to the surrounding lower-pressure areas; these increase in pressure, causing molecules to rush into the neighbouring areas, and so on. So the disturbance in the air caused by the falling lid moves outwards as a wave of pressure. The air itself doesn’t flow away from the lid (this would leave an area of lower pressure around it that would have to be equalised), it is only the pulse of pressure that moves through the air.

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      Once we reached 12,800 metres, the pilot put the Hawker Hunter into the roll and we dived down through the clouds, upside down. Almost immediately, we broke through the sound barrier.

      The speed of this pressure wave is set by the properties of the air. The speed of sound in air depends on the air’s temperature, which is a measure of how fast the molecules in the air are moving on average, the mass of the air molecules (air is primarily a mixture of nitrogen and oxygen) and the details of how the air responds when it is compressed (known as the ‘adiabatic index’). To a reasonable approximation, the speed of the sound wave depends mainly on the average speed of the air molecules at a particular temperature.

      The speed of sound is therefore not a speed limit at all; it is simply the speed at which a wave of pressure moves through the air, and there is no reason why an object shouldn’t exceed this. This was known long before aircraft were invented, but it did not satisfy those who wanted to propel a human faster than sound. Many attempts were made during World War II to produce a supersonic aircraft, but the sound barrier was not breached until 14 October 1947, when Chuck Yeager became the first human to pilot a supersonic flight. Flying in the Bell–XS1, Yeager was dropped out of the bomb bay of a modified B29 bomber, through the sound barrier and into the history books.

      The speed of sound is not a speed limit at all; it is simply the speed at which a wave of pressure moves through the air, and there is no reason why an object shouldn’t exceed this.

      Today, aircraft routinely break the sound barrier, but the routine element hides the fascinating aerodynamic and engineering challenges that had to be overcome so that humans could travel faster than sound. Test pilot Dave Southwood demonstrated these to me in the making of the programme in a beautiful aircraft that was not designed to break the sound barrier in level flight – the Hawker Hunter.

      Designed in the 1950s, the Hawker Hunter is a legendary British jet fighter of the post-war era. Designed to fly at Mach 0.94, this aircraft cannot fly supersonic in level flight, but in the right hands it can exceed the 1,200 kilometres (745 miles) per hour to take me through the sound barrier. We climbed to 12,800 metres (42,000 feet), flipped the Hunter into an inverted dive, then plunged full-throttle towards the Bristol Channel. In just seconds the jet smashed through the sound barrier and the air flow surrounding the jet changed, which is heard on the ground as an explosion, or a sonic boom.

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      Once we reached 12,800 metres, the pilot put the Hawker Hunter into the roll and we dived down through the clouds, upside down. Almost immediately, we broke through the sound barrier.

      So the sound barrier is not a barrier at all; it is a speed limit only for sound itself, determined by the physics of the movement of air molecules. Is the light barrier the same? It would seem from our description of light as an electromagnetic wave that is so. Why shouldn’t a sufficiently powerful aircraft or spacecraft be able to fly faster than a wave in electric and magnetic fields? The answer is that the ‘light barrier’ is of a totally different character and cannot be smashed through, even in principle. The reason for this is that light speed plays a much deeper role in the Universe than just being the speed at which light travels. A true understanding of the role of this speed, 299,792,458 metres (983,571,503 feet) per second, was achieved in 1905 by Albert Einstein in his special theory of relativity. Einstein, inspired by Maxwell’s work, wrote down a theory in which space and time are merged into a single entity known as ‘spacetime’. Einstein suggested we should not see our world as having only three directions – north/south, east/west and up/down, as he added a fourth direction – past/future. Hence spacetime is referred to as four-dimensional, with time being the fourth dimension.

      A full explanation of this is beyond the scope of this book, suffice to say that Einstein was forced into this bold move primarily because Maxwell’s equations for electricity and magnetism were incompatible with Newton’s 200-year-old laws of motion. Einstein abandoned the Newtonian ideas of space and time as separate entities and merged them. In Einstein’s theory there is a special speed built into the structure of spacetime itself that everyone must agree on, irrespective of how they are moving relative to each other. This special speed is a universal constant of nature that will always be measured as precisely 299,792,458 metres (983,571,503 feet) per second, at all times and all places in the Universe, no matter what they are doing. This is critical in Einstein’s theory because it stops us doing something strange in spacetime; if past/future is simply another direction like north/south, why can’t we wander backwards and forwards in it? Why can we only travel into the future, not the past?

      In Einstein’s theory of relativity it is the existence of this unanimously agreed special speed that makes time direction different to that of space and prevents time travel. In this sense, the special speed is built into the fabric of space and time itself and plays a deep role in the structure of our universe. What does it have to do with the speed of light? Nothing much! There is a reason why light goes at this speed, and it seems to be a complete coincidence. In Einstein’s theory, anything that has no mass is compelled to travel at the special speed through space. Conversely, anything that has mass is compelled to travel slower than this speed. Particles of light, photons, have no mass, so they travel at the speed of light. There is no deep reason we know of why photons have to be massless particles, so no deep reason why light travels at the speed of light! We only call the special speed ‘light speed’ because it was discovered by measuring the speed of light.

      The key point is that the speed of light is a fundamental property of the Universe because it is built into the fabric of space and time itself. Travelling faster than this speed is impossible, and even travelling at it is impossible if you have mass. It is this property of the Universe that protects the past from the future and prevents time travel into the past image

      Without realising it, we are all travelling back in time by the most miniscule amount. The consequence of light travelling fast, but not infinitely fast, is that you see everything as it was in the past. In everyday life the consequences of this strange fact are intriguing but irrelevant. It may be strictly true that you are seeing your reflection in the mirror in the past, but since it takes light only one thousand millionths of a second to travel thirty centimetres (twelve inches), the delay is all but invisible. However, the further away we get from an object, the greater the delay becomes. Although over tiny distances the effect is always utterly negligible, it should be obvious that once we lift our eyes upwards to the skies and become astronomers, profound consequences await us.

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