Blackwood's Edinburgh Magazine - Volume 62, No. 384, October 1847. Various

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Blackwood's Edinburgh Magazine - Volume 62, No. 384, October 1847 - Various

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kindness.

      We would rather preface our notice of the life and works of Andersen, by a motto taken from our own countryman Blake, artist and poet, and a man of somewhat kindred nature:—2

      "Piping down the valleys wild,

      Piping songs of pleasant glee,

      On a cloud I saw a child,

      And he laughing said to me—

      'Pipe a song about a lamb;'

      So I piped with merry cheer.

      'Piper, pipe that song again!—'

      So I piped—he wept to hear.

      'Drop thy pipe, thy happy pipe,

      Sing thy songs of happy cheer—'

      So I sang the same again,

      While he wept with joy to hear.

      'Piper, sit thee down and write,

      In a book that all may read.'

      Then he vanished from my sight;

      And I plucked a hollow reed,

      And I made a rural pen,

      And I stained the water clear,

      And I wrote my happy songs,

      Every child may joy to hear."

      Such was the form under which the muse may be said to have visited and inspired Andersen. He ought to have been exclusively the poet of children and of childhood. He ought never to have seen, or dreamed, of an Apollo six feet high, looking sublime, and sending forth dreadful arrows from the far-resounding bow; he should have looked only to that "child upon the cloud," or rather, he should have seen his little muse as she walks upon the earth—we have her in Gainsborough's picture—with her tattered petticoat, and her bare feet, and her broken pitcher, but looking withal with such a sweet sad contentedness upon the world, that surely, one thinks, she must have filled that pitcher and drawn the water which she carries—without, however, knowing any thing of the matter—from the very well where Truth lies hidden.

      We should like to quote at once, before proceeding further, one of Andersen's tales for children. We will venture upon an extract. It will at all events be new to our readers, and will be more likely to interest them in the history of its author than any quotation we could make from his more ambitious works. Besides, the story we select will somewhat foreshadow the real history which follows.

      A highly respectable matronly duck introduces into the poultry-yard a brood which she has just hatched. She has had a deal of trouble with one egg, much larger than the rest, and which after all produced a very "ugly duck," who gives the name, and is the hero of the story.

      "'So, we are to have this tribe, too!' said the other ducks, 'as if there were not enough of us already! And only look how ugly one is! we won't suffer that one here.' And immediately a duck flew at it, and bit it in the neck.

      "'Let it alone,' said the mother; 'it does no one any harm.'

      "'Yes, but it is so large and strange looking, and therefore it must be teased.'

      "'These are fine children that the mother has!' said an old duck, who belonged to the noblesse, and wore a red rag round its leg. 'All handsome, except one; it has not turned out well. I wish she could change it.'

      "'That can't be done, your grace,' said the mother; 'besides, if it is not exactly pretty, it is a sweet child, and swims as well as the others, even a little better. I think in growing it will improve. It was long in the egg, and that's the reason it is a little awkward.'

      "'The others are nice little things,' said the old duck: 'now make yourself quite at home here.'

      "And so they did. But the poor young duck that had come last out of the shell, and looked so ugly, was bitten, and pecked, and teased by ducks and fowls. 'It's so large!' said they all; and the turkey-cock, that had spurs on when he came into the world, and therefore fancied himself an emperor, strutted about like a ship under full sail, went straight up to it, gobbled, and got quite red. The poor little duck hardly knew where to go, or where to stand, it was so sorrowful because it was so ugly, and the ridicule of the whole poultry-yard.

      "Thus passed the first day, and afterwards it grew worse and worse. The poor duck was hunted about by every one; its brothers and sisters were cross to it, and always said, 'I wish the cat would get you, you frightful creature!' and even its mother said, 'Would you were far from here!' And the ducks bit it, and the hens pecked at it, and the girl that fed the poultry kicked it with her foot. So it ran and flew over the hedge.

      "On it ran. At last it came to a great moor where wild-ducks lived; here it lay the whole night, and was so tired and melancholy. In the morning up flew the wild-ducks, and saw their new comrade; 'Who are you?' asked they; and our little duck turned on every side, and bowed as well as it could. 'But you are tremendously ugly!' said the wild-ducks. 'However, that is of no consequence to us, if you don't marry into our family.' The poor thing! It certainly never thought of marrying; it only wanted permission to lie among the reeds, and to drink the water of the marsh.

      "'Bang! bang!' was heard at this moment, and several wild-ducks lay dead amongst the reeds, and the water was as red as blood. There was a great shooting excursion. The sportsmen lay all round the moor; and the blue smoke floated like a cloud through the dark trees, and sank down to the very water; and the dogs spattered about in the marsh—splash! splash! reeds and rushes were waving on all sides; it was a terrible fright for the poor duck.

      "At last all was quiet; but the poor little thing did not yet dare to lift up its head; it waited many hours before it looked round, and then hastened away from the moor as quickly as possible. It ran over the fields and meadows, and there was such a wind that it could hardly get along.

      "Towards evening, the duck reached a little hut. Here dwelt an old woman with her tom-cat and her hen; and the cat could put up its back and purr, and the hen could lay eggs, and the old woman loved them both as her very children. For certain reasons of her own, she let the duck in to live with them.

      "Now the tom-cat was master in the house, and the hen was mistress; and they always said, 'We and the world.' That the duck should have any opinion of its own, they never would allow.

      "'Can you lay eggs?' asked the hen.

      "'No!'

      "'Well, then, hold your tongue.'

      "Can you put up your back and purr?' said the tom-cat.

      "'No.'

      "'Well, then, you ought to have no opinion of your own, where sensible people are speaking.'

      "And the duck sat in the corner, and was very sad; when suddenly it took it into its head to think of the fresh air and the sunshine; and it had such an inordinate longing to swim on the water, that it could not help telling the hen of it.

      "'What next, I wonder!' said the hen, 'you have nothing to do, and so you sit brooding over such fancies. Lay eggs, or purr, and you'll forget them.'

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<p>2</p>

See Allan Cunningham's Lives of the Painters and Sculptors, vol. ii. p. 150.