enter, thou,A vanquished victor. None can disavow
Thy royal, love-bought right unto the whole
Of love's rich feast. Oh outspread golden hair,
White brow, red lips whereon thy lips are set
With rapturous thrills undreamed of, past compare!
Oh ecstasy of bliss! And yet—and yet—
What doth it profit thee that every part
Is thine except the little wayward heart?
AN OLD ENGLISH HOME: BRAMSHILL HOUSE
A peculiar charm hangs about an Elizabethan country-house.
The castles belong to an utterly different state of things and people—to a rougher, coarser time. Their towers and walls, where the jackdaws build in the ivy; their moats, where the hoary carp bask and fatten; their drawbridges and heavy doors and loopholed windows,—these all tell of the unrest, the semi-war-like state of feudal days, when each great seigneur was a petty king in his own county, with his private as well as public feuds, and his little army of men-at-arms ready to do his bidding, to sally forth and fight for the king or to defend his own walls against some more powerful neighbor.
The great houses of the eighteenth century have a different character again, with their Italian façades and trim terraced gardens, where the wits and beauties of dull Queen Anne's time amused themselves after their somewhat rude fashion. They speak of a solid luxury in keeping with the heavy features and ponderous minds of the worthies of those days.
But the Elizabethan, or even early Jacobean, house tells us of England in her golden age. The walls of red brick, gray with lichens; the rows of wide stone-mullioned windows and hanging oriels; the delicate, fanciful chimneys rising in great clusters above the pointed gables; the broad stone steps leading up to the hospitable door; the smooth green terraces and bowling-lawns, walled in, it is true, but closed with gates of curiously-wrought ironwork meant more for ornament than for defence,—all these serve to recall the days when learning and wealth joined hands with the Maiden Queen to raise England from the depths into which she had sunk—the days of "the worthies whom Elizabeth, without distinction of rank or age, gathered round her in the ever-glorious wars of her great reign."
It was then that Burleigh and Walsingham talked statecraft; that Raleigh and Drake, Frobisher and Grenville, sailed the seas and beat the Spanish Armada; that the "sea-dogs" brought the treasures of the New World to the feet of the queen, and filled men's minds with dreams of El Dorados where gold and jewels were as common as the sand on the seashore. It was then that English literature, all but dead during the storm of the Reformation, began to revive. And then it was that a galaxy of poets arose such as the world had never seen before; that Sidney wrote his Arcadia, Spenser his Faerie Queene; that Christopher Marlowe, Beaumont and Fletcher and merrie Ben Jonson founded the English drama; and that Shakespeare, poet of poets, overshadowed them all with that stupendous genius which has filled succeeding generations with wonder and love.
Then it was that men began to think of their home as a casket in which to enshrine the gentler tastes and luxuries which peace at home and continental influences from without were fostering in England. The casket must be fitted for its treasure; and so it came to pass that throughout the length and breadth of the land those fair Elizabethan mansions sprang up.
I see one such now in my mind's eye—one that I love well, for since my earliest childhood it has filled me with awe and admiration and delight. It was built by James I. as a hunting-box for his son, Prince Henry, but ere the house was finished the young prince was dead, and all the promise of his short life gone with him. Had he lived, our English history for the next hundred years might have been a different story. Bramshill then passed into other hands—first to Lord Zouch, then to the Copes, who still own it—but in the finely-carved stone balustrade above the great western door the three plumes of the prince of Wales's feathers may still be seen, the sole memento of its royal origin. Only half the original house remains: the rest was destroyed by fire a couple of hundred years ago. Yet what still stands is verily a palace.
You enter through the heavily-nailed and barred doors, and find yourself in a vast hall panelled up to the ceiling with old oak. The immense fireplace with its brass dogs and andirons tells of the yule log that still at Christmas burns upon the hearth, and trophies of arms of all ages—from the Toledo blade that can be bent by the point into a semicircle, so perfect is the temper of its steel, to the Sikh sword that was brought home after the Indian mutiny—form fitting ornaments for the walls.
Then come many rooms, with deep-embrasured windows looking out on the terrace, each beautiful or curious in its own way—a noble dining-room hung with old grisaille tapestry, from which you may learn the life of Decius Mus if you have patience to disentangle the strange medley of impossible figures in gardens with impossible flowers, where impossible beasts roam in herds and impossible birds sing among the branches.
But the glory of the house is its first floor. The wide oak staircase leads you up first to the chapel-room, with its oriel windows overhanging the western door, its Italian cabinets, its rare china, its chairs and couches covered with crewel-work more than two hundred years old, yet with colors as fresh as on the day that Lady Zouch and her maidens set in the stitches. Then there is the great drawing-room, with its precious Italian marble chimney-piece, more brass dogs, more tapestry, more recessed windows. Then the library, full of priceless books, to which the present learned owner is constantly adding new volumes. The mere ceilings are a study in themselves, for they are covered with mouldings and traceries and hanging bosses of marvellous workmanship of the time of Inigo Jones—designed, some say, by him, for he used to stay at Eversley, hard by, with a friend and fellow-pupil of Sir Christopher Wren. Then comes the long gallery, running the whole width of the building, stored with curiosities, where we used to run races and play hide-and-seek with the children of the house in bygone days, and tremble when evening came on lest some bogie from his lurking-place should spring out upon us. The bedrooms are panelled with oak painted white, with splendid fireplaces and carved mantelpieces that reach the ceiling.
And besides all these there are enchanting little rooms reached by unexpected staircases, by secret doors in the wall, by dark passages where one hears the rustle of ghostly brocade dresses. Those are the most lovable rooms, for, once safely in them, one is at home and warm, while in the state rooms one feels, as the dear old squire who died here thirty years ago said, "like a pea in a drum."
Down from the house slopes the park, with its green glades, its heather-covered knolls, its huge oaks, its delicate silver birches—above all, its matchless Scotch firs, which James I. planted here, as he did in many places in England, to remind himself of the land of his birth. The hardy northern trees took kindly to their new home, and they have seeded themselves and spread far and wide over vast tracts of country. But nowhere south of Tweed are finer specimens to be found than in this old Hampshire park. Three great avenues of them run round a triangle half a mile across, and outside the shade of their black branches the purple heather and waving bracken form a carpet fit for elves and fairies.
From the western front of the house a double avenue of gigantic elms leads down to the river that gleams in silver lines beneath the bridge, and ends where the moors begin on the opposite hill a mile away. Up this avenue in olden days the deer were driven toward the house, to be killed at the feet of the ladies, who stepped down in hoops and furbelows and dainty shoes to the iron gates between two pepper-box towers where gorgeous peacocks now strut and sun themselves.
Those were the days when, sorely against his own wish, Archbishop Abbot, my worthy ancestor, went a-hunting in the park on Sunday at the command of the king his master, who with the archbishop was a guest of Lord Zouch. Well for him had it been if he had resisted the royal will, for, as it befell, the arrow from his crossbow, glancing from a tree, struck one of the keepers and killed him then and there. The poor archbishop,
