and tone of a great rational style in letters, which, original and unimitative, is yet in harmony with the ancient models.
NELL GWYNNE
The above picture is from Sir Peter Lely's portrait, copied in the Memoirs of Grammont. Nell Gwynne has been the heroine of a dozen books, in the last ten years, and a very interesting work respecting her life and times is now being published in The Gentleman's Magazine. We copy the following article, with its illustrations, from the Art Journal, in which it appears as one of Mrs. S. C. Hall's "Pilgrimages to English Shrines."
There may be some who will object to the application of so honored a term to the dwelling of an actress of lost repute; but surely that may be a "shrine" where consideration can be taught—where mercy is to be learned—and—that which is "greater" than even faith and hope—charity!
However agreeable may be the present, and we have no reason to complain of it in any way, there is inexhaustible delight in reverting to the past. We do not mean living over again our own days; for though, if we could "pick and choose," there are sundry portions of our lives we might desire to repeat, yet, beginning from the beginning, taking the bad and the good "straight on," there can be few, men or women, who would willingly pass again through the whole of a gone-by career. And this, properly considered, is one of our greatest blessings; stifling much of vain regret, and teaching us to "look forward" to the future. We have always had, if we may so call it, a domestic rambling propensity; a desire to see "dwellings," not so much for their pictorial as their, so to say, personal celebrity: and sometimes, as on our visit to Barley Wood, this longing comes upon us at the wrong season, when a cheerful fire at "home" would be a meet companion. It is now six years ago—six years, last month—that, pacing along Pall Mall, we paused, and turned to the left hand corner of St. James's Square, full of painful and un-English memories of the Asiatic court of the second Charles; the sovereign who had endured adversity without discovering that "sweet are its uses;" who had "suffered tribulation" without "learning mercy"—the king who makes us doubt if, as a people, we have any claim to what is called "national character"—for the change that came over England, within a few brief years, from gloomy fanaticism to reckless license, is one of the marvels that give to history the aspect of romance. We had been walking round Whitehall,2 recalling the change that had swept away nearly all relics of the past in that quarter, and strolled so far out of our home-ward path to look at the house in Pall Mall (recently removed from its place) which tradition says was the dwelling of Nell Gwynne, besides her apartment at Whitehall, to which she was entitled by virtue of her office as lady of the bed-chamber to a most outraged queen. One of our friends remembers supping in the back room on the ground-floor of that very house, the said room being called "the Mirror Chamber," because the walls were panelled with looking-glass3. There are others who affirm that Nelly lodged at the opposite side of Pall Mall, because Evelyn gossips of her leaning from her window, "talking to the king," who was lounging in St. James's Park, thereby wounding the propriety of many, who think vice only vice when it becomes notorious. Evelyn was always sadly perplexed by his faithful and high devotion to Charles, the king, and his abhorrence of the vices of Charles, the man; while Pepys jogged on, sometimes in the royal seraglio, sometimes at church, sometimes with my Lady Castlemaine, sometimes with "Knip" at the "king's house," seeing, admiring, and repeating—his morality held in abeyance; and yet always, even to the kissing of "Mistress Nelly," "a sweet pretty soul," companioned by his wife. If Pepys was a curiosity, what must Madame Pepys have been!4 What must the "court set" of those days have been, when we are absolutely refreshed by turning from them to the uneducated but frank-hearted and generous woman,—tainted as she is to all history by the worse than imperfections arising out of her position, yet redeemed in a degree, by virtues, which, in that profligate court, were entirely her own!
WHITEHALL.
The scene in St. James's Park to which Evelyn refers, was an index to the age5.
Blessed as we are in the knowledge that nowhere in England are the domestic virtues better cultivated or more truly flourishing than in our own pure and high-souled court, we are almost inclined to treat as a mythological fable, the history of Whitehall during the reign of Charles the Second. No one trait of the father's better nature redeems that of the son. His life was indeed
"a sad epicure's dream,"
and worse. He was not worthy even of the earnest devotion which the poor orange-girl, of all his favorites, alone manifested to the last.
Poor Nell! the sympathy which every right-thinking woman feels it a Christian duty to give to her and her class, far from extenuating vice, is only a call upon the virtuous to be more virtuous, and to the pure to be more pure. No one would plunge into crime, merely for the sake of being redeemed therefrom; no one take the sin, who looked first at the shame, hideous and enduring as it must be—however overshadowed by the broad wings of mercy; the burn of the brand can never be effaced, however skilfully healed. And when the wit, the loveliness, the generosity, the fidelity of "Madame Ellen," when the memory of the well-spent evening of her checkered life, and the allowance we make for the early impressions of a young creature, called upon to sing her first songs in a tavern, and sell oranges in the depraved and depraving saloon of "the King's House;"—when all these aids are exerted to excite our sympathy, we only accord the sentiment of pity to "poor Nell Gwynne!"
While looking at the house said to have been inhabited by this "femme d'esprit par la grace de Dieu!" we vowed a pilgrimage to Sandford Manor House, at Sandy End, Fulham,—to the dwelling where there is no doubt she spent many summer months. Near as it is to our own, we were doubtful of the way, and determined to inquire of our opposite neighbor, who keeps the old Brompton tollbar.
"Sandford Manor House," repeated he, "I never heard tell of such a place in these parts. Whereabouts is it?"
"Exactly what we want to know. It is a very old dilapidated house, by the side of a little stream that runs into the Thames somewhere by Old Chelsea. I think you must have heard of it. It was once inhabited by the famous Nell Gwynne." I might almost as well have talked Hebrew to our neighbor, who seemed born to lay in wait for market-carts, and pounce upon them for toll.
SANDFORD MANOR HOUSE.
"Old house! Nell Gwynne!" he again repeated, and something like an expression of life and interest moved his features while he added—"It's the Nell Gwynne public-house you're after, I'm thinking; that was in Chelsea; but whether it's there now or not, is more than I can tell."
"No, no," we answered, perhaps, sharply, "it is the house she lived in we want to see—Sandford Manor House."
"Perhaps it's the madhouse," he suggested. We walked on. "Please," said a little rosy-faced boy, "if you want to find out any thing about old houses, Hill, the rat-catcher, knows them all, as he hunts up the rats and sparrows about; and you have only to go down Thistle Grove, into the Fulham road—straight on. His is a low house, ma'am—his name in the window—you can't pass it, for the birds and white mice."
And is there no one left, we thought, to tell where the witty, light-hearted, true-hearted Nelly lived—she who was the friend of Dryden and Lee, the favorite of Lord Buckhurst, the rival of the Duchess of Cleveland, the protector of the soldiers of England—the one unselfish friend of the selfish Charles? Is there no one in a district that once echoed with the praise of her charities—no one to tell where she resided, but Hill, the old rat-catcher? We proceeded through the prettily-built, but gangrened-looking, cottages located in Thistle Grove, once
The appearance of Whitehall from the Thames in the reign of Charles II. may be seen in our woodcut. The beautiful Banqueting-house of Inigo Jones was crowded among a heterogeneous mass of ugly buildings connected with the exigencies of the court. Beside the houses, to the spectator's left, was a large garden extending to the river, with fountains and parterres. A small garden also projected into the river in front of the buildings; and here Charles used to view the civic processions of the Lord Mayor, who on the day of his taking the oaths at Westminster, generally gratified the sovereign and other sight-seers with a pageant on the Thames, in some degree adulatory of the monarch. The king resided here so constantly, that the most striking pictures of his private manners are recorded to have happened at Whitehall, and for which the graphic pages of Pepys, Evelyn, and De Grammont may be consulted. Whitehall, indeed, has obtained its chief interest from its connection with the Stuarts. The Banqueting-house, erected by James I., in front of which his unfortunate son was executed; the residence of Cromwell here in a quietude, strangely contrasted with the voluptuousness of the Restoration; the flight of James II., and his queen's escape with her infant son by the water-gate, shown in our cut, closes the history of the Stuart family in this country of sovereigns; and the history also of the palace; for, on the 10th April, 1691, the greater part was burnt by a fire, which was succeeded by another in 1698, which destroyed nearly every building but the Banqueting-house, and Whitehall ceased to be the residence of royalty.
Nell's "town-house" was in Pall Mall. Pennant says, "it was the first good one on the left hand of St. James's Square, as we enter from Pall Mall. The back room on the second floor was (within memory) entirely of looking-glass, as was said to have been the ceiling. Over the chimney was her picture, and that of her sister was in a third room." At this house she died in 1691, and was pompously interred in the parish of St. Martin's-in-the-Fields, leaving that parish a handsome sum yearly, that every Thursday evening there should be six men employed for the space of one hour in ringing, for which they were to have a roasted shoulder of mutton and ten shillings for beer.
Pepys was Secretary to the Admiralty, and it was he who published, from the king's dictation, the minute and interesting account of his escape from the Battle of Worcester, and adventures a Boscobel, and in the "Royal Oak." He kept a very minute and amusing diary, in which he neglected not to enter the most trivial matters, even the purchase of a new wig, or a new riband for his wife. This very littleness of detail has made his Memoirs the most extraordinary picture we possess of the times. He appears to have been a coarse but shrewd man, and fully alive to the faults of his master.
Previous to the restoration of Charles II., the park of St. James's appears to have attracted little attention, and to have been left to the guidance of nature alone. Charles seems to have had Versailles in view when he laid it out from Le Notre's design. A long straight canal was formed in its centre from a square pond which existed at its foot near the Horse Guards. Rows of elm and lime trees were planted on each side of it, an aviary was formed in that place still called the "Bird Cage Walk;" and in the large space between this walk and the canal, and nearest the Abbey, an extensive decoy for wild fowl was constructed, popularly termed "Duck Island," and of which the famous St. Evremond was appointed a salaried governor. Charles, who was exceedingly fond of walking, and who tired out many a courtier who tried to keep up with his quick pace, was continually seen here amusing himself with the birds, playing with the dogs, or feeding the ducks. On the opposite side of the canal, three broad walks were constructed and shaded with trees, one for coaches, the other for walking, and the central one for the game of "Pall Mall," an athletic exercise of which the king and the gentlemen of the day were fond. The game consisted in driving a ball through a ring at the extremity of the walk, which had a narrow border of wood on each side of it to keep the ball within bounds. The floor of this portion of the park was made of mixed earth, covered with sea-sand and powdered shells as at Versailles. The park was much secluded, except on this side, which was that only accessible to the public in general. There, Spring Gardens, with its bowling-greens and gaming-tables, seduced the idle and dissipated, until the Mulberry Garden (which stood on the site of Carlton Gardens) put forth its attractions; and which, as Evelyn says, became "the only place of refreshment about the town for persons of the best quality to be exceedingly cheated at." The plays of the period abound with intrigue and adventure carried on at both places. The Mall ceased to be the resort of royalty at the death of Charles, but it continued to be the fashionable promenade until the close of the last century.
