Leaning forward over the table, so that his face was only inches from Sabrina’s, he said very quietly, ‘You have fifteen seconds to cancel that order.’
Sabrina refused to be intimidated. ‘Or what?’ she taunted.
‘Or you are off my movie,’ Dorian smiled sweetly. ‘Entirely your choice, of course. But I don’t work with prima donnas.’
‘Is that so?’ Sabrina stood up haughtily. ‘Well, it just so happens I don’t work with megalomaniacs. Goodbye, Mr Rasmirez.’
‘Goodbye, Miss Leon.’
Poor Ed Steiner was so panicked he looked as though he were about to spontaneously combust. ‘Hey, hey, come on now guys. Let’s cool things down, shall we? No need to get into the Cuban Missile Crisis before we’ve even been introduced.’ He put a restraining hand on Sabrina’s arm. ‘How about we start this again? Dorian Rasmirez, Sabrina Leon. Sabrina Leon, Dorian Rasmirez.’
Neither Sabrina nor Dorian moved a muscle. After a few, tense seconds, Sabrina caved first, grudgingly extending a hand. Dorian hesitated, then shook it.
‘Sit down please.’
Ed shot Sabrina a pleading look. She sat.
‘I’m a fair man, Miss Leon,’ said Dorian. ‘I have nothing against you personally. Nor do I have any interest whatsoever in your personal life.’
‘I should hope not,’ Sabrina bridled.
‘However, I should tell you that the moment your personal life intrudes on the set of my movie, or impacts my cast and crew in any way, you will be out of that door so fast you won’t know what hit you.’
Sabrina opened her mouth to speak but Dorian held up a hand for silence.
‘I’m not finished. You’re a good actress, Sabrina. You have potential to be a great actress. But you’re also spoiled, immature, and at times breathtakingly stupid.’
Sabrina bit her lower lip so hard she drew blood. Not since Sammy Levine the youth theatre director back in Fresno had anyone spoken to her like this. All around their table, diners were straining their ears to hear her being ticked off like a naughty schoolgirl. It was mortifying.
‘None of the major studios will touch you,’ said Dorian. ‘Nor will any of the independent producers worth their salt. You’re a liability.’
‘That’s bullshit,’ spat Sabrina, unable to contain herself any longer. ‘I got offers.’
Dorian laughed brutally. ‘Thank God you’re a better actress than you are a liar. You have nothing, Sabrina. You know it and I know it. As of today, you are nothing. Now, if you want to become something again in this town, in this business, in this life, you’d better start by learning some humility.’
Sabrina’s blood boiled, but she said nothing. Dorian continued.
‘I’ve taken a chance on you young lady, when nobody else would. That’s the reality. I don’t need you. You need me. Which means that for the next year, or as long as it takes to get this movie pitch perfect, you do exactly as I say. You get up when I tell you to get up. You work when I tell you to work. You speak when I tell you to speak, you shut up when I tell you to shut up, and you eat whatever I put on your fucking plate. Are we clear?’
Sabrina glared at him in silent rage. He was right. She did need him. But in that moment she hated him more than she had hated anybody since the stepbrother who’d abused her as a kid.
‘Are. We. Clear?’ Dorian repeated, raising his voice so the entire restaurant could hear him.
‘Yes.’ Sabrina nodded, her voice barely a whisper.
‘I’m sorry. I didn’t hear you.’
‘Yes,’ she hissed. ‘We’re clear.’
‘Good.’ Dorian smiled broadly. ‘Now go ahead and cancel your order and we can get down to business.’
Nine hours later, Dorian pulled through the electric gates of his Holmby Hills mansion utterly exhausted. What a godawful day.
After lunch with Sabrina, he’d had back-to-back meetings with his manager, his accountant, and Milla Haines, his casting director on Wuthering Heights. He’d hoped that would be a short meeting, but Milla wanted to run through an agonizingly long list of possibles for the role of Hareton Earnshaw.
‘What about Sam Worthington?’ suggested Dorian.
Milla attempted an eyebrow raise, not easy with a forehead-full of Fraxel. ‘You can’t begin to afford him.’
Stick thin, perfectly groomed and of indeterminate age thanks to decades of surgical tinkering, Milla Haines was about as sexually alluring as a bag of nails. She was, however, a first-rate casting director, not to mention a straight talker. Dorian respected her.
‘Chris Pine?’ he asked hopefully.
‘If you wanted a solid second-tier-er, you shouldn’t have blown the budget on Hudson,’ said Milla.
‘That was money well spent,’ said Dorian firmly. ‘Viorel Hudson is Heathcliff. I couldn’t have done the film without him.’
‘You wouldn’t have had to,’ said Milla. ‘We’d have got him for half what you paid. Next time, let me do the negotiating.’
Dorian rubbed his eyes tiredly. ‘Let’s see the rest of the list.’
Years ago he used to find the early days of pre-production some of the most exciting, satisfying parts of his job, feeling his vision grow into reality beneath his hands, like a potter at the wheel. The screenwriter Thom Taylor once said that in Hollywood, ‘The deal is the sex; the movie is the cigarette.’ Dorian wouldn’t necessarily go that far, but it was true that the deals, plural – pulling together everything from funding to distribution to merchandising – was what made a movie real. Every waitress in town had an idea for a film, a dream that had brought them to this most brutal of towns. Being a producer as well as a director, you got to make your dreams come true.
This time, however, the excitement had been replaced by unadulterated anxiety. How the hell was Dorian – was anyone – supposed to be creative with so much financial pressure? He knew Milla Haines was right. He had overpaid for Viorel. What Milla didn’t know was that only two million of Hudson’s salary was being paid out of the official production budget. The other three million Dorian would have to find out of his own pocket. After the disastrous Sixteen Nights, he needed to blow the box-office roof off with Wuthering Heights. If he didn’t, he’d be ruined. It was that simple. He’d lose Chrissie. He’d lose the Schloss.
He tried not to think of how happy that would make Harry Greene. Twisted, delusional bastard. But it wasn’t going to happen. He’d been burned on Sixteen Nights, the movie Greene had helped bury, but with Wuthering Heights, Dorian had a new strategy.
Step one was to shroud the production in secrecy, to generate as much buzz and curiosity as possible. He was shooting the whole thing on location, far away from the Hollywood gossip machine. (Assuming they ever found a damn location. So far the expensive scouting firm he’d hired to find them somewhere in England had
