Alone with the Dead: A PC Donal Lynch Thriller. James Nally

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Alone with the Dead: A PC Donal Lynch Thriller - James  Nally

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after my pound coins had run out and the beeping had started. Nothing made you feel more alone than finding out someone you knew well was already cold in the ground. We never seemed to get around to talking about how she was or how I was or the latest on Eve Daly.

      On the few occasions that my dad, Martin, answered, I hung up. He couldn’t be arsed to say goodbye to me before I left the country. Why would he want to chat to me on the phone? Besides, Martin was monosyllabic and opaque in the flesh; the idea that he and I could support a telephone conversation seemed laughable.

      Then, about two years ago, I stopped calling home altogether. The trouble started when the Met police contacted our family GP, Dr Harnett, seeking my medical records. Unburdened by the Hippocratic oath, Harnett mentioned it to his golfing partner – one Martin Lynch – who assumed I’d got myself into some sort of trouble, and called golden son Fintan to find out what was going on. For once, my older brother didn’t enjoy breaking sensational news. He had to tell Martin that his second son had joined ‘the enemy’ – the British police force; the same force that had framed his heroes the Birmingham Six, the Guildford Four and the Maguire Seven.

      After a long silence, Martin Lynch very quietly but clearly gave Fintan the following instructions: ‘Tell him never to call here again, or come home here again, as long as I breathe.’

      I lost count of how many times I’d picked up a receiver and dialled that number you never forget, only to hang up because of what he might do to her. I hoped Mum realised that those countless silent phone calls had been from me, that I was thinking of her.

      So, having lost contact with Mum, I had to find another way to keep up with Eve’s ongoing case and work out how our future together would pan out. Until Fintan came to London, my sole source was the Irish newspapers – especially the one that had employed my brother at the time, the Evening Press. Credit to Fintan’s news nose, he sensed right away he had the inside track on the scoop of a lifetime. But even he could not have foreseen just how globally massive the Eve Daly case would become.

      The day after Meehan’s funeral, the Gardai announced that Eve had been charged with his murder and all went quiet. Two weeks later, they released a short statement announcing that they’d dropped the murder charge, pending further enquiries – a development Eve perhaps should have treated with discreet gratitude. Instead, she granted Fintan an exclusive interview, in which she revealed that she’d knifed Meehan with her Viking prop dagger as he tried to force himself upon her.

      No country relishes a divisive story as much as Ireland: this one proved an ideological ‘perfect storm’. There were two passionate, polarised schools of thought. The first: if a woman dresses like a slut and gets into bed with a man, then she knows what she’s getting. The second: no means no, she must have acted in self-defence. I’ve never understood how people can get so worked up about something that doesn’t remotely affect them. None of the impassioned, self-appointed pundits knew the facts behind the case, yet the entire nation engaged in an almighty gender-based ding-dong with undisguised glee.

      Local knowledge and contacts gave Fintan an unassailable edge over rival reporters. It was Fintan who broke the news that Eve had been wearing a sexy Vixen Viking outfit when she stabbed Tony Meehan to death. As Fintan later explained, each great crime in history has its own Penny Dreadful moniker. The Black Dahlia. The Zodiac Killer. The Yorkshire Ripper. The Boston Strangler. Freelance Fintan coined the Vixen Viking Killer, and it stuck.

      He just couldn’t stop generating fresh, juicy new angles.

      He broke the story that Meehan was a drug-peddling orphan with a track record for assault and bedding attached local women.

      He exclusively revealed that, after Mo Daly had heartlessly abandoned her teenage daughter for a new life in New York, the family home had become notorious for wild sex and drugs parties. I found this article particularly hurtful: whoever had been having all this ‘wild sex and drugs’ had managed to keep it well away from me.

      He announced to the world that while Meehan and the Vixen had consensual/non-consensual sex, Eve’s hapless boyfriend had blacked out in the garden from a suspected drugs overdose. Fintan swore he only broke this story because the Independent had got hold of it, and were planning to splash it on their front page the next day. He ‘killed’ the story by burying it on page twelve of that evening’s Press – ‘not even a facing page!’ – adding, albeit in the last line, the small but significant fact that: ‘Gardai confirmed at the time that Lynch, eighteen, had fallen victim to an alcoholic drink “spiked” with an unidentified substance.’

      In yet another scoop, Fintan reported that the company which manufactured the Vixen Viking range were withdrawing their metal prop daggers, replacing them with reassuringly unrealistic plastic models. Sales went through the roof.

      Thanks to a leaked pathology report, he scooped his rivals again with news that – in the course of her struggle with Meehan – Eve had stabbed him in the balls. This sent the story into orbit, globally. Sales of Vixen Viking costumes nosedived.

      Gardai charged Eve with murder – again. She received the immediate and vocal backing of Dublin’s militant feminist group, RAG (Revolutionary Anarcha-feminist Group), who announced that if she was pregnant with Meehan’s rape child, they would finance her abortion in the UK.

      The Society for the Protection of Unborn Children (SPUC) went apeshit. They immediately lodged a High Court injunction which banned Eve Daly from travelling outside the Irish Republic. Abortion was illegal in Ireland: if Eve couldn’t travel, she couldn’t terminate the pregnancy.

      SPUC was backed by the Catholic church and the governing political party, Fianna Fáil. In an off-the-record chat with Fintan, Tullamore’s most famous son, Tourism Minister Phil Flynn – an old pal of Dad’s – accused young women of ‘provoking rape by dressing like Jezebels’. He went on to describe RAG as ‘a bunch of hairy lezzers who need a good root up the hole’. Fintan later admitted that Flynn had been half cut at the time, but he ran it anyway.

      All hell broke loose. The opposition parties demanded Flynn’s resignation: he demanded to know what he’d ‘done wrong’. To this day, Flynn is credited for the election of liberal feminist Mary Robinson to the role of President of Ireland in 1990.

      Pissed off by Robinson’s triumph, the judiciary revoked Eve’s bail. As a security van drove her through the gates of Dublin’s notorious Mountjoy prison, a photographer snatched a shot of her in the back – crying, her hair in bunches, clutching a teddy bear. This secured her martyr status in the eyes of the martyr-loving Irish Left, prompting Christy Moore to write ‘The Ballad of Eve Daly’.

      A week or so later, Eve called Fintan and confirmed she was not – repeat, not – pregnant with rape child. Abortion groups, pro and anti – could barely hide their disappointment at the loss of such a deliciously fleshy flashpoint. They dropped Eve faster than a smoking hornet.

      Fintan too began to feel ostracised. According to his own undoubtedly self-aggrandising claims, he’d exposed too many of Ireland’s gilded inner circle: politicians, the judiciary, lawyers, the Catholic church, lackey journalists. Buckling under a barrage of legal writs, personal attacks and cronyism, he fled to London.

      At least he could escape. Three years on from Meehan’s death, Eve remained locked in political and legal limbo: neither tried nor acquitted. I couldn’t understand why, until Fintan helpfully put me straight a few weeks back: ‘It’s like all these public inquiries and judicial tribunals. They’ll drag it out until people get so bored they don’t give a fuck anymore.’

      Two teas slid across the pink Formica just as Fintan strode through the café door, mac over his arm, fag on,

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