veins paled into worthless rock. Even now they dominated the remnants of Abundance, bringing snow in August, chinooks in February and evening shadows at a time of day when the rest of the world was still having afternoon. Their craggy profiles, the smell of their pine forests, the taste of their snow on the wind were all as much a part of the folk born and raised in Abundance as the blood running in their veins.
To Dixie the mountains were as familiar as family. They were like family in other ways too: always there, reliable and friendly some days, dangerous on other days, but always, always there for you.
When she was growing up, Daddy used to say, ‘Too bad you can’t eat the scenery.’ What he meant, of course, was that the jaw-dropping panorama was the only wealth anyone had around there. He was right. Even the folks considered rich in Abundance weren’t rich by the outside world’s standards. Everyone was just getting by. For Dixie, however, it had been enough. Unlike some of her friends at school, she’d never dreamed of escaping to bigger places like Billings or Missoula. Life in Abundance held all she’d ever wanted.
The mountains were what had attracted the canyon folk too. It started out innocently enough when this screenwriter guy bought a run-down summer cabin up on Rock Creek. Just the fact that he was a foreigner – or ‘furriner’ as Mama liked to call him, meaning that he came from outside Montana – was enough to make people’s ears prick up, but the fact he was from Hollywood … well, you might as well have said Captain Kirk had landed the Enterprise on Main Street. At the church picnic that summer, no one could talk of anything else.
Soon, though, folks got bored with it and went back to talking about hunting and fishing and cattle prices. While it was true that the screenwriter guy had bought the cabin, he was hardly ever there. When he was, he kept himself to himself. Not in an unfriendly way, but just in the way foreigners did, so that you got to know nothing about them. Spotting him was harder than spotting the mountain lion that occasionally wandered into folks’ yards and ate up the dog’s food and, if you weren’t careful, the dog as well.
A couple of summers later, however, it started all over again, when word got around that the screenwriter guy had brought some movie stars to stay with him and they were going fishing on the river every day. Someone said they saw Spencer Scott standing in waders right by Simpson’s Bridge, and that’s when everyone forgot about bluebirds and started using their binoculars for other things.
They liked Abundance, did the screenwriter guy and his friends. More of them came to visit and they started staying longer. They began coming into town, hanging out at the Stockman Bar or eating lunch at Ernie’s Diner. They never ever talked to folks, just to each other, but that was OK. Most folks weren’t so sure they wanted to talk to them anyway. The screenwriter’s new movie had come to the showhouse over the winter. Everyone had gone, just to see what he’d been up to there in his cabin on Rock Creek, and everyone was disappointed. It was full of sex and gore and not at all the sort of thing decent, church-going folks went to see. There were a few, of course, who got starstruck. They tried to cosy up whenever they saw them and be friends, but that never happened. The canyon folk always brought their own friends with them.
More and more started staying. For a couple of years, there was a mini land rush as they bought up the dilapidated cabins that peppered the narrow mountain canyons. When those ran out, they started buying ranches along the river. You couldn’t blame folk for selling up, because it was like they’d won the lottery. Never, ever in a million years could they have got that kind of money selling local. Everyone knew it was all bad land, even down by the river. Scrubby, dry and alkaline. It wasn’t fit for anything except running cattle, and you needed five thousand acres at the very least to make a living doing that. But then canyon folk would turn up out of the blue, knock on your door and right there on your doorstep they would offer you more for fifty acres than the whole ranch was worth. If you had a good view of the mountains, you could name the most unbelievable amount you could think of, and like as not you’d get it.
Tom O’Grady, the real-estate agent, was the person to know in those days. He was good at sizing the canyon folk up, at knowing which piece of property would suit them, and then charming them into feeling they got the best of the deal when he sold it to them. Truth was, though, never for a moment did Tom forget that he was an Abundance man. He fleeced every one of them.
Almost as good as the money he got for people was the gossip he gleaned. Because Tom spent so much time with the canyon folk, he always knew what was going on with them and it was often juicy as a mango.
The canyon folk brought with them a lifestyle that people in Abundance had only ever read about in stories. They bought ranches just because they liked the scenery and not because they had to make a living from it. They bought up, tore down, threw out and built back up again without ever once using a local man. The bathroom tiles came from Italy; the oak in the cupboards came from Vermont; the man who made it into a kitchen came from Mexico. The canyon folk did all that and then only lived in the houses a few weeks in the summer. This made no sense to anyone local but you still felt in awe of it.
Dane Goodman was the first big-name movie star to move into the canyon and stay there on a fairly regular basis. He bought Grampa Cummings’s ranch house up on Dry Creek and first thing he did was knock down the old porch on the west side and build a cedar deck. Then he installed a Jacuzzi hot tub and there was all sorts of gossip about naked starlets running through the woods. At the time, Dane Goodman was married to a well-known actress, but she only lasted four months before she went crazy and had to go back to California. So he took up with the screenwriter guy’s wife, which was all right because the screenwriter guy had already taken up with one of the naked starlets. Then Dane Goodman went off to do a movie and fell in love with someone else and brought her up from California. Meanwhile, the screenwriter guy’s wife moved in with Tim Mason. This shocked folk considerably, not only because Tim Mason was a local man but because everyone in town knew he was gay. There was no end of speculation about what Tim and the screenwriter guy’s wife were getting up to amidst the white wine, cedar decks and hot tubs.
Spencer Scott was the next big name to make the Abundance area his home, and after him came that director guy, who had done all those anguished movies about poor people, and finally the Writer From Back East. They thought they were being cowboys, but they behaved like mountain men, letting their hair and beards grow, clomping down Main Street in raggedy jeans and boots and getting very publicly drunk. Mostly, however, they liked owning things: Hummers, vintage pick-ups and cattle from breeds nobody local had ever heard of. Most of all, however, they liked to own land. It had gone beyond the land-rush days by this point. The canyon folk and their hangers-on now owned most of the river valley, the canyons and even the mountains themselves.
As a consequence, the look of the canyons changed. Roads were cut through the virgin forest. A landing strip was bulldozed down along the river. There was a helipad beside the highway just beyond Simpson’s Bridge. The novelty of having movie stars walking around had long since worn off for the residents of Abundance. Celebrity faces in the drugstore or the supermarket became an ordinary event. No one really noticed anymore. Not that the canyon folk were part of things now. They weren’t. They still kept themselves to themselves, while the Abundance folk went on as usual. Almost nobody mixed.
This wasn’t to say, however, that the canyon folk weren’t good to Abundance. One year they decided the town ought to have a Fourth of July picnic, like the kind you read about in books, with sack races and watermelon-seed spitting contests. They set up a committee, got money for it and organized it as well. It was good fun. There was a parade and a pig roast and a huge fireworks display at the end. Another time, the canyon folk decided there ought to be a pretty white wrought-iron gazebo in the park so that a band could come and play on Sunday afternoons in the summer and they got that done. And they brought live theatre back to Abundance for the first time in ninety years with what was probably the most star-studded local dramatics group in all of the West.
It wasn’t that the
