A Great Task of Happiness: The Life of Kathleen Scott. Louisa Young
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Podge’s first memory of Kathleen was of her in ‘a white woolly pelisse and cape, the latter ornamental round the edge with little woolly blobs which you invariably sucked and pulled off. I remember Rachel the nursemaid’s grief to find another blobble gone, as usual.’ Rachel was popular, and Mamma’s sacking her (because she was rather vulgar and could not sew) did not endear her to her new family. The new nurse was called Emma; she had been Janie’s maid and Kathleen used to get into her bed every morning and learn German words and prayers. Podge would amuse herself at night by making ogre faces at her baby sister over the edge of her cot to make her cry, until the nursemaids in the room below banged on the ceiling with a broom handle to make them stop. Podge never knew where the banging was coming from, but she knew what it meant.
The Canon was not well, Mamma was largely absent, and Elma was taking over as the organizer of the brood—their great uncle Sir Hervey Bruce even referred to her by mistake as ‘your Aunt Elma’ rather than ‘your sister’. Several of the children, including Podge, were dispatched to Edinburgh to stay with their great uncle William Skene, Janie’s uncle, the brother of James and Fifi Skene, to lighten the load. He was perfectly accustomed to this: for the past fifty years his house in Inverleith Row had rarely been without nephews and nieces and great nephews and great nieces staying. In between being Historiographer Royal for Scotland, a writer and scholar of Celtic and Gaelic history and a family lawyer, he liked to take them swimming (even in his old age) and tell them tales of Highland history.
Kathleen said later that Mamma ‘appeared to take little or no interest, either during her life or at her death, in the healthy, good-looking, good-humoured army of her step-children’, but this may not be quite fair. Mamma offered to take Kathleen as her own child when the others were going off to Edinburgh, and the fact that this offer was rejected may have had some bearing on her deathbed reluctance to leave her worldly goods to the family with whom things had not worked out very well. Kathleen stayed on a year with her father and big sister Irene, who ‘took you for her doll’, as Podge put it, dressing her up and calling her Baby. Podge, in Edinburgh, missed her little sister, regretted the ogre faces and cried herself to sleep at night resolving to protect Kathleen in future. When, at the age of seven, Kathleen joined her siblings at Great Uncle William’s, the protection was needed. On one occasion, Podge reported later, ‘we were all jumping from trucks filled with sand (to be used for the erection of the Forth Bridge) on to the sandbanks. You were a timid child and flunked jumping from the same height as they did who were several years older. One of them got behind you and pushed you down—your mouth, eyes and nose were covered with sand. I boil now when I think of it.’
In many ways the Bruce children’s life in Edinburgh is reminiscent of E. Nesbit’s Five Children and It, only there were more of them. William Skene was an amiable though strictly Episcopalian academic with no children of his own. Elma and Zoe, the first twins; Irene, Douglas, Lloyd and Gwen, the second twins; Rosslyn, Wilfrid, Hilda (known as Presh), Podge and Kathleen ‘generally struck out an original line of our own, and none of us were ever at a loss to know what to do with ourselves,’ Podge wrote. ‘We were very independent and hated to be interfered with.’ One governess suffered for weeks after being so ill-mannered as to wonder whether Kathleen had brushed her hair properly. (Brushing hair was a subject fraught with pitfalls. One of the worst accusations you could make to an Edinburgh child of the time was that she ‘brushed her hair underneath’—presumably to do with vanity, or laziness, or both. Kathleen’s hair was so long and thick that she was called ‘lanky locks, chatterbox’ even though she was rather a quiet child.)
Ostensibly well brought up, in navy blue jerseys with white lace collars, a neat ribbon at the neck and always a hat, they were in fact a bunch of little monkeys—Elma, Zoe and Irene excluded. The eldest brother Douglas is remembered with his feet up on the nursery mantelpiece, eating sweets; Presh christened their black straw Sunday hats the Flyaway Hats and would do her best to ensure that hers did; even Wilfrid, the kind and gentle one, had such a terrible fight with a nursemaid over the washing of his neck that blood was drawn. Rosslyn was first expelled from school at six for lifting the lady teachers’ skirts: ‘I only wanted to see if they had legs,’ he explained. Later he made a habit of getting expelled, largely because he insisted on keeping his animals with him at all times. This habit stayed with him all his life: as a full-grown clergyman he would preach with a lemur peeping out of his pocket; produce a grass-snake in Sunday School to illustrate the story of Adam and Eve (prompting one small pupil to tell his mother that Rev. Bruce kept the devil in his pocket) and unloose a white dove during a sermon on the Holy Spirit. His middle name was Francis, and his nickname d’Assisi.
The young Bruces delighted in tormenting their great-uncle and their governesses. One, a Miss Sandeman, arrived the same day as Rosslyn’s new incubator. (Rosslyn bred mice; in later life his ambition was to breed green ones. It took him fifty generations, he claimed, and was reported in the Daily Sketch. He also bred a terrier for Queen Victoria, when he was six.) The children decided to exchange their names, and the height of their success was when their great-uncle came into the schoolroom and said ‘Good morning, Miss Incubator.’ They used to hide from her and tease her: ‘She, poor soul, suffered much, and was powerless,’ admitted Podge. Another was a Presbyterian but agreed to take them to their (Episcopalian) church: ‘We knew she would know nothing of the service so we made up our minds to astonish her with every form of ritual we could imagine, finally arranging that at the second last prayer (St. Chrysostom) we should kneel with our backs to the altar …’ Kathleen had a black velvet dress (they spent a lot of time in mourning, for their mother, their father, their grandfather, their uncle the Archbishop of York) which was very stiff and would stand up on its own; Podge would sit it up on the bed with shoes and stockings dangling and invite Bertha the maid to come and have hysterics at the sight of Kathleen’s headless body.
The highest mark they could get for schoolwork was 3; if they got enough 3s they would have a treat. Feeling that the 3s were not coming fast enough, Podge and Kathleen stole their mark books and took them to the Botanical Gardens with a pencil and an India rubber, where Podge practiced and practiced to form a 3 like Miss Incubator’s, and then awarded 3s wherever the children felt they were deserved. The ruse was not discovered, and Podge claimed that she wrote her 3s like Miss Incubator’s till the end of her days.
When they started school Podge used to play truant regularly; she would lurk in the ‘Botans’ and when spotted (one of her brothers told on her) she claimed she had gone in there to do up her petticoat. In the end she and Kathleen both were hauled up before the curator of the Botans for consistently breaking rules—they had a running feud with the head gardener there, Foxy—but managed to get off because Great-Uncle William was a friend of the curator. They used to fiddle the accounts for their schoolbook buying in order to have more money for sweets, and at one school at least children were warned against ‘those awful Bruce girls’.
In a religious Victorian family all this naughtiness should have been more serious than it might be considered today, but there really was nobody to keep track of all of them. Elma, who had become what