was nothing more to wait for. There it was, spoken.
‘Yes, John. I will,’ Blanche said. Her voice sounded very small.
He stopped walking and took her in his arms. His lips, when they touched hers, were soft and dry and they did not move. That seemed to be all there was.
‘I shall speak to your father in the morning,’ John said. He took her hand and they turned to walk back towards the hall. ‘You make me very happy,’ he said.
‘I’m glad,’ Blanche answered.
After the engagement was announced, his lordship seemed to become aware of the bond between his fiancée and her twin sister. It was as if he could safely acknowledge its existence, now that he had made sure of Blanche for himself. He reminisced about how he had first seen them, coming arm in arm into the drawing room at Holborough.
‘As lovely as a pair of swans on a lake,’ he said, surprising them with a rare verbal flourish. Blanche smiled at him, and he put his hand on her arm. He took the opportunity to tell the sisters he wished to have their portrait painted. The double portrait would mark his engagement to Blanche, but it would also celebrate the Misses Holborough. He had already chosen the artist. It was to be Sargent.
When the spring came, Lady Holborough and her daughters removed to London. Blanche’s wedding clothes and trousseau needed to be bought, and there were preparations to be made for Eleanor’s second Season. They settled at Aunt Frederica Earley’s house, and in the intervals between shopping and dressmakers’ appointments the twins presented themselves for sittings at Mr Sargent’s studio.
They enjoyed their afternoons with the painter. He had droll American manners, he made them laugh, and he listened with amusement to their talk.
The portrait, as it emerged, reflected their rapport.
The girls were posed on a green velvet-padded love seat. Blanche faced forwards, dressed in creamy silk with ruffles of lace at her throat and elbows. Her head was tilted to one side, as if she was listening to her sister’s talk, although her dark eyes looked straight out of the canvas. Her forefinger marked her place in the book on her lap. Eleanor faced in the opposite direction, but the painter had turned her so that she looked back over her own shoulder, her eyes following the same direction as her sister’s. Their mouths were painted as if they were on the point of curving into smiles, the eyes were bright with laughter and the dark eyebrows arched questioningly over them. Eleanor wore sky-blue satin, with a navy-blue velvet ribbon around her throat.
Their white, rounded forearms rested side by side on the serpentine back of the love seat. It was a pretty pose.
The girls looked what they were, identically young and innocent and good-humoured. There was no need for Mr Sargent to soften any of the sharpness of his vision with superficial flattery. He painted what had first attracted him in the ballroom at Norfolk House, twin images of lively inexperience.
‘You have made us look too pretty,’ Eleanor told him.
‘I have painted you as I see you,’ he answered. ‘I can do no more, and I would not wish to do less.’
‘We look happy,’ Blanche observed.
‘And so you should,’ John Sargent told her, with the advantage of more than twenty years’ longer experience of the world. ‘You should be happy.’
Even then, the girls understood that he had captured their girlhood for them on canvas, just at the point when it was ending.
The Misses Holborough was judged a success. John Leominster paid for the double portrait, and after the wedding it was transported to Stretton where it was hung in the saloon. Blanche sometimes hesitated in front of it, sighing as she passed by.
Eleanor was often at Stretton with her, but she could not always be there. Blanche missed her, but she was also occupied with trying to please her husband, and with the peculiar responsibilities of taking over from her mother-in-law as the mistress of the old house. The separation was much harder for Eleanor.
The dances and dinners of the second Season were no longer a novelty. They were also much less amusing without Blanche, who was away in Italy on her wedding journey all through the height of it. A small compensation for Eleanor was a new friendship with her cousin Mary, the younger daughter of Aunt Frederica Earley. Mary had married a languid and very handsome man called Norton Ferrier, and the Ferriers were part of a group of smart, young, well-connected couples who prided themselves on their powers of intellectual and aesthetic discrimination. They called their circle the Souls, and they spent weekends in one another’s comfortable houses in the country, reading modern poetry and writing letters and diaries and discussing art.
Mary was kind-hearted and generous, and she began to invite her young cousin to accompany Norton and herself on their weekend visits. Constance was glad to let her go, and there could be no objection to Eleanor making excursions in the company of her older married cousin.
The Souls were sophisticated and under-occupied. Once their conventional marriages had set them free, they were at liberty to wander within the limits of their miniature world and amuse themselves by falling in and out of love with one another. Most of them had one or two young children. They had done their family duty, and they left their heirs at home in their nurseries while they travelled to one another’s houses to play, and to talk, and to pursue their romantic interests. At night the corridors of the old houses whispered with footsteps. The mute family portraits looked down on the secret transpositions.
There was one house in a village near Oxford that Eleanor liked particularly. It was an ancient grey stone house, set in a beautiful walled garden. Eleanor liked to wander on her own along the stone paths, breathing in the scents and bending down to examine a leaf or a tiny flower beside her shoe. At Fernhaugh she was perfectly happy to leave the Souls to their books and their mysterious murmurings, and to enjoy herself amongst the plants.
She was, she told herself with a touch of mournful pride, learning to be by herself. And at the same time she wondered if she could persuade Blanche to begin the creation of a garden like this somewhere in the Capability Brown park at Stretton.
One Sunday morning at Fernhaugh Eleanor was walking in the garden. There had been rain overnight and the perfume was intensified by the damp air. She knew that some of the house party had dutifully gone to church to hear their host reading the lesson, but that most of the Souls were not yet downstairs. There were guests expected for luncheon, but the drawing room with the French windows looking out on the terrace was still empty. Even the gardeners would not appear today. The green enclosure in all its glory was hers alone.
Eleanor wandered, breathing in the richness, letting her fingers trail over dewy leaves and fat, fleshy petals. She felt for a moment as if she might at last aspire to the sensuous abandon of the real Souls. She let her eyes close, feeling the garden absorb her into its green heart.
From close at hand, too close, an unfamiliar voice asked, ‘Are you all right?’
Eleanor’s eyes snapped open.
She saw a man she had never met, a big man in odd black clothes made even odder-looking by his big, thick black beard. He must have come silently over the grass, although his feet looked big enough to make a clatter on any surface.
‘I am perfectly all right. Why should you think I am not?’
‘I wondered if you were going to faint. Or worse, perhaps.’
It
