or piling up a fortune in a single afternoon. “At that table under the palm tree, there. With those other two women. The tall one in the flowery thing, with the pointy nose. Her name’s Audrey.”
“Does she work with you?” said Ira, happy to have an excuse to stare openly at Carmen, seated to the right of Donna’s date and now looking back at Ira in a way that, he thought, could hardly be mistaken. He wiggled his toes a few times within his lucky pink socks. Donna’s date, Audrey, waved her fingers at them. She was pretty, with an expensive, blunt hairdo and blue eyes, although her nose was as pointed as a marionette’s.
“She lives in my building. Audrey’s at the top, at the very summit, I., of a vast vitamin pyramid. Like, we’re talking, I don’t know, ten thousand people, from Oxnard to Norco. Here, I’ll take you over.” She took hold of the sleeve of Ira’s jacket, then noticed the empty shot glass in his hand. “Hold on, let me buy you a drink.” This was said without a trace of irony. “Drinking shots?”
“Sauza. Two story.”
“A C.C. and water with a twist and a double Sauza,” she said to the bartender. “Tequila makes you unlucky with women.”
“See that blonde Audrey is sitting beside?”
“Yeah? With the nasty mouth?”
“I’d like to be unlucky with her.”
“Drink this,” said Donna, handing Ira a shot glass filled to the brim with liquid the very hue of hangover and remorse. “From what I heard she’s a basket case, I. Bad husband. A big mess. She keeps taking these beta-carotene tablets every time she has a Seven and Seven, like it’s some kind of post-divorce diet or I don’t know.”
“I think she likes me.” They had started toward the table but stopped now to convene a hasty parley on the dance floor, beneath the frond of a squat fan palm. Donna had been giving Ira sexual advice since he was nine.
“How old are you now, twenty-one?”
“Almost.”
“She’s older than I am, Ira!” Donna patted herself on the chest. “You don’t want to get involved with someone so old. You want someone who still has all her delusions intact, or whatever.”
Ira studied Carmen as his cousin spoke, sensing the truth in what she said. He had yet to fall in love to the degree that he felt he was capable of falling, had never written villanelles or declarations veiled in careful metaphor, nor sold his blood plasma to buy champagne or jonquils, nor haunted a mailbox or a phone booth or a certain café, nor screamed his beloved’s name in the streets at three in the morning, heedless of the neighbors, and it seemed possible that to fall for a woman who had been around the block a few times might be to rob himself of much of the purely ornamental elements, the swags and antimacassars of first love. No doubt Carmen had had enough of such things. And yet it was her look of disillusion, of detachment, those stoical blue eyes in the middle of that lovely, beaten face, that most attracted him. It would be wrong to love her, he could see that; but he believed that every great love was in some measure a terrible mistake.
“Just introduce me to her, Donnie,” he said, “and you don’t have to pay me back.”
“Pay you back what?” said Donna, lighting up her halogen smile.
She was a basket case. The terra cotta ashtray before her on the table, stamped with the words EL IMPERIO, was choked with the slender butts of her cigarettes, and the lit square she held in her long, pretty fingers was trembling noticeably and spewing a huge, nervous chaos of smoke. Her gray eyes were large and moist and pink as though she had been crying not five minutes ago, and when Donna, introducing Ira, laid a hand on her shoulder, it looked as though Carmen might start in again, from the shock and the unexpected softness of this touch. All of these might have escaped Ira’s notice or been otherwise explained, but on the empty seat beside her, where Ira hoped to install himself, sat her handbag, unfastened and gaping, and one glimpse of it was enough to convince Ira that Carmen was a woman out of control. Amid a blizzard of wadded florets of Kleenex, enough to decorate a small parade float, Ira spotted a miniature bottle of airline gin, a plastic bag of jellybeans (all black ones), two unidentifiable vials of prescription medication, a crumpled and torn road map, the wreckage of a Hershey bar, and a key chain, in the shape of a brontosaurus, with one sad key on it. The map was bent and misfolded in such a way that only the fragmentary words S ANGEL, in one corner, were legible.
“Carmen Wallace, this is my adorable little cousin Ira,” Donna said, using the hand that was not resting on Carmen’s bare shoulder to pull at Ira’s cheek. “He asked to meet you.”
“How do you do,” said Ira, blushing badly.
“Hi,” Carmen said, setting her cigarette on the indented lip of the ashtray and extending the tips of her fingers toward Ira, who paused a moment—channeling all of his sexual energy into the center of his right palm—then took them. They were soft and gone in an instant, withdrawn as though he had burned her.
“And this is Audrey—”
“Hi, Audrey.”
“—and Doreen, who’s a—friend?—of the groom’s.”
Ira shook hands with these two and, once Carmen had moved her appalling purse onto the floor beside her to make room for him, soon found himself in the enviable position of being the only man at a table of five. Doreen was wearing a bright yellow dress with an extremely open bodice; she had come to her friend Barry’s wedding exposing such a great deal of her remarkable chest that Ira wondered about her motives. She was otherwise a little on the plain side and she had a sour, horsey laugh, but she was in real estate and Donna and Audrey, who were thinking of buying a house together, seemed to have a lot to say to her. There was nothing for him and Carmen to do but speak to each other.
“Sheila says you live next door to her folks?” Ira said. Carmen nodded, then turned her head to exhale a long jet of smoke. The contact of their eyes was brief but he thought it had something to it. There was about an inch and a half of Sauza left in Ira’s glass and he drained a quarter inch of it, figuring this left him with enough to get through another five questions. He could already tell that talking to Carmen was not going to be easy, but he considered this an excellent omen. Easy flirtation had always struck him as an end in itself and one which did not particularly interest him.
“Is it that big wooden house with the sort of, I don’t know, those things, those rafters or whatever, sticking out from under all the roofs?” He spread the fingers of one hand and slid them under the other until they protruded, making a crude approximation of the overhanging eaves of a California bungalow. There was such a grand old house, to the north of Sheila’s parents, that he’d always admired.
Another nod. She had a habit of opening her eyes very wide, every so often, almost a tic, and Ira wondered if her contact lenses might not be slipping.
“It’s a Hetrick and Dewitt,” she said bitterly, as though this were the most withering pair of epithets that could be applied to a house. These were the first words she had addressed to him and in them, though he didn’t know what she was talking about, he sensed a story. He took another little sip of tequila and nodded agreeably.
“You live in a Hetrick and Dewitt?” said Doreen, interrupting her conversation with Donna and Audrey to reach across Audrey’s lap and tap Carmen on the arm. She looked amazed. “Which one?”
“It’s the big pretentious one on Orange Blossom, in Altadena,” Carmen said,
