Big Brother. Lionel Shriver
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The big, lobotomized house formed the perfect neutral backdrop against which Fletcher’s furniture could stand out. At this point my husband’s handiwork had replaced most of the department-store appurtenances of our original combined households. (This joining of domestic forces was the first time in my life that someone had helped me move. With ferocious efficiency, Fletcher could carton a room in an afternoon, which has to be even more romantic than prizing the fiddly scraps from the food processor.) So lithe were his creations that whenever I walked into the living room the furniture seemed to have been grazing on throw rugs moments before. Its back corners curled like stag horns, bowed legs prancing on pared feet, the couch was weighted down with pillows, without which the skittish creature might have cantered out the door.
Though Fletcher liked to think he was improving, my favorite piece was one of his first. We called it the Boomerang. Its red leather cushion was oval. The rail forming the contiguous arms and back slooped high on the right, then arced down on the left, until the far end of the left-hand arm almost touched the floor. The chair looked as if it had been hurled. The slats supporting the great rising back line were also curved—laminated Macassar ebony, rosewood, and maple that he’d soaked for a week to bow. The Boomerang was a talisman of sorts. Most people who’ve refined a skill may cling to such a touchstone: early proof they’ve got the goods. The object to which they can always refer when a current effort is foundering: See? If you can do that, you can do anything. I’d no equivalent myself, because I didn’t care about product. I liked process. Be it a marmalade cake or the absurd merchandise I sold then, output was chaff to me the instant of completion. I found finishing projects perfectly awful.
After scrubbing the beige film from the rice pan, I peered out the front window. It had started to rain, but that never drove my intrepid husband home. Safe in my solitude, I crept upstairs to my home office and booked a plane ticket between LaGuardia and Cedar Rapids, choosing an arbitrary return date that we could always change. I wrote a check for five hundred dollars with “incidentals” scrawled in the lower-left-hand corner. Enclosing the check and e-ticket printout, I addressed a FedEx mailer to Edison Appaloosa, care of the address Slack had dictated that morning, and booked a pickup on my account.
My having bought this house with the proceeds of my offbeat business two years before might have meant that I had the “right” to install my brother in its guest room without permission. But pulling fiscal rank struck me as vulgar and undemocratic. There were three Feuerbachs in that house, and only one Halfdanarson.
What called me to run roughshod over Fletcher’s opposition was something else. I was not, as a rule, held hostage to family. At some point I would make the disagreeable discovery of how deep a tie I retained to my father, but not until he died; meantime, I was free to find him unbearable. My sister Solstice was sufficiently my junior that I could almost be her aunt, and it was only at her insistence that she visited me in Iowa every other summer. (She grew up in the fractured remains of a nutty, failed family, on which she’d long tried to impose a more appealing cliché. So she was the only one who bought presents, sent cards, and paid visits whose perfect regularity suggested a discipline.) My lovely mother Magnolia had died when I was thirteen. Both sets of grandparents had passed. A loner until Fletcher, I’d borne none of my own children.
Edison was my family, the sole blood relative whom I clearly and cleanly loved. This one attachment distilled all the loyalty that most people dilute across a larger clan into a devotion with the intensity of tamarind. It was Edison from whom I first learned loyalty; it was therefore Edison from whom all other loyalties flowed, and the beneficiaries of this very capacity to cling fiercely were Fletcher and our kids. I may have been ambivalent about the past we shared, but only Edison and I shared it. In truth, I hadn’t hesitated for a heartbeat when Slack Muncie called that morning. Fletcher was right: it was a trump. Edison was my brother, and we could really have ended the discussion then and there.
I’m picking your uncle up at the airport at five.” The pecans on my pie smelled nicely toasted, and I pulled it from the oven. “Be sure and join us for dinner.”
“Step-uncle,” Tanner corrected, standing at the counter getting toast crumbs on the floor. “Right next door to total stranger in my book. Sorry. Got plans.”
“Change them,” I said. “I wasn’t asking. You and Cody will be at dinner, period. Seven o’clock, if the plane’s on time.” I’d always felt shaky about exerting authority over my stepchildren, even shakier now that Tanner was seventeen, and when you don’t feel confident of authority you do not have it. If he did as I said, he would obey out of pity. “When you have a houseguest,” I added, laying on the parental shtick even thicker, “you may not have to be around for all the other meals, but you do on the first night.”
“Is that so?”
I wasn’t sure what I’d said was true. “I mean, I’d really appreciate your being here.”
“So you are asking.”
“Pleading.”
“That’s different.” He wiped butter from his mouth with his sleeve. “The guy was here once before, right?”
“A little over four years ago. Do you remember him?”
“Got a dim recollection of some blowhard. Kept yakking about bands nobody’s ever heard of. Couldn’t remember my fucking name.”
The characterization stung. “Edison has a son somewhere, but his ex got full custody when the boy was a baby. So your uncle doesn’t have much experience talking to kids—”
“Got the impression the problem was the way he talked to adults. He was boring the shit out of everybody.”
“He’s a very talented man who’s led a very interesting life—much more interesting than mine. This is a rare opportunity to get to know him.” I was speaking to a brick wall.
I hadn’t quite cracked my stepson. Tanner had a blithe sense of entitlement, a certainty that he was destined for an undefined brand of greatness. Though already a month into his senior year of high school, he had yet to evince the slightest interest in the college education for which I was expressly saving the proceeds from my business. He wanted to write, but he didn’t like to read. That summer the boy had announced that he’d decided to become a screenwriter as if doing Ridley Scott a personal favor. I’d wanted to shake the kid; had he any idea the poor odds of breaking into Hollywood even as a runner? Uncertain whether my impulse was kind or cruel, I’d held my tongue. I had pointed out that his grammar, punctuation, and spelling were atrocious, but Tanner imagined that word processing took care of all that silly prose-style folderol. Anyway, he’d said, for screenwriting you had to know how people really talked, for which a grasp of proper grammar was only an impediment. Okay, I’d thought begrudgingly, one point for Tanner. Throughout his adolescence, Fletcher and I had praised the boy’s every poem, extolled the creativity of his half-page short stories. Parents are supposed to.