routines, until age and responsibility yanked him back into the acceptance he needed to live a quiet Piddle life. Jem no doubt would also come to this acceptance naturally. That was what growing up was. Yet he felt for him.
He said nothing more. but when they passed the meadows by the River Frome on the outskirts of town where a round wooden structure with a canvas roof had been erected, he and Jem watched the men juggling torches by the roadside to lure customers in; Thomas Kellaway then felt for the extra crown in his pocket and turned the cart off into the field. It was the first unpredictable thing he had ever done, and it seemed, briefly, to loosen something in him, like the ice on a pond cracking in early spring.
It made it easier when he and Jem returned home later that night with tales of the spectacles they’d seen, as well as an encounter they’d had with Philip Astley himself, for Thomas Kellaway to face his wife’s bitter eyes that judged him for having dared to have fun when his son’s grave was still fresh. ‘He offered me work, Anne,’ he told her. ‘In London. A new life, away from—’ He didn’t finish. He didn’t need to – they were both thinking of the mound of earth in the Piddletrenthide graveyard.
To his astonishment – for he himself had not thought to take the offer seriously – Anne Kellaway looked straight at him and nodded. ‘All right. London it be.’
The Kellaways waited at the cart for half an hour before they were visited by Philip Astley himself – circus owner, creator of spectacles, origin of outlandish gossip, magnet to the skilled and the eccentric, landlord, patron of local businesses and oversized colourful character. He sported a red coat he had worn years before during his service as a cavalry officer; it had gold buttons and trim, and was fastened only at the collar, revealing a substantial belly held in by a buttoned white waistcoat. His trousers were white, his boots had chaps that came to the knee, and, in his one concession to civilian life, he wore a black top hat, which he was constantly raising to ladies he recognised or would like to recognise. Accompanied by the ever-present John Fox, he trotted down the steps of the amphitheatre, strode up to the cart, raised his hat to Anne Kellaway, shook Thomas Kellaway’s hand, and nodded at Jem and Maisie. ‘Welcome, welcome!’ he cried, brusque and cheerful at the same time. ‘It is very good to see you again, sir! I trust you are enjoying the sights of London after your journey from Devon?’
‘Dorsetshire, sir,’ Thomas Kellaway corrected. ‘We lived near Dorchester.’
‘Ah, yes, Dorchester – a fine town. You make barrels there, do you?’
‘Chairs,’ John Fox corrected in a low voice. This was why he went everywhere with his employer – to provide the necessary nudges and adjustments when needed.
‘Chairs, yes, of course. And what can I do for you, sir, ma’am?’ He nodded at Anne Kellaway a touch uneasily, for she was sitting ramrod straight, her eyes fixed on Mr Smart, now up on Westminster Bridge, her mouth pulled tight like a drawstring bag. Every inch of her gave out the message that she did not want to be here or have anything to do with him; and that was a message Philip Astley was unused to. His fame made him much in demand, with too many people seeking his attention. For someone to display the opposite threw him, and immediately made him go out of his way to regain that attention. ‘Tell me what you need and I will give it you!’ he added, with a sweep of his arm, a gesture lost on Anne Kellaway, who kept her eyes on Mr Smart.
Anne Kellaway had begun to regret their decision to move from Dorsetshire almost the moment the cart pulled away from their cottage, the feeling deepening over the week they spent on the road picking their way through the early spring mud to get to London. By the time she sat in front of the amphitheatre, not looking at Philip Astley, she knew that being in London was not going to take her mind from her dead son as she’d hoped it might; if anything, it made her think of him even more, for being here reminded her of what she was fleeing. But she would rather blame her husband, and Philip Astley too, for her misfortune, than Tommy himself for being such a fool.
‘Well, sir,’ Thomas Kellaway began, ‘you did invite me to London, and I’m very kindly accepting your offer.’
‘Did I?’ Philip Astley turned to John Fox. ‘Did I invite him, Fox?’
John Fox nodded. ‘You did, sir.’
‘Oh, don’t you remember, Mr Astley?’ Maisie cried, leaning forward. ‘Pa told us all about it. He and Jem were at your show, an’ during it someone were doing a trick atop a chair on a horse, an’ the chair broke and Pa fixed it for you right there. An’ you got to talking about wood and furniture, because you trained as a cabinet maker, didn’t you, sir?’
‘Hush, Maisie,’ Anne Kellaway interjected, turning her head for a moment from the bridge. ‘I’m sure he doesn’t want to hear about all that.’
Philip Astley gazed at the slim country girl talking with such animation from her perch and chuckled. ‘Well, now, miss, I do begin to recall such an encounter. But how does that bring you here?’
‘You told Pa if he ever wanted to, he should come to London and you would help him set himself up. So that’s what we done, an’ here we be.’
‘Here you be indeed, Maisie, all of you.’ He turned to Jem, judging him to be about twelve and of the useful age to a circus for running errands and helping out. ‘And what’s your name, lad?’
‘Jem, sir.’
‘What sort of chairs are those you’re sitting next to, young Jem?’
‘Windsors, sir. Pa made ’em.’
‘A handsome chair, Jem, very handsome. Could you make me some?’
‘Of course, sir,’ Thomas Kellaway said.
Philip Astley’s eyes slid to Anne Kellaway. ‘I’ll take a dozen of ’em.’
Anne Kellaway stiffened, but still did not look at the circus man, despite his generous commission.
‘Now, Fox, what rooms have we got free at the moment?’ he demanded. Philip Astley owned a fair number of houses in Lambeth, the area around the amphitheatre and just across Westminster Bridge from London proper.
John Fox moved his lips so that his moustache twitched. ‘Only some with Miss Pelham at Hercules Buildings – but she chooses her own lodgers.’
‘Well, she’ll choose the Kellaways – they’ll do nicely. Take ’em over there now, Fox, with some boys to help unload.’ Philip Astley lifted his hat once more at Anne Kellaway, shook Thomas Kellaway’s hand again, and said, ‘If you need anything, Fox’ll see you right. Welcome to Lambeth!’
Maggie Butterfield noticed the new arrivals right away. Little escaped her attention in the area – if someone moved in or out, Maggie was nosing among their belongings, asking questions and storing away the information to relay to her father later. It was natural for her to be attracted to Mr Smart’s cart, now stopped in front of no. 12 Hercules Buildings, and study the family unloading it.
Hercules Buildings was
