Beans and stuff? You whined, like, Sher, I mean, if you wanna. Vintage Capriati.”
She laughed. “OK, I thought the food would be revolting.” The air went supple. Willy strolled a few inches closer to her companion, though he’d still have to reach for her hand.
His arms swung free. “What are you doing tomorrow?”
“Heading up to Westbrook, Connecticut, for the weekend. I train up there.”
“Let me come see you.”
She felt protective of Sweetspot, but a visitor would serve a purpose. “Maybe.”
Eric crimped her phone numbers into the margins of his New York City tennis permit.
She lingered at her stoop for a kiss. It was not forthcoming. In the glare of the entrance light, Eric’s woodsy eyebrows shimmered with mutated stray hairs, some up to an inch and a half long. Intrigued, not really thinking, Willy reached for the longest eyebrow hair to pluck it.
He slapped her hand.
“Sorry,” he said as Willy rubbed her knuckles. He’d hit her hard. “I like those.”
Cheeks stinging, Willy studied her tennis shoes. “I guess I liked those weird hairs, too,” she mumbled. “Maybe that’s why I wanted one.”
When she glanced up again, he was pinching the same overgrown straggler; he plucked it and laid it in her palm. “Then it’s yours.”
Her fingers closed over the specimen. She didn’t know what to say. Willy didn’t go on dates.
“Eric?” It was the first time she’d ever said his name. The syllables felt ungainly on her tongue, their use a monumental concession to the young man’s existence. “I did go to college. My father made me. I quit, after my junior year, to go pro. I’m not nineteen, I’m twenty-three. I’m way behind. I have very, very little time left.”
In reward for the successful exchange, one eyebrow hair for one confession, he kissed her. Willy could only hold one broad shoulder. The other hand fisted Eric’s peculiar gift. Unaccountably, once in her apartment she would store it in a safe place.
Max Upchurch called sweetspot a “School of Tennis,” dismissing Nick Bollettieri’s more famous Florida academy as a camp. The education Sweetspot students received was better than perfunctory; Max couldn’t bear colossal forehands at the expense of confusing Tiananmen Square with Chinese checkers. Max eschewed Bollettieri’s reform-school trappings, dispensing with Bradenton’s sniffer-dog drug checks, five-dollar fines for chewing gum, and restrictions to one TV program per week. As far as Max was concerned, if parents wanted to pay two thousand dollars a month for their kids to pop bubbles in front of The Munsters it was no skin off his nose. Should his students turn pro they might as well get practice at the tube. Isolated in an indistinguishable string of hotels waiting for the rain to clear or their draw to come up, most journeymen on the tour spent more time watching American reruns than they did on court.
Despite Sweetspot’s unfashionable liberality, Willy was not alone in regarding Max’s operation as more elite than his competition’s in Florida. Bollettieri accepted 225 would-be champions a go; Max admitted seventy-five. Max Upchurch himself had had a distinguished career, ranked number six in the world in 1971, and making a solid contribution toward pulling the U.S. ahead of Australia playing Davis Cup. As a young aspirant in the late sixties, he’d made a name for himself behind the scenes, finagling with a handful of other infidels to drive this snooty, exclusive, stick-up-the-ass amateur sport into the crass, low-rent, anything-goes, money-mad and cut-throat Open era that was now so happily upon us.
But the biggest difference was tennis. Bollettieri’s protégés blindly cannoned from the baseline like ball machines. To Max, crash-crash was not what tennis was about. Sweetspot emphasized cunning, style, finesse. While Nick assembly-lined bruisers, Max handcrafted schemers and ballerinas. Willy’s coach believed that in every player lurked a singular tennis game struggling to get out—a game whose aberrations would prove its keenest weapons. He regarded his mission as to coax those idiosyncratic strokes from unformed players before their eccentric impulses were buried forever beneath the generic “rules” that constituted common coaching.
When Max first took Willy on at seventeen he demolished a game twelve years in the making and reconstructed it from the ground up. Willy had grown up fighting—fighting her parents; fighting her extraneous algebra homework when she was on the cusp of a breakthrough with the slice backhand; fighting the USTA for transport to junior tournaments that her father hadn’t the remotest intention of financing; and later, fighting her height, when it became crushingly apparent that she would never exceed five-three. The appetite for battle Max encouraged. He drew the line at Willy’s fighting herself. He insisted that she stop overcoming weaknesses and start playing to strengths.
All through high school, Willy had rushed forward at every opportunity, to prove a dwarf could cover the net, and she’d clobbered every ball with pleasingly improbable pace. It was Max who’d convinced her to stop defying physical fact. She was short; she should approach selectively. She was light; she’d never overpower heftier, Bollettieri blunderbusses. What Willy had going for her was that she was fast, that from scrapping with Daddy and the USTA and Montclair High School she had tremendous reserves of spite, and, scarcest of all, that she was intelligent.
Sure enough, Willy could pummel juniors into submission, but on the pro circuit she would never win a slugfest. She had a higher percentage trading on her wits. Though it took absurd restraint to keep from hauling off and slaughtering every ball—if only for the sheer sensation of hitting any object that hard without being arrested—Willy discovered delights in delicacy as well, until certain backspinning dinks slithering over the tape made her laugh out loud. Max played her a video of the Ashe—Connors Wimbledon final of ’75, where instead of belting Jimmy’s shots back laced with his own medicine Arthur deliberately slowed the points to a crawl. The long, easy returns drove Connors wild, and he’d slash them to the net or overhit. In the end, of course, the tortoise beat the hare.
In fact, Max was not coaching her in anything new at all. Players who specialized in craftiness—drops, lobs, disguises, and change-ups—were playing old-style women’s tennis, for the sport had been routinely won on guile before the advent of oversize rackets and hunky grunters like Monica Seles. Yet the standard, abandoned long enough, becomes fresh. Willy sometimes suspected that his shaping her into an icon of bygone tactics was an exercise in nostalgia—for the days when women players were lithe, limber, and ingenious; and for the days when women players were women.
Thus it was thanks to Max Upchurch that Willy didn’t spend every passing day in a state of hysteria. While she moped through another unwelcome birthday, Max had serenaded her with tales of Kathy Rinaldi, Andrea Jaeger, and Thierry Tulasne—young hopes-of-tomorrow who fizzled out as fast as they once burned brightly. “Early to rise, early to bed,” he’d assured her when she turned nineteen, and was glowering at yet another year wasted at UConn on Spanish verbs. “Tennis is for grown-ups. You won’t peak until you’re twenty-five, Will. There’s time.”
As of six weeks ago, a tarnish had mottled her memories of those first trips to Sweetspot that Willy couldn’t quite rub off. Though she and Max had agreed to go back to “normal,” when Willy stepped off Amtrak in Old Saybrook it was an older student who waved her to the car. Once again,
