concern flaring up in her more than ever. And then, turning on her heel, decisively, she hurried outside into the sunny morning air.
Mari raced down the garden path and out onto the tree-lined lane, her feet flying as she ran all the way to the main road. It was there that the police box was located. Painted dark blue and large enough to accommodate two policemen if necessary, the box was a great convenience for the bobby on the beat. Fitted out with a telephone, running water, and a gas burner, it was there that a policeman could make a cup of tea, eat a sandwich, write up a report, and phone the main police station when he had to report in or request help. These police boxes were strategically placed in cities and towns all over England, and were indispensable to the bobbies on the beat, especially when they were on night duty and when the weather was bad.
By the time Mari reached the police box she was panting and out of breath. But much to her relief Constable O’Shea was there. He’ll help me, I know he will, she thought as she came to a stop in front of him.
The policeman was standing in the doorway of the box, smoking a cigarette. He threw it down and stubbed his toe on it when he saw Mari.
Taking a closer look at the panting child, Patrick O’Shea immediately detected the fear in her eyes and saw that she was in a state of great agitation. Recognizing at once that something was terribly wrong, he bent over her, took hold of her hand, and looked into her small, tear-stained face. “What’s the matter, Mari love?” he asked gently.
“It’s me mam,” Mari cried, her voice rising shrilly. “She’s lying on the kitchen floor. I can’t make her wake up.” Mari began to cry even though she was trying hard to be brave. “There’s blood. On her nightgown.”
Constable O’Shea had known Mari all of her young life, and he was well aware that she was a good little girl, well brought up and certainly not one for playing tricks or prone to exaggeration. And in any case her spiraling anxiety was enough to convince him that something had gone wrong at Hawthorne Cottage.
“Just give me a minute, Mari,” he said, stepping inside the police box. “Then we’ll go home and see what’s to be done.” He phoned the police station, asked for an ambulance to be sent to Hawthorne Cottage at once, closed the door, and locked it behind him.
Reaching down, he swung the child up into his arms, making soothing noises and hushing sounds as he did so.
“Now then, love, let’s be on our way back to your house to see how your mam is, and I’m sure we can soon put everything right.”
“But she’s dead,” Mari sobbed. “Me mam’s dead.”
PART ONE
TIME PRESENT
Meredith Stratton stood at the large plate-glass window in her private office which looked downtown, marveling at the gleaming spires rising up in front of her. The panoramic vista of the Manhattan skyline was always eye-catching, but tonight it looked more spectacular than ever.
It was a January evening at the beginning of 1995, and the sky was ink black and clear, littered with stars. There was even a full moon. Not even a Hollywood set designer could have done it better, Meredith thought, there’s no improving on nature. And then she had to admit that it was the soaring skyscrapers and the overall architecture of the city that stunned the eye.
The Empire State Building still wore its gaudy Christmas colors of vivid red and green; to one side of it, slightly to the left, was the more sedate Chrysler Building with its slender art deco spire illuminated with pure white lights.
Those two famous landmarks dominated the scene, as they always did, but that evening the entire skyline seemed to have acquired more glittering aspects than ever, seemed more pristinely etched against the dark night sky.
“There’s nowhere in the world quite like New York,” Meredith said out loud.
“I agree.”
Meredith swung around to see her assistant, Amy Brandt, standing in the doorway of her office.
“You gave me a start, creeping in on me like that,” Meredith exclaimed with a grin, and then turned back to the window. “Amy, come and look. The city takes my breath away.”
Amy closed the door behind her and walked across the room. She was petite and dark-haired in contrast to Meredith, who was tall and blonde. Amy felt slightly dwarfed by her boss, who stood five feet seven in her stocking feet. But since Meredith always wore high heels, she generally towered over most people, and this gave Amy some consolation, made her feel less like a munchkin.
Gazing out of the window, Amy said, “You’re right, Meredith, Manhattan’s looking sensational, almost unreal.”
“There’s a certain clarity about the sky tonight, even though it’s dark,” Meredith pointed out. “There’re no clouds at all, and the lights of the city are creating a wonderful glow….”
The two women stood looking out the window for a few seconds longer, and then, turning away, moving toward her desk, Meredith said, “I just need to go over a couple of things with you, Amy, and then you can go.” She glanced at her watch. “It’s seven already. Sorry to have kept you so late.”
“It’s not a problem. And you’ll be away for a week, so I’ll be able to take it easy while you’re gone.”
Meredith laughed and raised a perfectly shaped blonde brow. “You taking it easy would be the miracle of the century. You’re a workaholic.”
“Oh no, not me, that’s you, lady boss. You take first prize in that category.”
Meredith’s deep green eyes crinkled at the corners as she laughed again, and then, pulling a pile of manila files toward her, she opened the top one, glanced down at the sheet of figures, and studied them for a split second.
Finally, she looked up and said, “I’ll be gone for longer than a week, Amy. I think it will be two at least. I’ve quite a lot to do in London and Paris. Agnes is very set on buying that old manor house in Montfort-L’Amaury, and you know she’s like a dog with a bone when she gets her teeth into something. However, I’m going to have to work very closely with her on this one.”
“From the photographs she sent it looks like a beautiful property, and it’s perfect for us,” Amy volunteered, and then asked, “You’re not suddenly against it, are you?”
“No, I’m not. And what you say is true, it is ideal for Havens. My only worry is how much do we have to spend in order to turn that old house into a comfortable inn with all the modern conveniences required by the seasoned, indeed pampered, traveler? That’s the key question. Agnes gets rather vague when it comes to money, you know that. The cost of new plumbing is not something that concerns her particularly, or even interests her. I’m afraid practicalities have always eluded Agnes.”
“She’s very creative, though, especially when it comes to marketing the inns.”
“True. And I’m usually stuck with the plumbing.”
“And the decorating. Let’s not forget that, Meredith. You know you love designing the inns, putting your own personal
