In the Approaches. Nicola Barker
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It almost seems – disappointing. A let-down. Laughable.
Kimberly – snuffed out. Defunct. Dead. She hopped the twig. She popped her clogs. Stupid, hopeful, brave, indefatigable Kimberly. Dead. Dead.
Oh God, what the hell to do now? The funeral’s on Friday, but I’m broke! Can’t even afford the plane fare. The stupid travel agent – the bastard airline won’t … ‘What?! Not even on compassionate grounds?’ I yelled.
Oh God. She’s dead. Where to go? How to …? I’m only here because of Kimberly. I’m here for her. As a favour. Because of her dotty mother. We’d been agonizing about Trudy’s declining health for months – upwards of a year, in fact. She’d been growing increasingly confused, woolly, dithery – and Kim simply couldn’t cope. I mean Trudy was meant to be Kim’s buffer – her back-stop, her support (a rich irony!). Bottom line was, Trudy needed to go into sheltered accommodation.
But how the heck to afford it? After much heart-searching and arguing and sulking (in equal measure, on both our parts) Kimberly Fed-Exed me the only remaining thing of any value she possessed: the negatives of those infernal photos – the ‘picture diary’ of Bran Cleary, Kalinda Allaway and their daughter, Orla, ‘in hiding’, that infamous late summer of 1972.
I was given a brief to sell them to the highest bidder, and had agreed a good price for her – with a fair amount of wrangling – but then Kimberly underwent a sudden (not untypical) change of heart, damn her (Damn Kimberly! Damn her! Poor Kimberly. Dead Kimberly). She’d found out something unpalatable about the purchaser and had developed a whole host of last-minute ‘scruples’. We didn’t discuss the details. It was obviously a painful subject for us both. But we rose above – same as we always do. Same as we always did – Kim and me. Kim and I. We two. Us.
The Catholic Church was interested, obviously, but Kimberly wouldn’t countenance the idea, just on the off-chance … Well, I suppose she thought they might simply get swallowed up (her gorgeous images) – subsumed – in a maelstrom of clerical bureaucracy. It was illogical. But that’s Kim for you. Or that was Kim, before …
‘Something to do with a tooth?’
It was stupid. And time-consuming. And expensive. I complained about the cost (human, financial). ‘I have an import/export business to run in Monterrey,’ I grumbled, ‘and a tower of translation work to be done.’ The truth was that the photos had already disappeared – to all intents and purposes – by dint of being stuck in an old trunk at the end of Kim’s bed for the past twelve years. But that was okay, apparently. That was different. Kim wasn’t their jailer, she insisted, but a broody hen perched lightly atop. This handful of fragile spools was Kimberly’s creative and emotional legacy. She never said it, because it didn’t need saying. It was the unsayable. But I knew.
She was highly conflicted over the whole thing. We both were. In the end she persuaded me to go to a publisher with them, to flog them (for less money) in the guise of a book, but the publisher offering the best price (and it was a good price, a great price) still wanted text – context. Who might be expected to provide that? Kim herself? No. She couldn’t – wouldn’t – trust herself. ‘I was way too close to the whole thing,’ she insisted, ‘and I’m “the bad guy”, remember? The scapegoat?’
‘Well maybe you should try and see this as an opportunity,’ I valiantly suggested, ‘a chance to alter those popular misconceptions …’
‘But are they?’ she murmured. ‘Misconceptions, I mean?’
I couldn’t answer. I really wish now that I had – in retrospect – just with … I don’t know … the benefit of hindsight. But I couldn’t. I just couldn’t bring myself to respond. Call it mean-spiritedness. Call it pride. Call it whatever you damn well like. You’re probably right.
‘I was blind-sided by it all,’ she sighed, ‘I was bowled over … seduced. And above and beyond that, I really don’t want the whole “tragic” angle to eclipse … well … “the work”.’
In a toss-up – a fair gamble – Kimberly would always – always – have opted for death over pity. Poor Kimberly. So defiant. So flawed. So proud. So …
Scared? Was it fear that kept them quiet?
Superstition?
Loyalty?
What was it? What was the indelible hold Bran Cleary had over them all: strange, little Orla, crazy Kalinda, the countless others? Witchcraft? Voodoo? Charm? Art?!
‘Okay, Kim,’ (yet another international call at completely the wrong time of day. Kim isn’t – wasn’t – ever happy unless a conversation was charged at peak rates. It was her last great extravagance. ‘Keeps you on your toes, Frankie-boy,’ she’d laugh, ‘keeps you sharp!’) ‘so who else, then? Eh?’ I demanded. ‘Who else can be trusted? Any suggestions, Oh Wise One?’
‘I do have somebody in mind,’ Kim confided, and then, with typical unreasonableness – balls-out, that was my Kim – suggested Franklin D. Huff. Yes. Me. Franklin D., no less: currently occupying the not-especially-coveted role of Jilted Lover. Betrayed Friend. Fall-Guy. Stooge.
There were weeks of heated negotiations. ‘You seriously feel you can trust me with this?’ I was astonished – touched – horrified! Trust me? I could barely trust myself! Wasn’t I the last person to be trusted? The most angry? The most cynical? The most dark? The most wounded? ‘That’s precisely why, Franklin,’ she’d chuckled (I always loved her laugh), ‘and because – when push comes to shove – you’re a born professional.’
This was not a commission I was eager to accept. Quite the opposite. This was the story I’d been running away from – at high speed – for twelve, long years. Several others (some reputable, others less so) had been pitilessly tossed against the jagged rocks of this sorry tale and left horribly becalmed. There were just way too many angles. The narrative was dangerously overloaded. How to gain access? There was the mysterious death of Bran Cleary while on remand, for starters, after a bomb (the second bomb he’d been ‘unwittingly’ connected with) planted – or being stored? Transported? – in the boot of his car went off. All the dodgy political stuff. There was the curious disappearance of crazy Kalinda, aka ‘Lonely’ Allaway, his wife (the fame-hungry vengeful Australian shepherdess). And Orla? Poor, sweet Orla Nor Cleary – their daughter? The tiny-armed girl visionary? Where even to start with that particular hornets’ nest?
‘Simply go back to Mulberry,’ Kim sighed (with typical clarity), making it sound like the simplest undertaking in the whole world, ‘and just inhale the atmosphere. You missed out the first time around. Aren’t you intrigued to have a little snoop about? Apparently they’ve kept the cottage exactly as it was – like a kind of shrine. They do short- and medium-term rentals. They’re very picky about tenants, though, so keep your head down. Be discreet. Why not invite Lara along for the ride? Build some bridges. Make it into a little holiday! I’ll cover all expenses from the advance. Try and reach out to the people who were there – on the periphery, in the background. Knit. Walk. Relax. Breathe. It doesn’t have to be the final word or anything, just a