Letting You Go. Anouska Knight
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‘I don’t see Millie.’
Jem yanked a slice of bread in two. Alex silently chewed a piece of swede. ‘That’s too bad. I always liked Millie.’
‘A few ballet classes doesn’t make you besties, Alex. Anyway, she was pallier with Carrie in the end.’
Alex took another bite of food. It was probably best not to get into it. She’d eaten four melt-in-the-mouth potato morsels before Jem spoke again. ‘Did you know they have a kid now?’
Alex backtracked her thoughts but couldn’t find where they’d left off. ‘Who?’
‘Mal and Millie.’ Jem laughed under her breath. ‘They even sound like they should be a couple.’
‘Oh, yeah. I think I heard something. A boy?’
‘Alfie. He’s four. Looks just like his dad did at his age, apparently.’
‘Oh.’
‘But I hear he has Millie’s dark eyes, not blue like Mal’s.’
‘I see.’
Jem nodded wistfully. ‘Helen spent nearly the whole time I was at the mayor’s funeral walking me through all of her grandson’s milestones. It was lucky she’d taken her funeral handbag and not her everyday handbag or I’d have been looking through albums of the things, I reckon.’
‘You went to the mayor’s funeral?’
‘Sure. He was always nice to me when I hung out at Mal’s house, unlike his serpentine wife. I really liked him. Didn’t you?’
‘I guess. I never really saw much of him after Mum finished helping him at the library.’
Jem shrugged. ‘I liked him. He always asked me stuff about Dill, as if he thought it was important to keep talking about him or something. Anyway, someone had to go. The Fosters and Sinclairs go way back. Everyone knows …’
‘The Fosters and Sinclairs have the longest bloodlines in these parts,’ they both said in unison. Jem grinned. She had a brilliant grin. Infectious, Alex always caught it.
‘Good old Mum. The genealogical guru of Eilidh Town Hall.’ Everyone wanted to be of Viking descent in Eilidh Falls, the mayor had been no exception. ‘So the mayor wasn’t cast adrift on a burning pyre then?’ Alex teased.
‘No pyre.’ Jem smiled.
‘Why didn’t Mum and Dad go?’ Blythe and Ted had moved in the same social circles as the Sinclairs once, until Helen and Millie Fairbanks’ car had collided with a wagon at the bottom of the bridge on Eilidh high street, just after it had left a service at Foster & Son’s Autos.
‘Not sure, it was weird. They both had this mystery bug they didn’t want to pass on. So I went on my own.’
Jem reached for more water. Something pretty caught Alex’s eye. ‘Jem! Your bracelet! Did your company make that?’
‘Ah, just a little something I knocked up.’ Jem said modestly.
‘It’s beautiful, Jem,’ Alex admired, running a finger over the edge of the bracelet. ‘I bet you’ve sold a few of these.’ Pottery had been Alex’s bag. She’d been all set to become the next Emma Bridgewater.
‘I wish. I’ve only made two, they’re such a bugger to make. I do love them though. They’re my best pieces.’
‘Have you seen Wedding Wars?’
‘Wedding Wars?’
OK, so Alex probably needed to rein in the late night telly watching. ‘Jem, I’m telling you, you should go into the bridal market. You’d make a fortune.’
‘And deal with all those finicky bridezillas or, worse, their mums? No thanks. They’re not all as chilled out as Blythe, you know. Just ask Mal.’ Jem stabbed at a piece of carrot then thought better of eating it. ‘I wonder when her next meal will be.’
Alex had stopped eating too. She pushed a slice of potato around her plate. She’d been hasty, hopeful this morning of her mum waking up and them bringing her home in no time. Then they’d come in to change Blythe’s catheter and Alex realised. Blythe wasn’t just sleeping, she was dependent. For now, at least.
Alex sat perfectly still, listening to the clinking of Jem’s cutlery against her plate and a houseful of silence behind it. ‘She needs to come home, Jem. It’s too quiet.’
‘She will. This place will be jumping again once she’s home.’ But they both knew that it probably wouldn’t. It had been years since either of them had heard the sounds of their childhood. Years since Blythe’s voice had effortlessly chased the rising and falling of dramatic melodies while Madama Butterfly or La Traviata played through the house. When Blythe did eventually come home it would just be more obvious. Dill had taken all the noise with him.
‘You’re lying.’ Ted’s voice sounded thin against the cheery 20s jazz playing out in Frobisher’s Tea Rooms.
Louisa’s hand was trembling. Her glass lying upended on the table-top. She wiped at the lipstick smeared messily from her lips. Ted saw the tears pooling in her eyes and felt nothing. He might have worried that he’d hurt her, been too rough, if he could think straight.
Louisa’s eyes darted about the tea rooms but the waitresses wouldn’t see them sitting here. Louisa had chosen the booth, tucked away by the little side window.
She swallowed back angry tears. ‘But you know that I’m not, don’t you, Ted? I can see it in your face.’
He should never have come here. Then he wouldn’t have had to listen to her spiteful proposition, wouldn’t have had to push her away. Wouldn’t have made her want to hurt him back so cruelly.
‘Stop talking, Louisa. Just …’
He brought his sleeve over his own mouth, in case any of that red was left on his. His hands were shaking too. Ted rose slowly from his chair. Louisa’s eyes grew wide.
‘Where are you going? You can’t just leave.’
He should never have come. ‘Home, Louisa. To my family. I promised my son we’d play with his new arrows.’ The bow and arrows. Ted pictured Malcolm bringing them over to the house for Dillon. He felt himself hunch over the table for a moment, his fingers grasp the edge of the table-top.
Louisa’s chin wobbled. She held herself rigid and glared up at him. ‘You go back to her then,’ she spat. ‘To that frumpy little wife of yours. But I hope you’re good at pretending, Edward Foster.’
‘Every