Measure Of Darkness. Chris Jordan
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“Teddy, I want to know everything there is to know about Randall Shane, his alleged victim, Joseph Keener, and the son, Joey. Public, private, personal, professional. Shane is a legendary kid finder and has worked a number of high-profile cases, so there will be a lot of hits. The juicy stuff will likely be in secure files, and that means take precautions.”
When Teddy rolls his eyes, Naomi hones in with a certain tone. “Young man, I’m aware you take pride in your ability to access data and remain undetected. Pride is good, and you’re a valued member of this team because of your talent and your tenacity. But given what just happened here—a man was snatched from this very house by persons unknown, in broad daylight, with clockwork efficiency—a little paranoia is more than justified. We don’t yet know who we’re dealing with, but make no mistake, there will be people with your skill set on the other side. If you get careless or arrogant or overconfident you could be the next one seized by men in ski masks. Is that understood?”
Teddy nods, looking just a little skinnier and even more tightly wound.
Naomi drains her cup and stands up. “Beasley, you’re on standby. No formal lunch today. Sandwiches on request to the library, which will serve as a temporary command center.” She turns to me. “Alice, make arrangements for repairs, completed by end of day if possible. Or, failing that, closed to the weather. And deal with the cops.”
“What cops?”
“The ones who will soon be at the front entrance, wanting to know what happened.”
“What shall I tell them?”
“Whatever you like,” she says. “Just keep them out of my hair and out of my house.”
Right on cue, the doorbell rings, followed shortly thereafter by the pounding of a fist.
Chapter Three
The Very Private Investigator
“A movie, huh?” the young patrolwoman says. “So where are they?”
“It was just the one scene. They needed the exterior shot.”
“The witness report said helicopter, unmarked, low altitude. Men swarming down ropes. Some kind of assault type of situation.”
“Stuntmen. Fortunately no one was hurt, and they’re paying for the repairs. Part of the contract.”
The patrolwoman makes a note, looks at me doubtfully. “There’s nothing about a film permit for this block.”
“Not my department. Up to the movie people.”
“You got a name for the production company?”
“Not me. The property manager might.”
“Name and number?”
I hand her our attorney’s card. A perfect endless loop, as the young patrolwoman will discover, if she bothers to follow up. Doubtful, since we’re not filing a complaint.
“There’s glass all over the sidewalk,” she points out.
“I’ll get my broom.”
More notes. The cop gives me a long look, as if trying to decide if I’m fronting for some criminal activity even now taking place inside the residence. “Must charge a lot, a place like this, to let ’em bust your windows.”
“Again, not my department. But I assume it was a generous offer.”
“What is your department, Ms. Crane?”
“Alice. I’m the caretaker.”
“Uh-huh. Is the owner in residence?”
“As I understand it, the property is owned by a real estate holding company.”
“So this is like, what, an investment kind of deal?”
“Apparently. As I say, I’m only the—”
“Caretaker. Yeah, I got it.” The notebook snaps shut. “We’re done. Have a nice day. My advice, take care of the glass. This city, somebody’ll sue ya.”
“Thanks, Officer.”
All of the above is conducted on the sidewalk, below the entrance, which rises seven steps from the pavement. Naomi’s rules forbid law enforcement officers from entering the premises unless invited. She calls it the vampire rule. Plenty of cops have been invited, over the years, and a chosen few have stayed for dinner, but this is the first full-scale invasion without a warrant. And it wasn’t cops this time, not exactly. And maybe not even slightly. More like a paramilitary mission executed with stopwatch precision.
Next task, fix the building. We have a standing arrangement with Danny Bechst. You’ve probably seen his vans around town, with the Bechst of Boston logo wrapped around the vehicles. The deal is, when we call Danny he drops everything and works the problem until it is completed, around the clock if necessary. For this he gets a very handsome annual retainer plus double the normal hourly rate, so Danny Boy loves it when we call. Included in the compensation package is an understanding that all work be conducted with the utmost regard to privacy and security. His men, and they’re all men except for a couple of females on his interior painting crew, are not to stray unchaperoned anywhere on the premises. As far as Danny’s crew are aware, the owner is a rich eccentric who treasures her privacy, only the last of which happens to be true, technically. It helps that most of his guys don’t speak English and wouldn’t know who Naomi Nantz is if they tripped over her, which Danny makes sure they don’t. Trip over her, that is.
I punch Danny’s number and in less than an hour a couple of his men, working from the outside, have screwed temporary plywood panels to the broken windows, and Danny himself is inside the command center taking measurements.
“No problem,” he promises. “End of day it’ll look like new, only better.”
There are a few more things you need to know about boss lady before we can proceed. What I said about how she treasures her privacy, believe me, that’s understating. When Naomi Nantz calls herself a “Very Private Investigator” she’s not kidding, and she’ll do almost anything to keep it that way. Also true, that she’s neither rich nor eccentric. Brilliant and difficult is not the same as eccentric. Eccentric is dressing your pets in period costumes; brilliant and difficult means you know exactly how to go about