Squire nor d’Exiteuil paid much attention to their surroundings, beyond stepping out of the way of the occasional more aggressive pedestrian who refused to move out of their path. They were discussing the state of the world, each from his own point of view. Both had strong and opposed beliefs, and blunted some of the force of what they had to say in order to proceed without undue argument.
The first day’s business of the conference was about to start. The two men worked in different disciplines. D’Exiteuil was primarily an academic, with a good position in the Humanities Faculty of the Sainte Beuve University in Paris. He and his wife Séverine d’Exiteuil had made several experimental films. Squire was a small landowner, a director of a London insurance firm, and an exponent of popular aesthetics. He had become something of a national hero in the late sixties, when he planned and executed the Hyde Park Pop Expo in London. For that spectacular event, he had received the CBE. His more recent television work had reinforced his success.
The conference was d’Exiteuil’s brainchild.
D’Exiteuil and Squire had known each other for many years. They corresponded irregularly and met occasionally – the previous New Year at Squire’s publisher’s home outside London, or at conferences or symposia, once in San Francisco, once in Stockholm, once in Poland, and twice in Paris.
Though they were in some respects enemies, they shared close common interests. The Frenchman recognized in the Englishman knowledge and wit; the Englishman recognized in the Frenchman integrity and application. All these qualities both admired. Because they could also be useful to each other, they had discovered a way to talk to each other, which seemed, over the years, to function effectively.
The relationship, while not a friendship, had proved more durable than many friendships, and was valued by both men.
When they came to the bottom of the side street down which they had been progressing, they reached an entry to the harbour. Before them stood a low double wall, in the middle of which had been planted bedding plants and cacti. The two men stood by the wall, looking across at a desolate area which stretched between them and the water; it was given over mainly to cracked concrete, grass, and dull square concrete buildings left over from Cubist paintings. An old lorry moved slowly among cranes. In the distance were warehouses, wharves, warning notices. Then the sea, or a section of it, tamed by a confining wall which terminated in a lighthouse. Beyond that wall lay the Mediterranean.
‘Looks promising,’ Squire said.
‘I don’t mind sitting on a beach with a book,’ d’Exiteuil said, ‘but I can’t bear going on or in the sea. Are you a yachtsman?’
‘Not really, but I did once sail right round Sicily with a couple of friends. I wouldn’t mind doing it again. Shall we go and stand at the water’s edge?’
D’Exiteuil looked smartly at his wrist watch.
‘We’d better go back to the hotel. It is fourteen minutes to nine o’clock. You and I have to set a good international example, Tom. On the first day, if not later.’ His English was fluent and almost without accent.
‘As you say.’ A headland crowned with palm trees stretched out into the sea to one side of the harbour, and there a white sail could be seen.
As they turned away, a boy ran up carrying newspapers. D’Exiteuil bought a copy and scanned the front page.
‘The Pope sends a message to the peoples of Poland.’ He ran a finger further down the page. ‘Scientists forecast 20,000 cool years ahead. The glaciers retreated to their present positions about 11,000 years ago, but now the cooling is beginning again. During the next 20,000 years, we can expect that considerable depths of ice will build up over the Northern Hemisphere. They could reach as far south as Milan. The cause is irregularities in the Earth’s orbit.’
He looked up, grinning.
‘So says Oggi in Ermalpa. It means the end of England.’
‘Yes, and France. Not a political collapse but a geophysical one.’
They walked briskly up a side street, where men in aprons were sweeping shop fronts, brushing water into the gutter. The first side street they had tried was entirely blocked by parked Fiats, beached like whales on either pavement as well as down the centre of the roadway. The street they were traversing held a mixture of offices, apartments, shops, and a restaurant or two. Outside one of the restaurants, men in shirt-sleeves were unloading containers of fish from a cart. They paused to allow the two visitors to pass.
The top of the street formed an intersection with the broad Via Milano. The Via Milano divided its opposing traffic flows with narrow islands of green on which palm trees grew. Traffic was thick at this hour.
A short distance along on the other side of the road, the Grand Hotel Marittimo faced them. It had a heavy facade of lichenous stone, with a high portico imitating a grander structure. It was set back only slightly from the uproar of the road. Despite its name, it offered its guests no glimpse of the sea from its old-fashioned bedroom windows. Last century, perhaps, it had stood where it could command a splendid view of the sailing ships in the harbour. Since then, upstart lanes of banks, offices and shops had come between it and the water.
Above the entrance, a nylon banner hung. On it were the words:
FIRST INTERNATIONAL CONGRESS OF INTERGRAPHIC CRITICISM
Of the four doors of thick plate glass set inside its porch, only one opened. The two men bowed to each other and went through it.
The heat, light, and noise of the outside were replaced by a melancholy coolness.
The foyer of the Grand Hotel was extremely capacious. Its floors and balustrades gave an impression of marble, its reception desks of fumed oak. To either side, this effect tailed off into cloakrooms or petty chambers in which a man might wait for a mistress, or smoke a cigar, or pretend to write a letter. In one petty chamber stood a glass case offering Capodimonte pottery and other objects to the tourists’ gaze. A similar case (both with curly bronze feet, betraying their age) displayed a number of silk ties.
Such subsidiary matters did not detract from the chief glory of the foyer, a centrally placed white marble of Paolo and Francesca in the Second Circle of Hell, by Canova. Squire had identified it as soon as he entered the hotel the previous evening, recalling involuntarily the volume of Dante’s Inferno with Doré illustrations, which his father had bought, and the line where Dante comments on the fate of these lovers:
Alas! by what sweet thoughts, what fond desire,
Must they at length to that ill pass have reached!
When he had first read the passage, he had been too innocent to understand what the lovers had done to deserve such punishment. This morning at the hotel breakfast table, between pineapple juice and bacon and eggs, he had written a postcard to his daughters, referring to the statue jokingly as ‘two undressed people retreating from something rather nasty’. Whilst writing, he had averted his mind from the actual situation of Ann and Jane, who were in the care of his sister Deirdre in Blakeney.
The postcard had come from a temporary stall set up on the threshold of the conference hall. The stall had extended itself this morning, and was staffed by smiling students, two girls, presumably from the faculty of Ermalpa University involved with the conference. Prominent on the bookstall among other titles were the English edition of Frankenstein Among the Arts, published by Webb Broadwell, and the new Italian translation of the same, Frankenstein a ‘la Bella Scuola’ in its glowing
