pints in the club for a quid. The only problem was that everyone knew how old he was and he could never get served there.
Tom was encouraged to think he could sing for money, or at least beer money, in the pubs and clubs around Treforest and Pontypridd. His mates supported him, especially when he started singing at one of their favourite pubs, the Wheatsheaf, at the bottom of Rickards Street. They would have a few beers in the downstairs bar before adjourning to the room upstairs, where Tom would belt out his mix of Jerry Lee Lewis, Elvis and Ray Charles numbers, accompanying himself as best as he could on his guitar.
The audience loved him at the Wheatsheaf, but it was practically his local and didn’t really count. The landlady, Joan Lister, recalled that the audience wouldn’t get up for a pint when Tom was on, which may or may not be true. He needed more than that generous appreciation, however, and for a while joined a local beat group called the De Avalons. He was the drummer, not the singer, but soon tired of that arrangement, much preferring to be the centre of attention.
He joined a concert party called The Misfits. These variety ensembles, which often included a comedian and a group, were very popular. They were like a mini evening of Britain’s Got Talent. Tom liked the set-up, because the money was good – anything from £2 to £5 for a night’s work – and he found he could earn almost as much at a weekend as the rest of the week in the paper factory. Tom was one of three acts, which included a singer who specialised in Frankie Laine numbers.
Linda had no objection when Tom decided to quit his job at the paper factory and sign on the dole. Tom was reassured by a workmate, who told him, ‘If you fail, you can always return. It doesn’t take a genius to work in a paper mill.’ He needed to be free from shift work so he could accept evening bookings. From time to time, he would take a job selling vacuum cleaners or working on a building site, carting bricks, but his heart wasn’t in it and these jobs rarely lasted more than a few weeks. His only ticket out of the Valleys was with ‘singer’ stamped on his passport, so he was much happier concentrating on that ambition than grafting for a few pounds a week. The reality was that he had started to drift.
The most significant member of a Tommy Woodward audience during this time was a young guitarist from Rhydyfelin called Vernon Hopkins. He had heard about a rough and ready lad with a big voice doing his time on the pub and club circuit around Pontypridd, so he turned up at the Wheatsheaf one night to watch Tom perform. Vernon was unimpressed with his act, but admired his voice.
‘His voice was great, but he would just stand there and sing. He wouldn’t even introduce a song. It was like he didn’t want to be there at all, but he had to do it, because he wanted the money. It wasn’t a good picture. He looked intimidating.’
5
The Girl with the Red Dress On
Not everyone found Tom scary. One of his long-standing drinking pals, Alan Barratt, wasn’t overawed, even though he was the smaller man. According to local legend, he once gave Tom a fearful pasting in an argument over a girl. Tom literally had to drag himself home on his hands and knees. The pair remained good friends and Tom was later rumoured to have helped Alan buy the newsagent’s in Church Village, where he settled, just a few miles from Pontypridd.
They were together one evening eating a takeaway outside a curry house, when Tom met a curvaceous fifteen-year-old called Gill Beazer. When he came across a girl he liked, Tommy Woodward was no longer one of the lads. He acted in a completely different manner. He had been impressed when, as a boy, he walked with his father around the terraced streets where they lived. The local housewives would come to the front door just to smile and say to his dad, ‘Good morning, Thomas.’ The friendly greetings brightened his day. He learned from his father and the other men in his family that women were to be treated with respect, consideration and as equals. He didn’t swear or act the macho man in front of them, and it made no difference how pretty they were.
Gill was most definitely attractive, though. The tabloid papers of today would describe her as a stunner. Tommy’s relationship with the shy teenager was a million miles away from his later image as Tom Jones, sex-obsessed superstar.
In the early summer of 1960, the curry house had just opened in Central Square, Trallwn, on the other side of Pontypridd. It was a general store as well, and Gill was browsing there when Tom, then aged twenty, showed up with Alan Barratt. They were there for two reasons: Tom loved curry and, to this day, lamb curry remains a favourite dish; he also liked a pint. He and Alan would pop into the Llanover Arms on the corner or the Central Hotel across the square. The hotel had a music room, where Tom would appear occasionally, so he knew it well.
Gill lived with her nan, Ruth, around the corner at the top of East Street, third house down on the right. Her mother left when she was a baby, and her father, a carpenter called Elias Beazer, made a new life in Rhydyfelin, where he remarried and had a large family. Gill still saw her dad, but was brought up by her grandmother.
In the evenings, Gill, who was a bit of a loner and had few friends of her own age, would often take a stroll around the square to soak up the atmosphere and have a passing conversation or two. It was a much more innocent time, when people looked out for one another. Gill was well known in the neighbourhood and would pop in and out of the shops – a cobbler’s and a hairdresser, a sweet shop, a greengrocer and the Co-op at the end. ‘I just used to like to go out of my door, onto the square and talk to whoever was around.’ There never seemed to be any girls her age, so she usually ended up talking to the boys, who would be chatting and trying to look cool on their motorbikes.
She began joining other underage girls to sneak into pubs where they could get served, providing they stayed at the back, away from the men-only bars. Perhaps because of that and her large bust, the boys would talk about her and she developed a bad reputation that was entirely unjustified.
She knew nothing about Tom when they met. Treforest seemed a world away from Trallwn. She didn’t know he was a local singer and she had no idea he was married with a young son – information that he certainly didn’t volunteer. It would be a common theme, where Tom was concerned, that women he became involved with didn’t know his marital status. Gill told him she had just left school and was working as a shop assistant in the Star Supply Stores in Pontypridd, waiting for a better job to come up in the Aero Zip factory on the industrial estate.
One thing struck Gill at that first encounter: Alan, who was a couple of years older than Tom, was much more handsome than his friend. Gill observes, ‘Alan was a very good-looking guy. He had black curly hair and was smartly turned out. He was looked-after smart, if you know what I mean. He was slighter than Tom, although Tom was slight, mind. Tom wasn’t particularly handsome, because he had this long jawline.’
Alan may have been better looking, but it was Tom who had the charm. He had a bent, lopsided nose, crooked teeth and an elongated jaw, but he was easy to talk to. ‘He just had this lovely personality as far as I was concerned,’ recalls Gill, who readily agreed to meet up a day or two later by the railings on The Parade, the street below the curry house.
‘He told me when he wanted to meet me there, but he didn’t come. I just hung about for an hour and eventually he turned up. No matter when he made arrangements with me, it would be an hour or two later that he would turn up.’ Gill didn’t realise that he had responsibilities elsewhere.
Nothing happened between them on The Parade other than a walk and a chat. They just seemed to like each other’s company. It was very relaxed and Tom suggested that she might like to hear him sing at a gig or perhaps take in a dance one evening soon; he would call her to let her know when.
The next time she saw him, he was walking underneath
