a florid complexion and vigorous health, with a tendency to robustness, which she unwisely endeavoured to suppress or conceal at the price of much future suffering. With no pretensions to beauty then, or at any time, her face was one that attracted, but baffled physiognomical art. 'She escaped the reproach of positive plainness, by her blond and abundant hair, by her excellent teeth, by her sparkling, busy eyes, which, though usually half-closed from near-sightedness, shot piercing glances at those with whom she conversed, and, most of all, by the very peculiar and graceful carriage of her head and neck.' In conversation she was already distinguished, though addicted to 'quizzing'—the not unreasonable ground of unpopularity with her female friends. Emerson alludes to her dangerous reputation for satire, which, in addition to her great scholarship, made the women dislike one who despised them, and the men cavil at her as 'carrying too many guns.' A fragment from a letter in her sixteenth year will illustrate her pursuits at that period:—'I rise a little before five, walk an hour, and then practise on the piano till seven, when we breakfast. Next, I read French—Sismondi's Literature of Southern Europe—till eight; then, two or three lectures in Brown's Philosophy. About half-past nine, I go to Mr Perkins's school, and study Greek till twelve, when, the school being dismissed, I recite, go home, and practise again till dinner, at two. Sometimes, if the conversation is very agreeable, I lounge for half an hour over the dessert, though rarely so lavish of time. Then, when I can, I read two hours in Italian, but I am often interrupted. At six, I walk, or take a drive. Before going to bed, I play or sing, for half an hour or so, to make all sleepy, and, about eleven, retire to write a little while in my journal, exercises on what I have read, or a series of characteristics which I am filling up according to advice.' Greek, French, Italian, metaphysics, and private authorship—pretty well for a miss in her teens, and surely a promissory-note on the bas bleu joint-stock company!—a note which she discharged in full when it became due. Next year (1826), we find her studying Mme de Staël, Epictetus, Milton, Racine, and Spanish ballads, 'with great delight.' Anon she is engrossed with the elder Italian poets, from Berni down to Pulci and Politian; then with Locke and the ontologists; then with the opera omnia of Sir William Temple. She pursued at this time no systematic study, but 'read with the heart, and was learning more from social experience than from books.' The interval of her life, between sixteen and twenty-five, is characterised by one of her biographers as a period of 'preponderating sentimentality, of romance and dreams, of yearning and of passion.' While residing at Cambridge, she suffered from profound despondency—conscious of the want of a home for her heart. A sterner schooling awaited her at Groton, whither her father removed in 1833. Here he died suddenly of cholera in 1835. Now she was taught the miserable perplexities of a family that has lost its head, and was called to tread a path for which, as she says, she had no skill and no call, except that it must be trodden by some one, and she alone was ready. In 1836 she went to Boston, to teach Latin and French in an academy of local repute; and in the ensuing year she accepted a 'very favourable offer,' to become 'lady-superior' in an educational institution at Providence, where she seems to have exercised an influence analogous to that of Dr Arnold at Rugby—treating her pupils as ladies, and thus making them anxious to prove that they deserved to be so treated.
By this time, she had attracted around her many and devoted friends. Her conversational powers were of a high order, by common consent. Mr Hedge describes her speech as remarkably fluent and correct; but deriving its strength not from fluency, choice diction, wit, or sentiment, but from accuracy of statement, keen discrimination, and a certain weight of judgment; together with rhetorical finish, it had an air of spontaneity which made it seem the grace of the moment: so that he says, 'I do not remember that the vulgar charge of talking "like a book" was ever fastened upon her, although, by her precision, she might seem to have incurred it.' The excitement of the presence of living persons seems to have energised her whole being. 'I need to be called out,' are her words, 'and never think alone, without imagining some companion. It is my habit, and bespeaks a second-rate mind.' And again: 'After all, this writing,' she says in a letter, 'is mighty dead. Oh, for my dear old Greeks, who talked everything—not to shine as in the Parisian saloons, but to learn, to teach, to vent the heart, to clear the head!' Mr Alcott of Boston considered her the most brilliant talker of the day. Miss Martineau was fascinated by the same charm. It is thus characterised by the author of Representative Men: 'Talent, memory, wit, stern introspection, poetic play, religion, the finest personal feeling, the aspects of the future, each followed each in full activity, and left me, I remember, enriched and sometimes astonished by the gifts of my guest.' Her self-complacency staggered many at first—as when she spoke, in the quietest manner, of the girls she had formed, the young men who owed everything to her, the fine companions she had long ago exhausted. 'I now know,' she has been heard to say in the coolest style, 'all the people worth knowing in America, and I find no intellect comparable to my own.' Well may Mr Emerson talk of her letting slip phrases that betrayed the presence of 'a rather mountainous me.' Such phrases abound in her conversation and correspondence—mountainous enough to be a hill of offence to the uninitiated and untranscendental. At anyrate, there was no affectation in this; she thoroughly believed in her own superiority; her subscription to that creed was implicit and ex animo. Nor do we detect affectation in her most notable vagaries and crotchets. She loved the truth, and spoke it out—we were about to write, manfully; and why not? At heart, she was, to use the words of an intimate and discerning friend, a right brave and heroic woman—shrinking from no duty because of feeble nerves. Numerous illustrations of this occur in the volumes before us. Thus we find her going from a bridal of passing joyfulness to attend a near relative during a formidable surgical operation—or drawing five hundred dollars to bestow, on a New-York 'ne'er-do-weel,' half-patriot, half-author, always in such depths of distress, and with such squadrons of enemies that no charity could relieve, no intervention save him.
In 1839, she removed from Groton, with her mother and family, to Jamaica Plain, a few miles from Boston; and thence, shortly, to Cambridge and New York. Boston, however, was her point d'appui, and in it she formed acquaintances of every class, the most utilitarian and the most idealistic. In 1839, she published a translation of Goethe's Conversations with Eckermann; in 1841, the Letters of Bettina; in 1843, the Summer on the Lakes—a narrative of her tour to Lake Superior and Michigan. During the same period she was editor of the Dial, since conducted by Emerson and Ripley, and in which appeared her papers on Goethe and Beethoven, the Rhine, the Romaic Ballads, John Sterling's Poems, &c.
Exhausted by continuous exertion in teaching and writing for the press, Miss Fuller, in 1844, sought refreshment and health in change of scene; and, desiring rather new employments than cessation from work, she accepted a liberal offer from Mr Horace Greeley of New York, to become a regular contributor to the Tribune; and for that purpose to take up her abode in his house, first spending some time in the Highlands of the Hudson. At New York, she took an active interest, after Mrs Fry's manner, in the various benevolent institutions, and especially the prisons on Blackwell's Island. For more than a year she wrote regularly for the Tribune, 'always freshly, vigorously, but not always clearly.' The notice attracted by her articles insured fresh hosts of acquaintances, and she became a distinguished character at Miss Lynch's réunions, and at literary soirées of a similar order. In 1846, she left her native land—for ever, as the melancholy event proved—to join Mr and Mrs Spring in a European tour. Her letters home contain much pleasant gossip about some of the Old-World notabilities. Thus she records her interviews with Wordsworth in his Rydal retreat, with Dr Chalmers, Dr Andrew Combe, Mr De Quincey, the Howitts, &c. She visited Paris in the winter, and became acquainted with Lamennais, Béranger, Mme Dudevant, and others. Thence, in the spring of 1847, she went to Italy, where she remained until she embarked in 1850 on board that doomed ship, the Elizabeth. As a resident in Rome, her safety was seriously imperiled during the French siege of 1849. She was appointed by the 'Roman Commission for the succour of the wounded,' to the superintendence of an hospital, and all along took the liveliest interest in the fortunes of Mazzini and the republic. She was then a wife and a mother, having been married privately to the Marquis Ossoli, a Roman, 'of a noble but impoverished house,' whom she described, in a letter to her mother, as 'not in any respect such a person as people in general would expect to find with her,' being a man 'absolutely ignorant of books, and with no enthusiasm of character,' but endowed with excellent practical sense, a nice sense of
