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Это обоснованное предположение Эрика Бейнхокера, директора Института нового экономического мышления Оксфордского университета.
17
Walter Isaacson, ‘Luddites fear humanity will make short work of finite wants’, Financial Times, 3 March 2015, https://www.ft.com/content/9e9b7134-c1a0-11e4-bd24-00144feab7de.
18
Tim Harford, ‘Man vs Machine (Again)’, Financial Times, 13 March 2015, https://www.ft.com/content/f1b39a64-c762-11e4-8e1f-00144feab7de; Clive Thompson, ‘When Robots Take All of Our Jobs, Remember the Luddites’, Smithsonian Magazine, January 2017, http://www.smithsonianmag.com/innovation/when-robots-take-jobs-remember-luddites-180961423/.
19
Evan Andrews, ‘Who Were the Luddites?’ History, 7 August 2015, http://www.history.com/news/ask-history/who-were-the-luddites.
20
‘The World’s 25 Highest-Paid Musicians’, Forbes http://www.forbes.com/pictures/eegi45lfkk/the-worlds-25-highest-paid-musicians/.
21
‘Mrs Billington, as St Cecilia’, British Museum Collection, http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1597608&partId=1; Chrystia Freeland, ‘What a Nineteenth-Century English Soprano Can Teach Us About the Income Gap’, Penguin Press Blog, 1 April 2013, http://thepenguinpress.com/2013/04/elizabeth-billington/.
22
W.B. Squire, ‘Elizabeth Billington’, The Dictionary of National Biography 1895–1900, https://en.wikisource.org/wiki/Billington,_Elizabeth_(DNB00).
23
Alfred Marshall, Principles of Economics, 1890, цит. по Sherwin Rosen, ‘The Economics of Superstars’, American Economic Review Vol. 71.5, December 1981.
24
‘Oldest Recorded Voices Sing Again’, BBC News, 28 March 2008, http://news.bbc.co.uk/1/hi/technology/7318180.stm.
25
Tim Brooks, Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919 (Chicago: University of Illinois Press, 2004), р. 35.
26
Richard Osborne, Vinyl: A History of the Analogue Record (Farnham: Ashgate, 2012).
27
Sherwin Rosen, ‘The Economics of Superstars’, American Economic Review Vol. 71.5, December 1981.
28
‘Mind the Gap’, Daily Mail, 20 February 2016, http://www.dailymail.co.uk/sport/football/article-3456453/Mind-gap-Premier-League-wages-soar-average-salaries-2014-15-season-1-7million-rest-creep-along.html.
29
Дэвид Боуи – британский рок-певец, автор песен, продюсер, звукорежиссер, художник и актер. Прим. ред.
30
Цит. по Alan Krueger, ‘The Economics of Real Superstars: The Market for Rock Concerts in the Material World’, рабочий документ, апрель 2004 г.
31
Alan B. Krueger, ‘Land of Hope and Dreams: Rock and Roll, Economics and Rebuilding the Middle Class’, выступление 12 июня 2013 г. в Кливленде, Огайо, https://obamawhitehouse.archives.gov/blog/2013/06/12/rock-and-roll-economics-and-rebuilding-middle-class.
32
Alan Krell, The Devil’s Rope: A Cultural History of Barbed Wire (London: Reaktion Books, 2002), р. 27.
33
Ian Marchant, The Devil’s Rope, BBC Radio 4 documentary, http://www.bbc.co.uk/programmes/b048l0s1, Monday, 19 January 2015.
34
Olivier Razac, Barbed Wire: A political history, English translation by Jonathan Kneight (London: Profile Books, 2002).
35
http://www.historynet.com/homestead-act, http://plainshumanities.unl.edu/encyclopedia/doc/egp.ag.011.
36
См. карту Джоанны Лю на сайте 99 % Invisible: http://99percentinvisible.org/episode/devils-rope/.
37
‘The Devil’s Rope’, 99 % Invisible серия 157, 17 марта 2015 г., http://99percentinvisible.org/episode/devils-rope/.
38
