paint the walls whatever colors they desired, pick out new furniture at Ikea. Iso pretended to be bored but eventually began using the computer to research various beds, and Eliza was impressed by her daughter’s taste, which ran toward simple things. Albie produced a gorgeous jungle forest of a room, filled with dinosaurs, his current passion. Probably not reproducible, at Ikea or any other store, but it was a striking feat of the imagination. She praised them both, gave them Popsicles, indulged in a cherry one herself. Perhaps they should save the sticks for some future project? Even before Peter had taken a job at an environmentally conscious investment firm, the Benedicts had been dutiful recyclers.
Mail clattered through the slot, a jolt of excitement on this long, stifling afternoon. ‘I’ll get it!’ Albie screamed, not that he had any competition. A mere six months ago, his sister had scrapped with him over an endless list of privileges, invoking primogeniture. Fetching the mail, having first choice of muffin at breakfast, answering the phone, pushing elevator buttons. She was beyond all that now.
Albie sorted the mail on the kitchen counter. ‘Daddy, bill, junk, catalog. Daddy, junk. Junk. Junk. Daddy. Mommy! A real letter.’
A real letter? Who would write her a real letter? Who wrote anyone real letters? Her sister, Vonnie, was given to revisiting old grudges, but those missives usually went to their parents via e-mail. Eliza studied the plain white envelope, from a PO box in Baltimore. Did she even know anyone in Baltimore anymore? The handwriting, in purple ink, was meticulous enough to be machine- created. Probably junk mail masquerading as a real letter, a sleazy trick.
But, no, this one was quite authentic, a sheaf of loose-leaf paper and a cutting from a glossy magazine, a photo of Peter and Elizabeth at a party for Peter’s work earlier this summer. The handwriting was fussy and feminine, unknown to her, yet the tone was immediately, insistently intimate.
Dear Elizabeth,
I’m sure this is a shock, although that’s not my intention, to shock you. Up until a few weeks ago, I never thought I would have any communication with you at all and accepted that as fair. That’s how it’s been for more than twenty years now. But it’s hard to ignore signs when they are right there in front of your face, and there was your photo, in Washingtonian magazine, not the usual thing I read, but you’d be surprised by my choice of reading material these days. Of course, you are older, a woman now. You’ve been a woman for a while, obviously. Still, I’d know you anywhere.
‘Who’s it from, Mommy?’ Albie asked, and even Iso seemed mildly interested in this oddity, a letter to her mother, a person whose name appeared mostly on catalogs and reminders from the dentist. Could they see her hands shaking, notice the cold sweat on her brow? Eliza wanted to crumple the letter in her fist, heave it away from her, but that would only excite their curiosity.
‘Someone I knew when I was growing up.’
It looks as if they’ll finally get around to completing my sentence soon. I’m not trying to avoid saying the big words – death, execution, what have you – just being very specific. It is my sentence, after all. I was sentenced to die and I am at peace with that.
I thought I was at peace across the board, but then I saw your photo. And, odd as it might seem to some, I feel it’s you that I owe the greatest apology, that you’re the person I never made amends to, the crime I was never called into account for. I’m sure others feel differently, but they’ll see me dead soon enough and then they will be happy, or so they think. I also accept that you might not be that interested in hearing from me and, in fact, I have engaged in a little subterfuge to get this letter to you, via a sympathetic third party, a person I absolutely trust. This is her handwriting, not mine, in case you care, and by sending it via her, I have avoided the problem of prying eyes, as much for your protection as for mine. But I can’t help being curious about your life, which must be pretty nice, if your husband has the kind of job that leads to being photographed at the kind of parties that end up in Washingtonian, with him in a tux and you in an evening dress. You look very different, yet the same, if that makes any sense. I’m proud of you, Elizabeth, and would love to hear from you. Sooner rather than later, ha-ha!
Yours, Walter
And then – just in case she didn’t remember the full name of the man who had kidnapped her the summer she was fifteen and held her hostage for almost six weeks, just in case she might have another acquaintance on death row, just in case she had forgotten the man who had killed at least two other girls and was suspected of killing many others, yet let her live, just in case all of this might have slipped her mind – he added helpfully:
(Walter Bowman)
Chapter Two
1984
Walter Bowman was good-looking. Anyone who said otherwise was contrary, or not to be trusted. He had dark hair and green eyes and skin that took a tan well, although it was a farmer’s tan. He wasn’t a farmer, actually, but a mechanic, working in his father’s garage. Still, the result was the same, as far as his tan went. He would have liked to work with his shirt off on warm days, but his father wouldn’t hear of it.
He was good-looking enough that his family teased him about it, as if to make sure he wouldn’t get conceited. Yes, he was a little on the short side, but so were most movie stars. Claude, at the barbershop, had explained this to him. Not that Claude compared Walter to a movie star – Claude, like his family, like everyone else in town, seemed intent on keeping Walter in his place. But Claude mentioned one day that he had seen Chuck Norris at a casino in Las Vegas.
‘He’s an itty-bitty fella. But, then, all movie stars are little,’ Claude said, finishing up. Walter loved the feel of the brush on the back of his neck. ‘They have big heads, but small bodies.’
‘How little?’ Walter had asked.
‘The size of my thumb,’ Claude said.
‘No, seriously.’
‘Five seven, five eight. ’Bout your size.’
That was what Walter wanted to hear. If Chuck Norris was about his size, well, that was almost the same as Walter being like Chuck Norris. Still, he needed to make one small clarification for the record.
‘I’m five nine. That’s average height for a man, did you know that? Five nine for a man, five four for a woman.’
‘Is that the average,’ Claude asked, ‘or the median? There’s a difference, you know.’
Walter didn’t know the difference. He might have asked, but he suspected Claude didn’t really know either, and all he would get was Claude making fun of his ignorance.
‘Average,’ he said.
‘Well someone has to be average,’ said Claude, who was tall, but skinny and kind of pink all over – splotchy skin, pale, pale red hair, watery eyes that were permanently narrowed from years of staring at the hair that lay across his barber scissors. Everyone was always trying to put Walter in his place, keep him down, stop him from being what he might be. Even women, girls, seemed to be part of the conspiracy. Because, despite Walter’s good looks, he could not find a woman who wanted to go with him, not even on a single date. He couldn’t figure it out. Things would start out okay, he could get a conversation going. He read things, he knew things, he kept an interesting store of facts at his disposal. Claude’s Chuck Norris story, for example, became one of his anecdotes, although he added his own flourish, holding his thumb and forefinger out to show just how ittybitty Chuck
