Diary of a Manhattan Call Girl. Tracy Quan
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Yikes—almost 3:30. All the cabs are changing shifts! It will be a nightmare getting across town. Must log off NOW, SOON, five minutes ago, if I really plan to be on time for therapy.
MONDAY NIGHT
Despite the traffic, I actually snagged a taxi quickly, by offering an off-duty cabby twenty dollars. Stuck in Central Park traffic during the crosstown pilgrimage to Dr. Kessel’s funky West Side office, I couldn’t stop thinking about Allison and Jack. She still has a soft spot for the guy. Her taste in men has always been appalling. And yet she has a natural talent for this business. Strange…And Eileen will be pissed if she hears that Allison has been talking to him. As will Jasmine. And everyone else. Oh god. And they’ll be furious with me if they find out that I knew and didn’t tell them. Why does Allie put me in these impossible binds? Why do I tolerate it?
As I emerged from the park, I spotted a big picture of Tony Soprano’s shrink on the side of a bus shelter. This week, the Sopranos are everywhere—magazines, bus shelters, you name it—and everyone seems to identify with Tony for some reason. But my shrink’s much hipper than Dr. Melfi; for one thing, she’s on a first-name basis with her patients. And, unlike Tony, I’m a savvy veteran of self-absorption, as unembarrassed about seeing a shrink as I am about getting a monthly haircut. And yet. Just like Tony, I must take this radical leap of faith! In my case, it’s about leaving my cozy East Side cocoon for the shopless tree-lined wasteland that is Riverside Drive.
I may be one of Manhattan’s therapized elite, but I’m still coming to terms with some aspects of the process—like having my recently blown-out hair savagely reblown by the punishing wind off the Hudson. Examining my hair—again—in the lobby mirror of Dr. Kessel’s solid prewar building, I was struck by the hugeness of her lobby. It’s like being in a cathedral. The West Side, whether indoors or out, is so disorienting. Leaving the East Seventies is like getting squeezed out of a grid-shaped womb into wide-avenued anarchy.
I sat patiently in Dr. Wendy’s waiting room, taking in the unchanged ethnic pottery, the Arts and Crafts furniture, while another patient went overtime. I’ve never told Wendy how simple it is to eavesdrop in that second chair to the left of the bookshelves.
“I can’t stand it!” a female voice was saying. “I don’t want to be confined or constrained in any way…I don’t like it when he asks for a date on Wednesday…” The voice became muffled and my listening spree ended. Minutes later, a mousy girl—unaware that the acoustics had been working against her—strolled past, carrying a Coach briefcase. I was impressed. Some guy is trying to constrain her? Maybe she’s more interesting than she looks…My turn.
After ranting—not too audibly—about Allison for a few minutes, I noticed a bemused expression on Dr. Wendy’s face.
“I feel betrayed,” I grumbled, but I didn’t go into the Howard mix-up. It would take half my session just to explain the physical mechanics, let alone the irritating dynamics, of my three-way with Allison. Instead, I sputtered on as best I could about Allison and Jack, trying to get the feelings accurate without discussing the money or the other girls or any of the classified details. I wanted to tell her about Eileen, but I stopped myself.
Finally, I said, “I guess I’m stuck with Allison. With her lousy judgment and her silly narcissism. And the fallout.”
“Is this why you came back?” Wendy interrupted. “Because of your relationship with Allison?”
“No.” I fell silent. It’s been over a year and there’s quite a lot Wendy doesn’t know. And not just because I have to withhold so much business info in our sessions. “It’s a relationship with a guy. I’m—we’re—in love. We got involved last spring.”
“Well, perhaps we should get caught up on that. Is he a client?”
“No, a straight guy.”
“When you say he’s a straight guy, you mean…?”
I held up my left hand as if it were a shield and spun my ring around. I told her: “He works on Wall Street. His boss is Pamela Knight. She was on Moneyline last week. He’s one of her bright young rising stars.” Wendy’s dark lashes flickered, but I couldn’t tell whether she recognized Pam’s name. “He wouldn’t understand my business. He’s always had a straight job. His entire life he’s been so—so normal that he doesn’t even know how normal he is. The other night, we were watching The Sopranos and he started telling me how corporate life is just like a Mafia hierarchy. Where does he get these ideas? The most unusual job he ever had was a stint as a golf caddie in college! He would never understand how his girlfriend could have a job that’s—well, not exactly legal.” To say the least. “And all the guys I’ve been with.”
“But most of your clients are, essentially, straight guys and they understand. Don’t they?”
“Y-yes. Pretty much.”
“Obviously, it’s not his work that sets your boyfriend apart from your clients.”
“Okay,” I said. “It’s not him. It’s me! He doesn’t know I’m a hooker. I’m pretending to be a straight chick. And it’s working! And that makes him a straight guy. It’s…I feel like Dr. Franken-hooker.”
Wendy smiled. “Well, it’s how he perceives you rather than who he might actually be. If you feel like you’re shaping his reality, it’s a heady but onerous responsibility—”
“And his sister’s an assistant D.A.!” I interrupted. “And my cousin Miranda introduced us. So if Matt finds out what I really do, he could freak out and say something to her. To my family! To his family.”
“Hang on,” she said. “Just refresh me on Miranda. She’s older than you? A sort of big sister?”
If I can keep track of my clients’ stories, why can’t my shrink keep track of mine?
“No. Miranda’s almost ten years younger than me,” I seethed. “After college she moved to New York and bought a co-op loft. Uncle Gregory pays all her bills. That’s her dad. He’s older. I mean, he’s my mother’s eldest brother.”
“Yes.” Dr. Wendy looked alert. “I remember now.” She did not apologize for the oversight, and I wasn’t sure she understood how irked I was. Wendy adjusted her glasses. The red frames, unfashionably large, make her look a bit like an office manager. Her frizzy hair always looks like it needs a good cut. But she’s got these sexy almond-shaped eyes—and a worked-out body—that save her from looking frumpy.
I suppressed my irritation and added, “Miranda has no idea what I do for a living. She doesn’t think about how other people make ends meet. You know the type.”
“Yes. I remember. And I know the type.”
Miranda’s downtown existence is entirely subsidized by Uncle Gregory, and she’s blissfully unaware of our parents’ income disparities—which is quite handy. She never asks how I get by because she’s never had to get by. Miranda fancies herself a class traitor and sees me as the chic fogy. When she discovered Matt at a gallery opening, she deemed him “too East Side” for her downtown sensibilities but perfect for me. She takes real pride in our resulting courtship, but I wonder