The Reading Life: The Joy of Seeing New Worlds Through Others’ Eyes. C. S. Lewis

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The Reading Life: The Joy of Seeing New Worlds Through Others’ Eyes - C. S. Lewis

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Combinations

       Sincerity and Talent

       Prose Style

       Not in but Through

       Pleasure

       Originality

       The Up-to-Date Myth

       Keeping Up

       Wide Tastes

       Real Enjoyment

       Literary Snobs

       Re-reading Favorites Each Decade

       Reading and Experience

       Free to Skip

       Free to Read

       Huck

       The Glories of Childhood—Versus Adolescence

       Jane Austen

       Art and Literature

       Art Appreciation

       Look. Listen. Receive.

       Talking About Books

       The Blessing of Correspondence

       In Praise of Dante

       On Alexandre Dumas

       The Delight of Fairy Tales

       Language as Comment

       Communicating the Essence of Our Lives

       Mapping My Books

       On Plato and Aristotle

       Imagination

       If Only

       On Shakespeare

       On Hamlet

       On Leo Tolstoy

       Advice for Writing

       Good Reading

       Appendix: Journal Exercises for Reflecting on Your Reading Life

       Footnotes

       About the Author

       Also by C. S. Lewis

       Also Available From Harpercollins

       About the Publisher

       PREFACE

      THE NOTED CRITIC WILLIAM EMPSON ONCE DESCRIBED C. S. Lewis as “the best-read man of his generation, one who read everything and remembered everything he read.”[1] This sounds like pardonable exaggeration, but it comes close to being true in the realms of literature, philosophy, and classics. At the age of ten, Lewis started reading Milton’s Paradise Lost. By age eleven, he began his lifelong habit of seasoning his letters with quotations from the Bible and Shakespeare. In his mid-teens, Lewis was reading classic and contemporary works in Greek, Latin, French, German, and Italian.

      And Lewis did indeed seem to remember most of what he read. One of his students recalled that someone could quote any line from the book-length Paradise Lost, and Lewis would continue the passage from memory. Another student said that he could take a book off Lewis’s shelf, open a page at random and begin reading, and Lewis could summarize the rest of the page, often word for word.[2] With that kind of memory, Lewis had little difficulty reaching for just the right quotation or reference to illustrate his point. Since it seems he was able to carry an entire library in his head, it should come as no surprise that his major scholarly books average about one thousand citations apiece. His three volumes of letters contain another twelve thousand quotations or references. Even The Chronicles of Narnia for children contain nearly one hundred echoes or allusions to myth, history, or literature.

      But as Mortimer Adler once remarked, “In the case of good books, the point is not to see how many of them you can get through, but rather how many can get through to you.” Lewis would certainly agree, and he often commented how much his worldview and sensibility were shaped by the books he read—everything from Beatrix Potter in childhood to his re-reading of Homer’s Iliad, Dickens’s Bleak House, and Tennyson’s In Memoriam in the last few weeks before his death in November 1963.

      Lewis was a disciplined reader and an engaged reader. Fellow scholars recall how he could sit for hours in the Bodleian Library at Oxford,

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