the spring of Lethe under “dark poplars,” causing them to forget who they were and what they had done during their mortal lives. Fine. But then it said “great sinners” were sentenced to suffer forever under the whips of the Furies. So, that part of it matched up pretty well with Richard’s Furious Muses concept. It was troubling, however, to think that you could be whipped forever in punishment for sins that you had forgotten under the dark poplars. The sinners in the Christian version of hell could at least remember why they were burning in eternal fire, but these poor dumb Greeks could only suffer without knowing why; without, for that matter, even remembering what it was like to be alive and to not suffer. It wasn’t even really clear to Richard that a post-Lethe soul could even be considered the same being, for weren’t your memories a part of you?
And yet it all rang true on some level. He did feel sometimes that he was continuing to suffer guilt pangs for acts he had long ago forgotten—deeds done when he wasn’t the same person. And who hasn’t known a sad sack, a hard-luck case who seems to be undergoing eternal punishment for no particular reason?
The next Erinyes reference happened to occur just before a two-page spread featuring the more cheerful topic of the Muses, which was good stuff, way more Sophia-appropriate, as well as reminding Richard that his own Furious Muses were at least as creative as retributive, for some of his best work had emerged from imaginary dialogues with those estimable ladies. So “Furies” had been the text he was after, and “Fates” an accidental subtext—but this morning something about it was nagging at him.
It had to do with the threads. Lying in bed a minute ago he’d been thinking about the thread of consciousness, and how severing it—breaking the brain–body link—was the key to a proper nap. And he knew that somewhere in d’Aulaire was a picture of the Fates spinning, measuring, and cutting thread. He looked all through Greek as he drank his coffee, and found it not.
The coffee was unutterably fantastic. The machine cost more than Richard’s first car and there was nothing known to coffee technology that was not embodied in its hardware and its algorithms. The beans had come from an artisanal roaster a hundred yards away—a nimble coffee startup founded by java wizards who had been brought here to work for Starbucks and spun out the moment their stock options had vested. The taste of the coffee was not wonderful, however, merely because the machine and the roasters had done such good jobs, but in the categorical sense that Dodge was awake, he was alive, he was actually physically tasting this stuff with his body in a way that sleeping-Dodge-in-a-dream could never have done. In that sense awake Dodge was as superior to sleeping Dodge as a living person was to a ghost. Dreaming-of-coffee Dodge was to drinking-coffee Dodge as one of the shades in Hades—likened, in d’Aulaire, to dry leaves whirling about in a cold autumn wind—was to a living, flesh-and-blood person.
He exhausted the first cup while looking for the thread-cutting picture. He did find a textual description of the spinning, measuring, and cutting operations being carried out by Clotho, Lachesis, and Atropos, respectively, but not the illustration that he clearly remembered showing to Sophia just a couple of days ago.
On his second cup of coffee he had the idea of checking Norse. And there it was: a full-color half-pager of three blondes—here, they were called Norns—spinning the threads of life at the base of the world tree. Urd, Verdande, and Skuld. Names and hair color aside, they seemed to be a direct drop-in replacement for their Greek equivalents.
Now, Richard had run off to Canada before obtaining a higher education and had not set foot in a classroom since, but he had done enough reading to understand that mythology piled up in sedimentary layers. This had to be one of those cases where there had been some early culture predating the Greeks and the Norse alike that had featured the Norns/Fates and laid it down in a base layer on which their various descendants had then added more stuff. Consequently, they always read like an add-on to the more fleshed-out mythology. Or perhaps vice versa. They were too simple to mess with. Richard, who had grown wealthy in the tech industry, saw in the Norns or Fates or whatever you called them a basic feature of the operating system. Zeus had no power over them. They knew the past and the future. They only got invoked in these stories when something had gone drastically wrong on a metaphysical/cosmological level, or else to cover plot holes. In the Greek version, Clotho was the spinner—the creator of these threads. Lachesis was the measurer. So that would be your snooze button right there—she had her nine-minute tape measure out the whole time Dodge was lying in bed. And Atropos was the cutter. The Greek version of the Grim Reaper. Though, according to the theory that Dodge was developing, the loss of consciousness when you fell asleep was basically the same as dying except that you could wake up from it.
He did not eat breakfast because the medical assistant who had scheduled him for the procedure had said something about the desirability of showing up with an empty stomach. Instead he went and took a shower. When he emerged from the shower, he was fascinated to find the bathroom illuminated by a strange light, chilly and mottled, not artificial but not the light of the sun either. The effect was surreal, like entering a dream sequence in a movie made by a director who hasn’t the wherewithal to produce anything truly dreamlike and so is faking it with simple lighting effects. The weird light was flooding in through a window that was aimed north. Was someone welding outside? Finally he worked out that the sun, rising over the Cascades in the east, was hitting him with a bank shot off the half-silvered windows of an office tower a few blocks away. Dodge had been living here for five years but was still occasionally surprised by the way sunlight would carom in from surrounding architecture. He supposed that an astronomer could have a field day calculating the angles: how they varied from hour to hour and season to season.
Because of the weird light, his reflection in the mirror took on a strange new aspect. He turned his head this way and that, checking for new moles. Richard, who was ruddy and freckle prone, had for decades been psyching himself up for a climactic battle with melanoma, which, according to dark prophecies uttered by multiple dermatologists, loomed as a near certainty in his future. Early on he had performed his monthly skin checks with anxiety bordering on clinical paranoia. But then years had flown by with no action. He was now actually beginning to feel somewhat crestfallen that this terrible foe, against whom he had so girded himself, looked to be passing him over.
Presently he fell to shaving, for he had noticed a few days’ reddish growth. Medical personnel would soon be handling his body while he was unconscious. They would be able to stare at him all they wanted, to notice all the ways he wasn’t looking after himself. He was semifamous and ought to be mindful of such things. Maybe it would affect his company’s stock price or something.
He had assumed that the strange light would be a short-lived phenomenon, so was pleasantly surprised that it was getting stronger by the minute. The weird pallor was ripening into something warmer, like fire. A shaft of it was coming in through the window and illuminating the little sink and its backsplash. Richard had shaved, as was his habit, using a bar of soap—a specific type that he bought from a company in southern France. It had a pleasant fragrance, not perfumey and not too persistent. He had just put the soap back in its dish a moment ago and so it had bubbles on it. In a few minutes these would dry out and pop, but just now they were capturing the light being bounced off the windows of the office tower after its passage through ninety-three million miles of space from the vast thermonuclear inferno at the center of the solar system. Each bubble was producing an intensely brilliant spark of light, not white, but iridescent, as some kind of prismlike phenomenon inside the soap film (he was a little weak on the details) fractured the light into pure brilliant colors. A beautiful but perfectly commonplace phenomenon that would not have given him much food for thought were it not for the fact that his video game company had put a lot of money and engineer-years into the problem of trying to more perfectly depict an imaginary world using computer code, and this was exactly one of those things that was most difficult to capture. Oh, there were various ways of faking it; e.g., by applying special computational shaders to bars of soap during the sixty seconds after they had been used and were therefore covered with lather. But they were all just hacks. Actually simulating the physics of soap, bubbles, air, water,
