you know exactly what it’s like. Do you have many balls?”
They were speaking English and he heard the double entendre.
“The usual amount,” he replied dryly.
After the briefest confounded pause, she burst out laughing. It was, quite simply, the most beautiful laugh he had ever heard. He couldn’t recall the last time he’d heard anyone laugh in this mausoleum. Not since he was a child. Her laughter echoed to the second-floor ceiling, seeming to catch in the chandelier and make it shiver with musical delight.
He was so caught by the sound, by the light and liveliness in her face, he felt his chest tingle with an urge to chuckle—which definitely hadn’t happened since he was a child.
His butler, Endre, arrived to sober them. Endre offered to take the sorry-looking bag weighing her shoulder.
“To where?” she asked with a blink of surprise, then decided with a flashing smile, “I’ll keep it.” She set the worse-for-wear eyesore on the sofa as they entered the parlor, making Endre look like a dog whose tail had been stepped on.
They ordered drinks. Rozalia asked for pálinka, the Hungarian fruit brandy.
“When in Rome?” Viktor presumed.
“We drink it at family dinners. I could use the grounding influence right now. I’m having a hard time viewing this as your home. I wish Gisella was here to see it.”
* * *
Rozalia was feeling like such a fraud. Like the poor cousin she had always been, standing in glamorous Gisella’s shadow. Of course this was her cousin’s heritage. She loved Gisella to pieces. In some ways Rozalia was closer to her than she was with her actual sister. She and Gizi were the same age and shared the same passion for metallurgy and gemology. Also for the lore of Grandmamma’s earring and the determination to reunite the pieces and gift them to the woman they adored.
But Gisella was a willowy, stunning, spoiled only child. She wouldn’t goggle in a place like this. She would assume she belonged here—which to some extent she did.
Rozalia, not so much.
She turned from glancing out the windows that faced the front gardens and saw that Viktor was watching her the way a cat watches a mouse when it is too lazy to leap just yet. Biding his time.
She searched for a resemblance to her beloved cousin, hoping the familiarity would reassure her, but only found a superficial similarity in coloring and height. He was a lot colder and more imposing than anyone she had ever encountered in her life.
Gisella would know how to handle him, though, no matter the tensile sexuality he wore like armor. Gisella took male admiration for granted and used it.
Rozalia had never presumed men were genuinely attracted to her. Too many had tried to use her as a stepping-stone to get to Gisella. It wasn’t Gisella’s fault that she was a beacon and Rozalia a fence post, but being overlooked left a mark, every time.
That’s why she was confused by Viktor’s sudden desire to dine with her. She was quite sure she had been the only one affected in the back of the car earlier, but he’d made this invitation sound vaguely sexual. If he was the least bit interested in her, it was only because she was here. Convenient. He had a reputation as a playboy and she had enough experience with players to recognize them.
What she didn’t have experience with was feeling so drawn in by one.
She moved her gaze to the paintings before she started acting besotted again. She was confronted by a cheeky nude—literally a gathering of young women in a walled garden showing their backsides to the viewer. The rest were serene seascapes, fruit bowls, and peasants haying a field.
“You mentioned your grandmother dealt in art? I don’t recognize these, but they’re obviously masterpieces.”
“My father was her only child. My mother pilfered everything from his family estate and brought it here. Her mother was next in line after Istvan. There was no one else to inherit this house.” He paused, daring her to contest that.
Rozi wasn’t here to make claims for Gisella’s mother, only asked, “Is the furniture reproduction? Or originals?”
“Both. Our most heavily used is reproduction.”
She noted the escritoire that was likely an authentic Louis Quinze. “I’m a nut for tiny drawers and hidden compartments,” she admitted, firmly grasping her hands behind her back as she examined it. “I’m going to let myself believe there’s a key to a secret passage in one of these.”
“We had to lock it. To keep the ghosts from haunting the rest of the house.”
After an exaggerated gasp of delight, she said, “Thank you.”
His mouth twitched, but their drinks arrived before she could coax any more humor out of him than that one dry comment.
As they took their drinks, she made herself meet his gaze, no matter how disturbing, and say, “Egészségére.”
He repeated it and they sipped.
“Is it too bold to ask you to tour me around?” she asked.
“You wish to case the place?”
“No.” Was he serious or joking? So hard to tell. “I’m an artist. I’m interested.”
“That’s a lot of hats. I thought you were a gemologist and a goldsmith.”
“I’m midway through a master of fine arts in metalwork and jewelry design.” Did she take satisfaction from the slight elevation of surprise in his brows? Heck, yes, she did. “I work full-time for my uncle, making custom jewelry he sells in the shop my grandfather started. Barsi on Fifth? It’s quite well-known in New York.”
It might not have been featured in the title of a movie, but it held a similar reputation and was frequented by the same upper-class clientele.
“I know who your uncle is,” he said blithely.
“Then you know he wouldn’t hire me on nepotism alone. He expects me to constantly fill the well, which is why I’m continuing my education. But all art is inspiration for my own work. I would hate to miss this opportunity to study the masters who came before me, even though their disciplines are different from my own.”
He cocked his head in a small nod, relenting, and waved toward the hall where they had entered. He took her first to a music room where the brass pipes of an organ reached toward the sixteen-foot ceilings. A wall of double doors opened into the adjacent ballroom, which was straight out of Beauty and the Beast.
“Wow.”
“In answer to your earlier question, we host charity events and the odd film crew shooting a period piece.”
“I love those.” She moved into the center of the parquet floor and turned a slow circle, taking in the white walls with gilded trim, blue velvet curtains over the leaded windows and the chandeliers dripping with crystal. “What a dizzying place to live.”
“It’s an expensive
