style="font-size:15px;"> The placid mouth. Thou seek'st to give againThat which the burning soul, inhabiting
Its clay-built tenement, alone can give—
To leave on cold dead matter the impress
Of living mind—to bid a line, a shade,
Speak forth, not words, but the soft intercourse
Which the immortal spirit, while on earth
It tabernacles, breathes from every pore—
Thoughts not converted into words, and hopes,
And fears, and hidden joys, and griefs, unborn
Into the world of sound, but beaming forth
In that expression which no words, or work
Of cunning artist, can express. In vain,
Alas! in vain!
Come hither, Painter; come,
Take up once more thine instruments—thy brush
And palette—if thy haughty art be, as thou say'st,
Omnipotent, and if thy hand can dare
To wield creative power. Renew thy toil,
And let my memory, vivified by love,
Which Death's cold separation has but warmed
And rendered sacred dictate to thy skill,
And guide thy pencil. From the jetty hair
Take off that gaudy lustre that but mocks
The true original; and let the dry,
Soft, gentle-turning locks, appear instead.
What though to fashion's garish eye they seem
Untutored and ungainly? still to me,
Than folly's foppish head-gear, lovelier far
Are they, because bespeaking mental toil,
Labor assiduous, through the golden days
(Golden if so improved) of guileless youth,
Unwearied mining in the precious stores
Of classic lore—and better, nobler still,
In God's own holy writ. And scatter here
And there a thread of grey, to mark the grief
That prematurely checked the bounding flow
Of the warm current in his veins, and shed
An early twilight o'er so bright a dawn.
No wrinkle sits upon that brow!—and thus
It ever was. The angry strife and cares
Of avaricious miser did not leave
Their base memorial on so fair a page.
The eyebrows next draw closer down, and throw
A softening shade o'er the mild orbs below.
Let the full eyelid, drooping, half conceal
The back-retiring eye; and point to earth
The long brown lashes that bespeak a soul
Like his who said, "I am not worthy, Lord!"
From underneath these lowly turning lids,
Let not shine forth the gaily sparkling light
Which dazzles oft, and oft deceives; nor yet
The dull unmeaning lustre that can gaze
Alike on all the world. But paint an eye
In whose half-hidden, steady light I read
A truth-inquiring mind; a fancy, too,
That could array in sweet poetic garb
The truth he found; while on his artless harp
He touched the gentlest feelings, which the blaze
Of winter's hearth warms in the homely heart.
And oh! recall the look of faith sincere,
With which that eye would scrutinize the page
That tells us of offended God appeased
By awful sacrifice upon the cross
Of Calvary—that bids us leave a world
Immersed in darkness and in death, and seek
A better country. Ah! how oft that eye
Would turn on me, with pity's tenderest look,
And, only half-upbraiding, bid me flee
From the vain idols of my boyish heart!
It was about the same time, while still feeling the sadness of this bereavement, that he wrote the fragment entitled
"THE RIGHTEOUS PERISHETH, AND NO MAN LAYETH IT TO HEART."
A grave I know
Where earthly show
Is not—a mound
Whose gentle round
Sustains the load
Of a fresh sod.
Its shape is rude,
And weeds intrude
Their yellow flowers—
In gayer bowers
Unknown. The grass,
A tufted mass,
Is rank and strong,
Unsmoothed and long.
No rosebud there
Embalms the air;
No lily chaste
Adorns the waste,
Nor daisy's head
Bedecks the bed.
No myrtles wave
Above that grave;
Unknown in life,
