In the republic of letters, there is no member of such inferior rank, or who is so much disdained by his brethren of the quill, as the humble Novelist; nor is his fate less hard in the world at large, since, among the whole class of writers, perhaps not one can be named of which the votaries are more numerous but less respectable.
Yet, while in the annals of those few of our predecessors, to whom this species of writing is indebted for being saved from contempt, and rescued from depravity, we can trace such names as Rousseau, Johnson,1 Marivaux, Fielding, Richardson, and Smollett, no man need blush at starting from the same post, though many, nay, most men, may sigh at finding themselves distanced.
The following letters are presented to the Public — for such, by novel writers, novel readers will be called — with a very singular mixture of timidity and confidence, resulting from the peculiar situation of the editor; who, though trembling for their success from a consciousness of their imperfections, yet fears not being involved in their disgrace, while happily wrapped up in a mantle of impenetrable obscurity.
To draw characters from nature, though not from life, and to mark the manners of the times, is the attempted plan of the following letters. For this purpose, a young female, educated in the most secluded retirement, makes, at the age of seventeen, her first appearance upon the great and busy stage of life; with a virtuous mind, a cultivated understanding, and a feeling heart, her ignorance of the forms, and inexperience in the manners of the world, occasion all the little incidents which these volumes record, and which form the natural progression of the life of a young woman of obscure birth, but conspicuous beauty, for the first six months after her Entrance into the world.
Perhaps, were it possible to effect the total extirpation of novels, our young ladies in general, and boarding-school damsels in particular, might profit from their annihilation; but since the distemper they have spread seems incurable, since their contagion bids defiance to the medicine of advice or reprehension, and since they are found to baffle all the mental art of physic, save what is prescribed by the slow regimen of Time, and bitter diet of Experience; surely all attempts to contribute to the number of those which may be read, if not with advantage, at least without injury, ought rather to be encouraged than contemned.
Let me, therefore, prepare for disappointment those who, in the perusal of these sheets, entertain the gentle expectation of being transported to the fantastic regions of Romance, where Fiction is coloured by all the gay tints of luxurious Imagination, where Reason is an outcast, and where the sublimity of the Marvellous rejects all aid from sober Probability. The heroine of these memoirs, young, artless, and inexperienced, is
No faultless Monster that the world ne’er saw;
but the offspring of Nature, and of Nature in her simplest attire.
In all the Arts, the value of copies can only be proportioned to the scarcity of originals: among sculptors and painters, a fine statue, or a beautiful picture, of some great master, may deservedly employ the imitative talents of young and inferior artists, that their appropriation to one spot may not wholly prevent the more general expansion of their excellence; but, among authors, the reverse is the case, since the noblest productions of literature are almost equally attainable with the meanest. In books, therefore, imitation cannot be shunned too sedulously; for the very perfection of a model which is frequently seen, serves but more forcibly to mark the inferiority of a copy.
To avoid what is common, without adopting what is unnatural, must limit the ambition of the vulgar herd of authors: however zealous, therefore, my veneration of the great writers I have mentioned, however I may feel myself enlightened by the knowledge of Johnson, charmed with the eloquence of Rousseau, softened by the pathetic powers of Richardson, and exhiliarated by the wit of Fielding and humour of Smollett, I yet presume not to attempt pursuing the same ground which they have tracked; whence, though they may have cleared the weeds, they have also culled the flowers; and, though they have rendered the path plain, they have left it barren.
The candour of my readers I have not the impertinence to doubt, and to their indulgence I am sensible I have no claim; I have, therefore, only to intreat, that my own words may not pronounce my condemnation; and that what I have here ventured to say in regard to imitation, may be understood as it is meant, in a general sense, and not be imputed to an opinion of my own originality, which I have not the vanity, the folly, or the blindness, to entertain.
Whatever may be the fate of these letters, the editor is satisfied they will meet with justice; and commits them to the press, though hopeless of fame, yet not regardless of censure.
1 However superior the capacities in which these great writers deserve to be considered, they must pardon me that, for the dignity of my subject, I here rank the authors of Rasselas and Eloise as Novelists.
LETTER 1
LADY HOWARD TO THE REV. MR. VILLARS
Howard Grove, Kent.
Can any thing, my good Sir, be more painful to a friendly mind, than a necessity of communicating disagreeable intelligence? Indeed it is sometimes difficult to determine, whether the relator or the receiver of evil tidings is most to be pitied.
I have just had a letter from Madame Duval; she is totally at a loss in what manner to behave; she seems desirous to repair the wrongs she has done, yet wishes the world to believe her blameless. She would fain cast upon another the odium of those misfortunes for which she alone is answerable. Her letter is violent, sometimes abusive, and that of you! — you, to whom she is under obligations which are greater even than her faults, but to whose advice she wickedly imputes all the sufferings of her much injured daughter, the late Lady Belmont. The chief purport of her writing I will acquaint you with; the letter itself is not worthy your notice.
She tells me that she has, for many years past, been in continual expectation of making a journey to England, which prevented her writing for information concerning this melancholy subject, by giving her hopes of making personal inquiries; but family occurrences have still detained her in France, which country she now sees no prospect of quitting. She has, therefore, lately used her utmost endeavors to obtain a faithful account of whatever related to her ill-advised daughter; the result of which giving her some reason to apprehend, that, upon her death-bed, she bequeathed an infant orphan to the world, she most graciously says, that if you, with whom she understands the child is placed, will procure authentic proofs of its relationship to her, you may sent it to Paris, where she will properly provide for it.
This woman is, undoubtedly, at length, self-convicted of her most unnatural behaviour; it is evident, from her writing, that she is still as vulgar and illiterate as when her first husband, Mr. Evelyn, had the weakness to marry her; nor does she at all apologize for addressing herself to me, though I was only once in her company.
Her letter has excited in my daughter Mirvan, a strong desire to be informed of the motives which induced Madame Duval to abandon the unfortunate Lady Belmont, at a time when a mother’s protection was peculiarly necessary for her peace and her reputation. Notwithstanding I was personally acquainted with all the parties concerned in that affair, the subject always appeared of too delicate a nature to be spoken of with the principals; I cannot, therefore, satisfy Mrs. Mirvan otherwise than by applying to you.
By saying that you may send the child, Madame Duval aims at conferring, where she most owes obligation. I pretend not to give you advice; you, to whose generous protection this helpless orphan
