young man.
“Yanci,” Mrs. Rogers was saying with a social smile, “I want to introduce Mr. Kimberly. Mr. Kimberly’s spending the weekend with us, and I particularly wanted him to meet you.”
“How perfectly slick!” drawled Yanci with lazy formality.
Mr. Kimberly suggested to Miss Bowman that they dance, to which proposal Miss Bowman dispassionately acquiesced. They mingled their arms in the gesture prevalent and stepped into time with the beat of the drum. Simultaneously it seemed to Scott that the room and the couples who danced up and down upon it converted themselves into a background behind her. The commonplace lamps, the rhythm of the music playing some paraphrase of a paraphrase, the faces of many girls, pretty, undistinguished or absurd, assumed a certain solidity as though they had grouped themselves in a retinue for Yanci’s languid eyes and dancing feet.
“I’ve been watching you,” said Scott simply. “You look rather bored this evening.”
“Do I?” Her dark-blue eyes exposed a borderland of fragile iris as they opened in a delicate burlesque of interest. “How perfectly kill-ing!” she added.
Scott laughed. She had used the exaggerated phrase without smiling, indeed without any attempt to give it verisimilitude. He had heard the adjectives of the year—“hectic,” “marvelous,” and “slick”—delivered casually, but never before without the faintest meaning. In this lackadaisical young beauty it was inexpressibly charming.
The dance ended. Yanci and Scott strolled toward a lounge set against the wall, but before they could take possession there was a shriek of laughter and a brawny damsel dragging an embarrassed boy in her wake skidded by them and plumped down upon it.
“How rude!” observed Yanci.
“I suppose it’s her privilege.”
“A girl with ankles like that has no privileges.”
They seated themselves uncomfortably on two stiff chairs.
“Where do you come from?” she asked of Scott with polite uninterest.
“New York.”
This having transpired, Yanci deigned to fix her eyes on him for the best part of ten seconds.
“Who was the gentleman with the invisible tie,” Scott asked rudely, in order to make her look at him, “who was giving you such a rush? I found it impossible to keep my eyes off him. Is his personality as diverting as his haberdashery?”
“I don’t know,” she drawled; “I’ve only been engaged to him for a week.”
“My Lord!” exclaimed Scott, perspiring suddenly under his eyes.
“I beg your pardon. I didn’t——”
“I was only joking,” she interrupted with a sighing laugh. “I thought I’d see what you’d say to that.”
Then they both laughed, and Yanci continued, “I’m not engaged to anyone. I’m too horribly unpopular.” Still the same key, her languorous voice humorously contradicting the content of her remark. “No one’ll ever marry me.”
“How pathetic!”
“Really,” she murmured; “because I have to have compliments all the time, in order to live, and no one thinks I’m attractive any more, so no one ever gives them to me.”
Seldom had Scott been so amused.
“Why, you beautiful child,” he cried, “I’ll bet you never hear anything else from morning till night!”
“Oh yes I do,” she responded, obviously pleased. “I never get compliments unless I fish for them.”
“Everything’s the same,” she was thinking as she gazed around her in a peculiar mood of pessimism. Same boys sober and same boys tight; same old women sitting by the walls and one or two girls sitting with them who were dancing this time last year.
Yanci had reached the stage where these country-club dances seemed little more than a display of sheer idiocy. From being an enchanted carnival where jeweled and immaculate maidens rouged to the pinkest propriety displayed themselves to strange and fascinating men, the picture had faded to a medium-sized hall where was an almost indecent display of unclothed motives and obvious failures. So much for several years! And the dance had changed scarcely by a ruffle in the fashions or a new flip in a figure of speech.
Yanci was ready to be married.
Meanwhile the dozen remarks rushing to Scott Kimberly’s lips were interrupted by the apologetic appearance of Mrs. Rogers.
“Yanci,” the older woman was saying, “the chauffeur’s just telephoned to say that the car’s broken down. I wonder if you and your father have room for us going home. If it’s the slightest inconvenience don’t hesitate to tell——”
“I know he’ll be terribly glad to. He’s got loads of room, because I came out with someone else.”
She was wondering if her father would be presentable at twelve.
He could always drive at any rate—and, besides, people who asked for a lift could take what they got.
“That’ll be lovely. Thank you so much,” said Mrs. Rogers.
Then, as she had just passed the kittenish late thirties when women still think they are persona grata with the young and entered upon the early forties when their children convey to them tactfully that they no longer are, Mrs. Rogers obliterated herself from the scene. At that moment the music started and the unfortunate young man with white streaks in his red complexion appeared in front of Yanci.
Just before the end of the end of the next dance Scott Kimberly cut in on her again.
“I’ve come back,” he began, “to tell you how beautiful you are.”
“I’m not, really,” she answered. “And, besides, you tell everyone that.”
The music gathered gusto for its finale, and they sat down upon the comfortable lounge.
“I’ve told no one that for three years,” said Scott.
There was no reason why he should have made it three years, yet somehow it sounded convincing to both of them. Her curiosity was stirred. She began finding out about him. She put him to a lazy questionnaire which began with his relationship to the Rogerses and ended, he knew not by what steps, with a detailed description of his apartment in New York.
“I want to live in New York,” she told him; “on Park Avenue, in one of those beautiful white buildings that have twelve big rooms in each apartment and cost a fortune to rent.”
“That’s what I’d want, too, if I were married. Park Avenue—it’s one of the most beautiful streets in the world, I think, perhaps chiefly because it hasn’t any leprous park trying to give it an artificial suburbanity.”
“Whatever that is,” agreed Yanci. “Anyway, Father and I go to New York about three
