THE MONASTERY & THE ABBOT (Illustrated Edition). Walter Scott

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THE MONASTERY & THE ABBOT (Illustrated Edition) - Walter Scott

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his conversation. Apparently, a sense of wounded honour, and the deep desire of vindicating his injured feelings, had proved too strong for the fantastic affectation of his acquired habits. Indeed, such is usually the influence of energy of mind, when called forth and exerted, that Sir Piercie Shafton had never appeared in the eyes of his youthful antagonist half so much deserving of esteem and respect as in this brief dialogue, by which they exchanged mutual defiance. As he followed him slowly to the tower, he could not help thinking to himself, that, had the English knight always displayed this superior tone of bearing and feeling, he would not probably have felt so earnestly disposed to take offence at his hand. Mortal offence, however, had been exchanged, and the matter was to be put to mortal arbitrement.

      The family met at the evening meal, when Sir Piercie Shafton extended the benignity of his countenance and the graces of his conversation far more generally over the party than he had hitherto condescended to do. The greater part of his attention was, of course, still engrossed by his divine inimitable Discretion, as he chose to term Mary Avenel; but, nevertheless there were interjectional flourishes to the Maid of the Mill, under the title of Comely Damsel, and to the Dame, under that of Worthy Matron. Nay, lest he should fail to excite their admiration by the graces of his rhetoric, he generously, and without solicitation, added those of his voice; and after regretting bitterly the absence of his viol-de-gamba, he regaled them with a song, "which," said he, "the inimitable Astrophel, whom mortals call Philip Sidney, composed in the nonage of his muse, to show the world what they are to expect from his riper years, and which will one day see the light in that not-to-be-paralleled perfection of human wit, which he has addressed to his sister, the matchless Parthenope, whom men call Countess of Pembroke; a work," he continued, "whereof his friendship hath permitted me, though unworthy, to be an occasional partaker, and whereof I may well say, that the deep afflictive tale which awakeneth our sorrows, is so relieved with brilliant similitudes, dulcet descriptions, pleasant poems, and engaging interludes, that they seem as the stars of the firmament, beautifying the dusky robe of night. And though I wot well how much the lovely and quaint language will suffer by my widowed voice, widowed in that it is no longer matched by my beloved viol-de-gamba, I will essay to give you a taste of the ravishing sweetness of the poesy of the un-to-be-imitated Astrophel."

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