The Trumpet-Major. Томас Харди
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Then lit’-tle Bo’-ney he’ll pounce down’,
And march’ his men’ on Lon’-don town’!
Chorus.—Rol’-li-cum ro’-rum, tol’-lol-lo’-rum,
Rol’-li-cum ro’-rum, tol’-lol-lay.
It was a verse which had been omitted by the gallant Stanner, out of respect to the ladies.
The new-comer was red-haired and of florid complexion, and seemed full of a conviction that his whim of entering must be their pleasure, which for the moment it was.
‘No ceremony, good men all,’ he said; ‘I was passing by, and my ear was caught by the singing. I like singing; ’tis warming and cheering, and shall not be put down. I should like to hear anybody say otherwise.’
‘Welcome, Master Derriman,’ said the miller, filling a glass and handing it to the yeoman. ‘Come all the way from quarters, then? I hardly knowed ye in your soldier’s clothes. You’d look more natural with a spud in your hand, sir. I shouldn’t ha’ known ye at all if I hadn’t heard that you were called out.’
‘More natural with a spud!—have a care, miller,’ said the young giant, the fire of his complexion increasing to scarlet. ‘I don’t mean anger, but—but—a soldier’s honour, you know!’
The military in the background laughed a little, and the yeoman then for the first time discovered that there were more regulars present than one. He looked momentarily disconcerted, but expanded again to full assurance.
‘Right, right, Master Derriman, no offence—’twas only my joke,’ said the genial miller. ‘Everybody’s a soldier nowadays. Drink a drap o’ this cordial, and don’t mind words.’
The young man drank without the least reluctance, and said, ‘Yes, miller, I am called out. ’Tis ticklish times for us soldiers now; we hold our lives in our hands—What are those fellows grinning at behind the table?—I say, we do!’
‘Staying with your uncle at the farm for a day or two, Mr. Derriman?’
‘No, no; as I told you, six mile off. Billeted at Casterbridge. But I have to call and see the old, old—’
‘Gentleman?’
‘Gentleman!—no, skinflint. He lives upon the sweepings of the barton; ha, ha!’ And the speaker’s regular white teeth showed themselves like snow in a Dutch cabbage. ‘Well, well, the profession of arms makes a man proof against all that. I take things as I find ’em.’
‘Quite right, Master Derriman. Another drop?’
‘No, no. I’ll take no more than is good for me—no man should; so don’t tempt me.’
The yeoman then saw Anne, and by an unconscious gravitation went towards her and the other women, flinging a remark to John Loveday in passing. ‘Ah, Loveday! I heard you were come; in short, I come o’ purpose to see you. Glad to see you enjoying yourself at home again.’
The trumpet-major replied civilly, though not without grimness, for he seemed hardly to like Derriman’s motion towards Anne.
‘Widow Garland’s daughter!—yes, ’tis! surely. You remember me? I have been here before. Festus Derriman, Yeomanry Cavalry.’
Anne gave a little curtsey. ‘I know your name is Festus—that’s all.’
‘Yes, ’tis well known—especially latterly.’ He dropped his voice to confidence pitch. ‘I suppose your friends here are disturbed by my coming in, as they don’t seem to talk much? I don’t mean to interrupt the party; but I often find that people are put out by my coming among ’em, especially when I’ve got my regimentals on.’
‘La! and are they?’
‘Yes; ’tis the way I have.’ He further lowered his tone, as if they had been old friends, though in reality he had only seen her three or four times. ‘And how did you come to be here? Dash my wig, I don’t like to see a nice young lady like you in this company. You should come to some of our yeomanry sprees in Casterbridge or Shottsford-Forum. O, but the girls do come! The yeomanry are respected men, men of good substantial families, many farming their own land; and every one among us rides his own charger, which is more than these cussed fellows do.’ He nodded towards the dragoons.
‘Hush, hush! Why, these are friends and neighbours of Miller Loveday, and he is a great friend of ours—our best friend,’ said Anne with great emphasis, and reddening at the sense of injustice to their host. ‘What are you thinking of, talking like that? It is ungenerous in you.’
‘Ha, ha! I’ve affronted you. Isn’t that it, fair angel, fair—what do you call it?—fair vestal? Ah, well! would you was safe in my own house! But honour must be minded now, not courting. Rollicum-rorum, tol-lol-lorum. Pardon me, my sweet, I like ye! It may be a come down for me, owning land; but I do like ye.’
‘Sir, please be quiet,’ said Anne, distressed.
‘I will, I will. Well, Corporal Tullidge, how’s your head?’ he said, going towards the other end of the room, and leaving Anne to herself.
The company had again recovered its liveliness, and it was a long time before the bouncing Rufus who had joined them could find heart to tear himself away from their society and good liquors, although he had had quite enough of the latter before he entered. The natives received him at his own valuation, and the soldiers of the camp, who sat beyond the table, smiled behind their pipes at his remarks, with a pleasant twinkle of the eye which approached the satirical, John Loveday being not the least conspicuous in this bearing. But he and his friends were too courteous on such an occasion as the present to challenge the young man’s large remarks, and readily permitted him to set them right on the details of camping and other military routine, about which the troopers seemed willing to let persons hold any opinion whatever, provided that they themselves were not obliged to give attention to it; showing, strangely enough, that if there was one subject more than another which never interested their minds, it was the art of war. To them the art of enjoying good company in Overcombe Mill, the details of the miller’s household, the swarming of his bees, the number of his chickens, and the fatness of his pigs, were matters of infinitely greater concern.
The present writer, to whom this party has been described times out of number by members of the Loveday family and other aged people now passed away, can never enter the old living-room of Overcombe Mill without beholding the genial scene through the mists of the seventy or eighty years that intervene between then and now. First and brightest to the eye are the dozen candles, scattered about regardless of expense, and kept well snuffed by the miller, who walks round the room at intervals of five minutes, snuffers in hand, and nips each wick with great precision, and with something of an executioner’s grim look upon his face as he closes the snuffers upon the neck of the candle. Next to the candle-light show the red and blue coats and white breeches of the soldiers—nearly twenty of them in all besides the ponderous Derriman—the head of the latter, and, indeed, the heads of all who are standing up, being in dangerous proximity to the black beams of the ceiling. There is not one among them who would attach any meaning to ‘Vittoria,’ or gather from the syllables ‘Waterloo’ the remotest idea of his own glory or death. Next appears the correct and innocent Anne, little thinking what things Time has in store for her at no great distance off.