women present, as well as the men, looked at the two young fellows, and Madame Minard remarked to Colleville:—
“He is rather good-looking, that stranger.”
“I have made his anagram,” replied Colleville, “and his name, Charles-Marie-Theodose de la Peyrade, prophecies: ‘Eh! monsieur payera, de la dot, des oies et le char.’ Therefore, my dear Mamma Minard, be sure you don’t give him your daughter.”
“They say that young man is better-looking than my son,” said Madame Phellion to Madame Colleville. “What do you think about it?”
“Oh! in the matter of physical beauty a woman might hesitate before choosing,” replied Madame Colleville.
At that moment it occurred to young Vinet as he looked round the salon, so full of the lesser bourgeoisie, that it might be a shrewd thing to magnify that particular class; and he thereupon enlarged upon the meaning of the young Provencal barrister, declaring that men so honored by the confidence of the government should imitate royalty and encourage a magnificence surpassing that of the former court. It was folly, he said, to lay by the emoluments of an office. Besides, could it be done, in Paris especially, where costs of living had trebled—the apartment of a magistrate, for instance, costing three thousand francs a year?
“My father,” he said in conclusion, “allows me three thousand francs a year, and that, with my salary, barely allows me to maintain my rank.”
When the young substitute rode boldly into this bog-hole, the Provencal, who had slyly enticed him there, exchanged, without being observed, a wink with Dutocq, who was just then waiting for the place of a player at bouillotte.
“There is such a demand for offices,” remarked the latter, “that they talk of creating two justices of the peace to each arrondissement in order to make a dozen new clerkships. As if they could interfere with our rights and our salaries, which already require an exhorbitant tax!”
“I have not yet had the pleasure of hearing you at the Palais,” said Vinet to Monsieur de la Peyrade.
“I am advocate for the poor, and I plead only before the justice of peace,” replied la Peyrade.
Mademoiselle Thuillier, as she listened to young Vinet’s theory of the necessity of spending an income, assumed a distant air and manner, the significance of which was well understood by Dutocq and the young Provencal. Vinet left the house in company with Minard and Julien the advocate, so that the battle-field before the fire-place was abandoned to la Peyrade and Dutocq.
“The upper bourgeoisie,” said Dutocq to Thuillier, “will behave, in future, exactly like the old aristocracy. The nobility wanted girls with money to manure their lands, and the parvenus of to-day want the same to feather their nests.”
“That’s exactly what Monsieur Thuillier was saying to me this morning,” remarked la Peyrade, boldly.
“Vinet’s father,” said Dutocq, “married a Demoiselle de Chargeboeuf and has caught the opinions of the nobility; he wants a fortune at any price; his wife spends money regally.”
“Oh!” said Thuillier, in whom the jealousy between the two classes of the bourgeoisie was fully roused, “take offices away from those fellows and they’d fall back where they came.”
Mademoiselle was knitting with such precipitous haste that she seemed to be propelled by a steam-engine.
“Take my place, Monsieur Dutocq,” said Madame Minard, rising. “My feet are cold,” she added, going to the fire, where the golden ornaments of her turban made fireworks in the light of the Saint-Aurora wax-candles that were struggling vainly to light the vast salon.
“He is very small fry, that young substitute,” said Madame Minard, glancing at Mademoiselle Thuillier.
“Small fry!” cried la Peyrade. “Ah, madame! how witty!”
“But madame has so long accustomed us to that sort of thing,” said the handsome Thuillier.
Madame Colleville was examining la Peyrade and comparing him with young Phellion, who was just then talking to Celeste, neither of them paying any heed to what was going on around them. This is, certainly, the right moment to depict the singular personage who was destined to play a signal part in the Thuillier household, and who fully deserves the appellation of a great artist.
CHAPTER V. A PRINCIPAL PERSONAGE
There exists in Provence, especially about Avignon, a race of men with blond or chestnut hair, fair skin, and eyes that are almost tender, their pupils calm, feeble, or languishing, rather than keen, ardent, or profound, as they usually are in the eyes of Southerners. Let us remark, in passing, that among Corsicans, a race subject to fits of anger and dangerous irascibility, we often meet with fair skins and physical natures of the same apparent tranquillity. These pale men, rather stout, with somewhat dim and hazy eyes either green or blue, are the worst species of humanity in Provence; and Charles-Marie-Theodose de la Peyrade presents a fine type of that race, the constitution of which deserves careful examination on the part of medical science and philosophical physiology. There rises, at times, within such men, a species of bile—a bitter gall, which flies to their head and makes them capable of ferocious actions, done, apparently, in cold blood. Being the result of an inward intoxication, this sort of dumb violence seems to be irreconcilable with their quasi-lymphatic outward man, and the tranquillity of their benignant glance.
Born in the neighborhood of Avignon, the young Provencal whose name we have just mentioned was of middle height, well-proportioned, and rather stout; the tone of his skin had no brilliancy; it was neither livid nor dead-white, nor colored, but gelatinous—that word can alone give a true idea of the flabby, hueless envelope, beneath which were concealed nerves that were less vigorous than capable of enormous resistance at certain given moments. His eyes, of a pale cold blue, expressed in their ordinary condition a species of deceptive sadness, which must have had great charms for women. The forehead, finely cut, was not without dignity, and it harmonized well with the soft, light chestnut hair curling naturally, but slightly, at its tips. The nose, precisely like that of a hunting dog, flat and furrowed at the tip, inquisitive, intelligent, searching, always on the scent, instead of expressing good-humor, was ironical and mocking; but this particular aspect of his nature never showed itself openly; the young man must have ceased to watch himself, he must have flown into fury before the power came to him to flash out the sarcasm and the wit which embittered, tenfold, his infernal humor. The mouth, the curving lines and pomegranate-colored lips of which were very pleasing, seemed the admirable instrument of an organ that was almost sweet in its middle tones, where its owner usually kept it, but which, in its higher key, vibrated on the ear like the sound of a gong. This falsetto was the voice of his nerves and his anger. His face, kept expressionless by an inward command, was oval in form. His manners, in harmony with the sacerdotal calmness of the face, were reserved and conventional; but he had supple, pliant ways which, though they never descended to wheedling, were not lacking in seduction; although as soon as his back was turned their charm seemed inexplicable. Charm, when it takes its rise in the heart, leaves deep and lasting traces; that which is merely a product of art, or of eloquence, has only a passing power; it produces its immediate effect, and that is all. But how many philosophers are there in life who are able to distinguish the difference? Almost always the trick is played (to use a popular expression) before the ordinary run of men have perceived its methods.
