The Complete Novels of Lucy Maud Montgomery (Including Anne of Green Gables Series, The Story Girl, Emily Starr Trilogy, The Blue Castle & Pat of Silver Bush Series). Lucy Maud Montgomery
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“I suppose she has some good qualities,” conceded Mr. Harrison grudgingly. “Most folks have. I have some myself, though you might never suspect it. But anyhow I ain’t going to give anything to that carpet. Folks are everlasting begging for money here, it seems to me. How’s your project of painting the hall coming on?”
“Splendidly. We had a meeting of the A.V.I.S. last Friday night and found that we had plenty of money subscribed to paint the hall and shingle the roof too. MOST people gave very liberally, Mr. Harrison.”
Anne was a sweet-souled lass, but she could instill some venom into innocent italics when occasion required.
“What color are you going to have it?”
“We have decided on a very pretty green. The roof will be dark red, of course. Mr. Roger Pye is going to get the paint in town today.”
“Who’s got the job?”
“Mr. Joshua Pye of Carmody. He has nearly finished the shingling. We had to give him the contract, for every one of the Pyes … and there are four families, you know … said they wouldn’t give a cent unless Joshua got it. They had subscribed twelve dollars between them and we thought that was too much to lose, although some people think we shouldn’t have given in to the Pyes. Mrs. Lynde says they try to run everything.”
“The main question is will this Joshua do his work well. If he does I don’t see that it matters whether his name is Pye or Pudding.”
“He has the reputation of being a good workman, though they say he’s a very peculiar man. He hardly ever talks.”
“He’s peculiar enough all right then,” said Mr. Harrison drily. “Or at least, folks here will call him so. I never was much of a talker till I came to Avonlea and then I had to begin in self-defense or Mrs. Lynde would have said I was dumb and started a subscription to have me taught sign language. You’re not going yet, Anne?”
“I must. I have some sewing to do for Dora this evening. Besides, Davy is probably breaking Marilla’s heart with some new mischief by this time. This morning the first thing he said was, ‘Where does the dark go, Anne? I want to know.’ I told him it went around to the other side of the world but after breakfast he declared it didn’t … that it went down the well. Marilla says she caught him hanging over the wellbox four times today, trying to reach down to the dark.”
“He’s a limb,” declared Mr. Harrison. “He came over here yesterday and pulled six feathers out of Ginger’s tail before I could get in from the barn. The poor bird has been moping ever since. Those children must be a sight of trouble to you folks.”
“Everything that’s worth having is some trouble,” said Anne, secretly resolving to forgive Davy’s next offence, whatever it might be, since he had avenged her on Ginger.
Mr. Roger Pye brought the hall paint home that night and Mr. Joshua Pye, a surly, taciturn man, began painting the next day. He was not disturbed in his task. The hall was situated on what was called “the lower road.” In late autumn this road was always muddy and wet, and people going to Carmody traveled by the longer “upper” road. The hall was so closely surrounded by fir woods that it was invisible unless you were near it. Mr. Joshua Pye painted away in the solitude and independence that were so dear to his unsociable heart.
Friday afternoon he finished his job and went home to Carmody. Soon after his departure Mrs. Rachel Lynde drove by, having braved the mud of the lower road out of curiosity to see what the hall looked like in its new coat of paint. When she rounded the spruce curve she saw.
The sight affected Mrs. Lynde oddly. She dropped the reins, held up her hands, and said “Gracious Providence!” She stared as if she could not believe her eyes. Then she laughed almost hysterically.
“There must be some mistake … there must. I knew those Pyes would make a mess of things.”
Mrs. Lynde drove home, meeting several people on the road and stopping to tell them about the hall. The news flew like wildfire. Gilbert Blythe, poring over a text book at home, heard it from his father’s hired boy at sunset, and rushed breathlessly to Green Gables, joined on the way by Fred Wright. They found Diana Barry, Jane Andrews, and Anne Shirley, despair personified, at the yard gate of Green Gables, under the big leafless willows.
“It isn’t true surely, Anne?” exclaimed Gilbert.
“It is true,” answered Anne, looking like the muse of tragedy. “Mrs. Lynde called on her way from Carmody to tell me. Oh, it is simply dreadful! What is the use of trying to improve anything?”
“What is dreadful?” asked Oliver Sloane, arriving at this moment with a bandbox he had brought from town for Marilla.
“Haven’t you heard?” said Jane wrathfully. “Well, its simply this… Joshua Pye has gone and painted the hall blue instead of green… a deep, brilliant blue, the shade they use for painting carts and wheelbarrows. And Mrs. Lynde says it is the most hideous color for a building, especially when combined with a red roof, that she ever saw or imagined. You could simply have knocked me down with a feather when I heard it. It’s heartbreaking, after all the trouble we’ve had.”
“How on earth could such a mistake have happened?” wailed Diana.
The blame of this unmerciful disaster was eventually narrowed down to the Pyes. The Improvers had decided to use Morton-Harris paints and the Morton-Harris paint cans were numbered according to a color card. A purchaser chose his shade on the card and ordered by the accompanying number. Number 147 was the shade of green desired and when Mr. Roger Pye sent word to the Improvers by his son, John Andrew, that he was going to town and would get their paint for them, the Improvers told John Andrew to tell his father to get 147. John Andrew always averred that he did so, but Mr. Roger Pye as stanchly declared that John Andrew told him 157; and there the matter stands to this day.
That night there was blank dismay in every Avonlea house where an Improver lived. The gloom at Green Gables was so intense that it quenched even Davy. Anne wept and would not be comforted.
“I must cry, even if I am almost seventeen, Marilla,” she sobbed. “It is so mortifying. And it sounds the death knell of our society. We’ll simply be laughed out of existence.”
In life, as in dreams, however, things often go by contraries. The Avonlea people did not laugh; they were too angry. Their money had gone to paint the hall and consequently they felt themselves bitterly aggrieved by the mistake. Public indignation centered on the Pyes. Roger Pye and John Andrew had bungled the matter between them; and as for Joshua Pye, he must be a born fool not to suspect there was something wrong when he opened the cans and saw the color of the paint. Joshua Pye, when thus animadverted upon, retorted that the Avonlea taste in colors was no business of his, whatever his private opinion might be; he had been hired to paint the hall, not to talk about it; and he meant to have his money for it.
The Improvers paid him his money in bitterness of spirit, after consulting Mr. Peter Sloane, who was a magistrate.