The Complete Novels of Lucy Maud Montgomery (Including Anne of Green Gables Series, The Story Girl, Emily Starr Trilogy, The Blue Castle & Pat of Silver Bush Series). Lucy Maud Montgomery

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The Complete Novels of Lucy Maud Montgomery (Including Anne of Green Gables Series, The Story Girl, Emily Starr Trilogy, The Blue Castle & Pat of Silver Bush Series) - Lucy Maud Montgomery

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fields” of the farms that ran out to the upper Carmody road. Just before them, hemmed in by beeches and firs but open to the south, was a little corner and in it a garden … or what had once been a garden. A tumbledown stone dyke, overgrown with mosses and grass, surrounded it. Along the eastern side ran a row of garden cherry trees, white as a snowdrift. There were traces of old paths still and a double line of rosebushes through the middle; but all the rest of the space was a sheet of yellow and white narcissi, in their airiest, most lavish, wind-swayed bloom above the lush green grasses.

      “Oh, how perfectly lovely!” three of the girls cried. Anne only gazed in eloquent silence.

      “How in the world does it happen that there ever was a garden back here?” said Priscilla in amazement.

      “It must be Hester Gray’s garden,” said Diana. “I’ve heard mother speak of it but I never saw it before, and I wouldn’t have supposed that it could be in existence still. You’ve heard the story, Anne?”

      “No, but the name seems familiar to me.”

      “Oh, you’ve seen it in the graveyard. She is buried down there in the poplar corner. You know the little brown stone with the opening gates carved on it and ‘Sacred to the memory of Hester Gray, aged twenty-two.’ Jordan Gray is buried right beside her but there’s no stone to him. It’s a wonder Marilla never told you about it, Anne. To be sure, it happened thirty years ago and everybody has forgotten.”

      “Well, if there’s a story we must have it,” said Anne. “Let’s sit right down here among the narcissi and Diana will tell it. Why, girls, there are hundreds of them … they’ve spread over everything. It looks as if the garden were carpeted with moonshine and sunshine combined. This is a discovery worth making. To think that I’ve lived within a mile of this place for six years and have never seen it before! Now, Diana.”

      “Long ago,” began Diana, “this farm belonged to old Mr. David Gray. He didn’t live on it … he lived where Silas Sloane lives now. He had one son, Jordan, and he went up to Boston one winter to work and while he was there he fell in love with a girl named Hester Murray. She was working in a store and she hated it. She’d been brought up in the country and she always wanted to get back. When Jordan asked her to marry him she said she would if he’d take her away to some quiet spot where she’d see nothing but fields and trees. So he brought her to Avonlea. Mrs. Lynde said he was taking a fearful risk in marrying a Yankee, and it’s certain that Hester was very delicate and a very poor housekeeper; but mother says she was very pretty and sweet and Jordan just worshipped the ground she walked on. Well, Mr. Gray gave Jordan this farm and he built a little house back here and Jordan and Hester lived in it for four years. She never went out much and hardly anybody went to see her except mother and Mrs. Lynde. Jordan made her this garden and she was crazy about it and spent most of her time in it. She wasn’t much of a housekeeper but she had a knack with flowers. And then she got sick. Mother says she thinks she was in consumption before she ever came here. She never really laid up but just grew weaker and weaker all the time. Jordan wouldn’t have anybody to wait on her. He did it all himself and mother says he was as tender and gentle as a woman. Every day he’d wrap her in a shawl and carry her out to the garden and she’d lie there on a bench quite happy. They say she used to make Jordan kneel down by her every night and morning and pray with her that she might die out in the garden when the time came. And her prayer was answered. One day Jordan carried her out to the bench and then he picked all the roses that were out and heaped them over her; and she just smiled up at him … and closed her eyes … and that,” concluded Diana softly, “was the end.”

      “Oh, what a dear story,” sighed Anne, wiping away her tears.

      “What became of Jordan?” asked Priscilla.

      “He sold the farm after Hester died and went back to Boston. Mr. Jabez Sloane bought the farm and hauled the little house out to the road. Jordan died about ten years after and he was brought home and buried beside Hester.”

      “I can’t understand how she could have wanted to live back here, away from everything,” said Jane.

      “Oh, I can easily understand THAT,” said Anne thoughtfully. “I wouldn’t want it myself for a steady thing, because, although I love the fields and woods, I love people too. But I can understand it in Hester. She was tired to death of the noise of the big city and the crowds of people always coming and going and caring nothing for her. She just wanted to escape from it all to some still, green, friendly place where she could rest. And she got just what she wanted, which is something very few people do, I believe. She had four beautiful years before she died… four years of perfect happiness, so I think she was to be envied more than pitied. And then to shut your eyes and fall asleep among roses, with the one you loved best on earth smiling down at you … oh, I think it was beautiful!”

      “She set out those cherry trees over there,” said Diana. “She told mother she’d never live to eat their fruit, but she wanted to think that something she had planted would go on living and helping to make the world beautiful after she was dead.”

      “I’m so glad we came this way,” said Anne, the shining-eyed. “This is my adopted birthday, you know, and this garden and its story is the birthday gift it has given me. Did your mother ever tell you what Hester Gray looked like, Diana?”

      “No … only just that she was pretty.”

      “I’m rather glad of that, because I can imagine what she looked like, without being hampered by facts. I think she was very slight and small, with softly curling dark hair and big, sweet, timid brown eyes, and a little wistful, pale face.”

      The girls left their baskets in Hester’s garden and spent the rest of the afternoon rambling in the woods and fields surrounding it, discovering many pretty nooks and lanes. When they got hungry they had lunch in the prettiest spot of all … on the steep bank of a gurgling brook where white birches shot up out of long feathery grasses. The girls sat down by the roots and did full justice to Anne’s dainties, even the unpoetical sandwiches being greatly appreciated by hearty, unspoiled appetites sharpened by all the fresh air and exercise they had enjoyed. Anne had brought glasses and lemonade for her guests, but for her own part drank cold brook water from a cup fashioned out of birch bark. The cup leaked, and the water tasted of earth, as brook water is apt to do in spring; but Anne thought it more appropriate to the occasion than lemonade.

      “Look do you see that poem?” she said suddenly, pointing.

      “Where?” Jane and Diana stared, as if expecting to see Runic rhymes on the birch trees.

      “There … down in the brook … that old green, mossy log with the water flowing over it in those smooth ripples that look as if they’d been combed, and that single shaft of sunshine falling right athwart it, far down into the pool. Oh, it’s the most beautiful poem I ever saw.”

      “I should rather call it a picture,” said Jane. “A poem is lines and verses.”

      “Oh dear me, no.” Anne shook her head with its fluffy wild cherry coronal positively. “The lines and verses are only the outward garments of the poem and are no more really it than your ruffles and flounces are YOU, Jane. The real poem is the soul within them … and that beautiful bit is the soul of an unwritten poem. It is not every day one sees a soul … even of a poem.”

      “I wonder what a soul … a person’s soul … would look like,” said Priscilla dreamily.

      “Like that, I should think,” answered Anne, pointing to a radiance of sifted sunlight streaming through a birch tree. “Only with shape and features of course. I like

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