quick action was needed. But even then we had some difficulty in dragging Annie Haggett away from her miserable husband. Blinded with fury, she was ready to kill the man who had betrayed her. Finally, we succeeded in wresting the knife from her.
You may be sure that it required some pluck after that to sit down again quietly and to remain in the same room with this woman, who already had one crime upon her conscience, and with this weird, half-witted creature who kept on murmuring pitiably:
"You'd better do it, Annie--"
Well, you've read the account of the case, so you know what followed. Lady Molly did not move from that room until she had obtained the woman's full confession. All she did for her own protection was to order me to open the window and to blow the police whistle which she handed to me. The police-station fortunately was not very far, and sound carried in the frosty air.
She admitted to me afterwards that it had been foolish, perhaps, not to have brought Etty or Danvers with her, but she was supremely anxious not to put the woman on the alert from the very start, hence her circumlocutory speeches anent the workhouse, and Haggett's probable dismissal.
That the woman had had some connection with the crime, Lady Molly, with her keen intuition, had always felt; but as there was no witness to the murder itself, and all circumstantial evidence was dead against young Smethick, there was only one chance of successful discovery, and that was the murderer's own confession.
If you think over the interview between my dear lady and the Haggetts on that memorable morning, you will realise how admirably Lady Molly had led up to the weird finish. She would not speak to the woman unless Haggett was present, and she felt sure that as soon as the subject of the murder cropped up, the imbecile would either do or say something that would reveal the truth.
Mechanically, when Major Ceely's name was mentioned, he had taken up the knife. The whole scene recurred to his tottering mind. That the Major had summarily dismissed him recently was one of those bold guesses which Lady Molly was wont to make.
That Haggett had been merely egged on by his wife, and had been too terrified at the last to do the deed himself was no surprise to her, and hardly one to me, whilst the fact that the woman ultimately wreaked her own passionate revenge upon the unfortunate Major was hardly to be wondered at, in the face of her own coarse and elemental personality.
Cowed by the quickness of events, and by the appearance of Danvers and Etty on the scene, she finally made full confession.
She was maddened by the Major's brutality, when with rough, cruel words he suddenly turned her husband adrift, refusing to give him further employment. She herself had great ascendency over the imbecile, and had drilled him into a part of hate and of revenge. At first he had seemed ready and willing to obey. It was arranged that he was to watch on the terrace every night until such time as an alarm of the recurrence of the cattle-maiming outrages should lure the Major out alone.
This effectually occurred on Christmas morning, but not before Haggett, frightened and pusillanimous, was ready to flee rather than to accomplish the villainous deed. But Annie Haggett, guessing perhaps that he would shrink from the crime at the last, had also kept watch every night. Picture the prospective murderer watching and being watched!
When Haggett came across his wife he deputed her to do the deed herself.
I suppose that either terror of discovery or merely desire for the promised reward had caused the woman to fasten the crime on another.
The finding of the ring by Haggett was the beginning of that cruel thought which, but for my dear lady's marvellous powers, would indeed have sent a brave young man to the gallows.
Ah, you wish to know if Margaret Ceely is married? No! Captain Glynne cried off. What suspicions crossed his mind I cannot say; but he never proposed to Margaret, and now she is in Australia--staying with an aunt, I think--and she has sold Clevere Hall.
What the Shepherd Saw: A Tale of Four Moonlight Nights
(Thomas Hardy)
First Night
The genial Justice of the Peace—now, alas, no more—who made himself responsible for the facts of this story, used to begin in the good old-fashioned way with a bright moonlight night and a mysterious figure, an excellent stroke for an opening, even to this day, if well followed up.
The Christmas moon (he would say) was showing her cold face to the upland, the upland reflecting the radiance in frost-sparkles so minute as only to be discernible by an eye near at hand. This eye, he said, was the eye of a shepherd lad, young for his occupation, who stood within a wheeled hut of the kind commonly in use among sheep-keepers during the early lambing season, and was abstractedly looking through the loophole at the scene without.
The spot was called Lambing Corner, and it was a sheltered portion of that wide expanse of rough pastureland known as the Marlbury Downs, which you directly traverse when following the turnpike-road across Mid-Wessex from London, through Aldbrickham, in the direction of Bath and Bristol. Here, where the hut stood, the land was high and dry, open, except to the north, and commanding an undulating view for miles. On the north side grew a tall belt of coarse furze, with enormous stalks, a clump of the same standing detached in front of the general mass. The clump was hollow, and the interior had been ingeniously taken advantage of as a position for the before-mentioned hut, which was thus completely screened from winds, and almost invisible, except through the narrow approach. But the furze twigs had been cut away from the two little windows of the hut, that the occupier might keep his eye on his sheep.
In the rear, the shelter afforded by the belt of furze bushes was artificially improved by an inclosure of upright stakes, interwoven with boughs of the same prickly vegetation, and within the inclosure lay a renowned Marlbury-Down breeding flock of eight hundred ewes.
To the south, in the direction of the young shepherd’s idle gaze, there rose one conspicuous object above the uniform moonlit plateau, and only one. It was a Druidical trilithon, consisting of three oblong stones in the form of a doorway, two on end, and one across as a lintel. Each stone had been worn, scratched, washed, nibbled, split, and otherwise attacked by ten thousand different weathers; but now the blocks looked shapely and little the worse for wear, so beautifully were they silvered over by the light of the moon. The ruin was locally called the Devil’s Door.
An old shepherd presently entered the hut from the direction of the ewes, and looked around in the gloom. ‘Be ye sleepy?’ he asked in cross accents of the boy.
The lad replied rather timidly in the negative.
‘Then,’
