you? I am obliged to do it, because it has something to do with another absurd trifle (as you will inevitably say), which in my present state of rather unquiet fancy—nothing more, perhaps—I have to put down. It is a dream, sir, which I am going to record, and I must say it is one of the oddest I have had. Is there anything in it beyond what the bagman's talk and Uncle Henry's disappearance could have suggested? You, I repeat, shall judge: I am not in a sufficiently cool and judicial frame to do so.
It began with what I can only describe as a pulling aside of curtains: and I found myself seated in a place—I don't know whether in doors or out. There were people—only a few—on either side of me, but I did not recognize them, or indeed think much about them. They never spoke, but, so far as I remember, were all grave and pale-faced and looked fixedly before them. Facing me there was a Punch and Judy Show, perhaps rather larger than the ordinary ones, painted with black figures on a reddish-yellow ground. Behind it and on each side was only darkness, but in front there was a sufficiency of light. I was "strung up" to a high degree of expectation and listened every moment to hear the panpipes and the Roo-too-too-it. Instead of that there came suddenly an enormous—I can use no other word—an enormous single toll of a bell, I don't know from how far off—somewhere behind. The little curtain flew up and the drama began.
I believe someone once tried to re-write Punch as a serious tragedy; but whoever he may have been, this performance would have suited him exactly. There was something Satanic about the hero. He varied his methods of attack: for some of his victims he lay in wait, and to see his horrible face—it was yellowish white, I may remark—peering round the wings made me think of the Vampyre in Fuseli's foul sketch. To others he was polite and carneying—particularly to the unfortunate alien who can only say Shallabalah—though what Punch said I never could catch. But with all of them I came to dread the moment of death. The crack of the stick on their skulls, which in the ordinary way delights me, had here a crushing sound as if the bone was giving way, and the victims quivered and kicked as they lay. The baby—it sounds more ridiculous as I go on—the baby, I am sure, was alive. Punch wrung its neck, and if the choke or squeak which it gave were not real, I know nothing of reality.
The stage got perceptibly darker as each crime was consummated, and at last there was one murder which was done quite in the dark, so that I could see nothing of the victim, and took some time to effect. It was accompanied by hard breathing and horrid muffled sounds, and after it Punch came and sat on the foot-board and fanned himself and looked at his shoes, which were bloody, and hung his head on one side, and sniggered in so deadly a fashion that I saw some of those beside me cover their faces, and I would gladly have done the same. But in the meantime the scene behind Punch was clearing, and showed, not the usual house front, but something more ambitious—a grove of trees and the gentle slope of a hill, with a very natural—in fact, I should say a real—moon shining on it. Over this there rose slowly an object which I soon perceived to be a human figure with something peculiar about the head—what, I was unable at first to see. It did not stand on its feet, but began creeping or dragging itself across the middle distance towards Punch, who still sat back to it; and by this time, I may remark (though it did not occur to me at the moment) that all pretence of this being a puppet show had vanished. Punch was still Punch, it is true, but, like the others, was in some sense a live creature, and both moved themselves at their own will.
When I next glanced at him he was sitting in malignant reflection; but in another instant something seemed to attract his attention, and he first sat up sharply and then turned round, and evidently caught sight of the person that was approaching him and was in fact now very near. Then, indeed, did he show unmistakable signs of terror: catching up his stick, he rushed towards the wood, only just eluding the arm of his pursuer, which was suddenly flung out to intercept him. It was with a revulsion which I cannot easily express that I now saw more or less clearly what this pursuer was like. He was a sturdy figure clad in black, and, as I thought, wearing bands: his head was covered with a whitish bag.
The chase which now began lasted I do not know how long, now among the trees, now along the slope of the field, sometimes both figures disappearing wholly for a few seconds, and only some uncertain sounds letting one know that they were still afoot. At length there came a moment when Punch, evidently exhausted, staggered in from the left and threw himself down among the trees. His pursuer was not long after him, and came looking uncertainly from side to side. Then, catching sight of the figure on the ground, he too threw himself down—his back was turned to the audience—with a swift motion twitched the covering from his head, and thrust his face into that of Punch. Everything on the instant grew dark.
There was one long, loud, shuddering scream, and I awoke to find myself looking straight into the face of—what in all the world do you think?—but a large owl, which was seated on my window-sill immediately opposite my bed-foot, holding up its wings like two shrouded arms. I caught the fierce glance of its yellow eyes, and then it was gone. I heard the single enormous bell again—very likely, as you are saying to yourself, the church clock; but I do not think so—and then I was broad awake.
All this, I may say, happened within the last half-hour. There was no probability of my getting to sleep again, so I got up, put on clothes enough to keep me warm, and am writing this rigmarole in the first hours of Christmas Day. Have I left out anything? Yes, there was no Toby dog, and the names over the front of the Punch and Judy booth were Kidman and Gallop, which were certainly not what the bagman told me to look out for.
By this time, I feel a little more as if I could sleep, so this shall be sealed and wafered.
Letter IV
Dec. 26, '37.
My Dear Robert,—All is over. The body has been found. I do not make excuses for not having sent off my news by last night's mail, for the simple reason that I was incapable of putting pen to paper. The events that attended the discovery bewildered me so completely that I needed what I could get of a night's rest to enable me to face the situation at all. Now I can give you my journal of the day, certainly the strangest Christmas Day that ever I spent or am likely to spend.
The first incident was not very serious. Mr. Bowman had, I think, been keeping Christmas Eve, and was a little inclined to be captious: at least, he was not on foot very early, and to judge from what I could hear, neither men or maids could do anything to please him. The latter were certainly reduced to tears; nor am I sure that Mr. Bowman succeeded in preserving a manly composure. At any rate, when I came downstairs, it was in a broken voice that he wished me the compliments of the season, and a little later on, when he paid his visit of ceremony at breakfast, he was far from cheerful: even Byronic, I might almost say, in his outlook on life.
"I don't know," he said, "if you think with me, sir; but every Christmas as comes round the world seems a hollerer thing to me. Why, take an example now from what lays under my own eye. There's my servant Eliza—been with me now for going on fifteen years. I thought I could have placed my confidence in Elizar, and yet this very morning—Christmas morning too, of all the blessed days in the year—with the bells a ringing and—and—all like that—I say, this very morning, had it not have been for Providence watching over us all, that girl would have put—indeed I may go so far to say, 'ad put the cheese on your breakfast table——" He saw I was about to speak, and waved his hand at me. "It's all very well for you to say, 'Yes, Mr. Bowman, but you took away the cheese and locked it up in the cupboard,' which I did, and have the key here, or if not the actual key one very much about the same size. That's true enough, sir, but what do you think is the effect of that action on me? Why it's no exaggeration for me to say that the ground is cut from under my feet. And yet when I said as much to Eliza, not nasty, mind you, but just firm like, what was my return? 'Oh,' she says: 'Well,' she says, 'there wasn't no bones broke, I suppose.' Well, sir, it 'urt me, that's all I can say: it 'urt me,
