TALES OF THE ALHAMBRA & CHRONICLE OF THE CONQUEST OF GRANADA. Вашингтон Ирвинг
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Sometimes the faint click of castanets rises from the Alameda, where some gay Andalusians are dancing away the summer night. Sometimes the dubious tones of a guitar and the notes of an amorous voice, tell perchance the whereabout of some moonstruck lover serenading his lady’s window.
Such is a faint picture of the moonlight nights I have passed loitering about the courts and halls and balconies of this most suggestive pile, “feeding my fancy with sugared suppositions,” and enjoying that mixture of reverie and sensation which steal away existence in a southern climate; so that it has been almost morning before I have retired to bed, and been lulled to sleep by the falling waters of the fountain of Lindaraxa.
* Una de las cosas en que tienen precisa intervencion los Reyes Moros es en el matrimonio de sus grandes: de aqui nace que todos los senores llegadas a la persona real si casan en palacio, y siempre huvo su quarto destinado para esta ceremonia.
PANORAMA FROM THE TOWER OF COMARES.
It is a serene and beautiful morning: the sun has not gained sufficient power to destroy the freshness of the night. What a morning to mount to the summit of the Tower of Comares, and take a bird’s-eye view of Granada and its environs!
Come then, worthy reader and comrade, follow my steps into this vestibule, ornamented with rich tracery, which opens into the Hall of Ambassadors. We will not enter the hall, however, but turn to this small door opening into the wall. Have a care! here are steep winding steps and but scanty light; yet up this narrow, obscure, and spiral staircase, the proud monarchs of Granada and their queens have often ascended to the battlements to watch the approach of invading armies, or gaze with anxious hearts on the battles in the Vega.
At length we have reached the terraced roof, and may take breath for a moment, while we cast a general eye over the splendid panorama of city and country; of rocky mountain, verdant valley, and fertile plain; of castle, cathedral, Moorish towers, and Gothic domes, crumbling ruins, and blooming groves. Let us approach the battlements, and cast our eyes immediately below. See, on this side we have the whole plain of the Alhambra laid open to us, and can look down into its courts and gardens. At the foot of the tower is the Court of the Alberca, with its great tank or fishpool, bordered with flowers; and yonder is the Court of Lions, with its famous fountain, and its light Moorish arcades; and in the centre of the pile is the little garden of Lindaraxa, buried in the heart of the building, with its roses and citrons, and shrubbery of emerald green.
That belt of battlements, studded with square towers straggling round the whole brow of the hill, is the outer boundary of the fortress. Some of the towers, you may perceive, are in ruins, and their massive fragments buried among vines, fig-trees and aloes.
Let us look on this northern side of the tower. It is a giddy height; the very foundations of the tower rise above the groves of the steep hillside. And see I a long fissure in the massive walls, shows that the tower has been rent by some of the earthquakes, which from time to time have thrown Granada into consternation; and which, sooner or later, must reduce this crumbling pile to a mere mass of ruin. The deep narrow glen below us, which gradually widens as it opens from the mountains, is the valley of the Darro; you see the little river winding its way under imbowered terraces, and among orchards and flower-gardens. It is a stream famous in old times for yielding gold, and its sands are still sifted occasionally, in search of the precious ore. Some of those white pavilions, which here and there gleam from among groves and vineyards, were rustic retreats of the Moors, to enjoy the refreshment of their gardens. Well have they been compared by one of their poets to so many pearls set in a bed of emeralds.
The airy palace, with its tall white towers and long arcades, which breasts yon mountain, among pompous groves and hanging gardens, is the Generalife, a summer palace of the Moorish kings, to which they resorted during the sultry months to enjoy a still more breezy region than that of the Alhambra. The naked summit of the height above it, where you behold some shapeless ruins, is the Silla del Moro, or Seat of the Moor, so called from having been a retreat of the unfortunate Boabdil during the time of an insurrection, where he seated himself, and looked down mournfully upon his rebellious city.
A murmuring sound of water now and then rises from the valley. It is from the aqueduct of yon Moorish mill, nearly at the foot of the hill. The avenue of trees beyond is the Alameda, along the bank of the Darro, a favorite resort in evenings, and a rendezvous of lovers in the summer nights, when the guitar may be heard at a late hour from the benches along its walks. At present you see none but a few loitering monks there, and a group of water-carriers. The latter are burdened with water jars of ancient Oriental construction, such as were used by the Moors. They have been filled at the cold and limpid spring called the fountain of Avellanos. Yon mountain path leads to the fountain, a favorite resort of Moslems as well as Christians; for this is said to be the Adinamar (Aynu-l-adamar), the “Fountain of Tears,” mentioned by Ibn Batuta the traveller, and celebrated in the histories and romances of the Moors.
You start! ’tis nothing but a hawk that we have frightened from his nest. This old tower is a complete breeding-place for vagrant birds; the swallow and martlet abound in every chink and cranny, and circle about it the whole day long; while at night, when all other birds have gone to rest, the moping owl comes out of its lurking-place, and utters its boding cry from the battlements. See how the hawk we have dislodged sweeps away below us, skimming over the tops of the trees, and sailing up to the ruins above the Generalife!
I see you raise your eyes to the snowy summit of yon pile of mountains, shining like a white summer cloud in the blue sky. It is the Sierra Nevada, the pride and delight of Granada; the source of her cooling breezes and perpetual verdure; of her gushing fountains and perennial streams. It is this glorious pile of mountains which gives to Granada that combination of delights so rare in a southern city: the fresh vegetation and temperate airs of a northern climate, with the vivifying ardor of a tropical sun, and the cloudless azure of a southern sky. It is this aerial treasury of snow, which, melting in proportion to the increase of the summer heat, sends down rivulets and streams through every glen and gorge of the Alpuxarras, diffusing emerald verdure and fertility throughout a chain of happy and sequestered valleys.
Those mountains may be well called the glory of Granada. They dominate the whole extent of Andalusia, and may be seen from its most distant parts. The muleteer hails them, as he views their frosty peaks from the sultry level of the plain; and the Spanish mariner on the deck of his bark, far, far off on the bosom of the blue Mediterranean, watches them with a pensive eye, thinks of delightful Granada, and chants, in low voice, some old romance about the Moors.
See to the south at the foot of those mountains a line of arid hills, down which a long train of mules is slowly moving. Here was the closing scene of Moslem domination. From the summit of one of those hills the unfortunate Boabdil cast back his last look upon Granada, and gave vent to the agony of his soul. It is the spot famous in song and story, “The last sigh of the Moor.”
Further this way these arid hills slope down into the luxurious Vega, from which he had just emerged: a blooming wilderness of grove and garden, and teeming orchard, with the Xenil winding through it in silver links, and feeding innumerable