efficiently by the pressure of either knee — indeed he was of such muscular vigour that he could, by the mere stringency of the pressure of his knees, make a powerful horse tremble and sweat. He was a great swordsman, and quite fearless. ‘What is fear?’ he used to say. Restless by nature he hardly knew what it was to be tired.”
And yet this young man — warrior as he was, had a feminine cast of face; his features were symmetrically formed with just sufficient droop in the lower lip to give the characteristic ‘note’ of Austrian physiognomy. His complexion was as fine and transparent as a girl’s ; his eyes were clear and of blue; his hair of reddish gold. His height was medium, his figure fine; he was vigorous and active. He had an air of profound gravity and stern enthusiasm. Altogether he was, even without his Royal state, just such a young man as might stand for the idol of a young maid’s dream.
And yet he did not seem much of a lover. When, in 1576, he entered Spain to meet Philip II at Guadaloupe to ask the hand of the Infanta Isabella in marriage, he was described as “cold as a wooer as he was ardent as a warrior.” His eyes were so set on ambition that mere woman’s beauty did not seem to attract him. Events — even that event, the meeting — fostered his ambition. When he knelt to his host, the elder king kissed him and addressed him as “Your Majesty” the first time the great title had been used to a Portuguese king. The effect must have come but little later for at that meeting he kissed the hand of the old warrior, the Duke of Alva, and uncovered to him. His underlying pride, however, was shewn at the close of that very meeting, for he claimed equal rights in formality with the Spanish king; and there was a danger that the visit of ceremony might end worse than it began. Neither king would enter the carriage in which they were to proceed together, until the host suggested that as there were two doors they should enter at the same time.
Sebastian’s religious fervour and military ambition became one when he conceived the idea of renewing the Crusades ; he would recover the Holy Land from the dominion of the Paynim and become himself master of Morocco in the doing of it. With the latter object in his immediate view, he made in 1574, against the wise counsels of Queen Catherine, a sortie de reconnaissance of the African coast; but without any result — except the fixing of his resolution to proceed. In 1578 his scheme was complete. He would listen to no warning or counsel on the subject even from the Pope, the Grand Duke of Tuscany, or the Duke of Nassau. He seemed to foresee the realization of his dreams, and would forego nothing. He gathered an army of some 18,000 men (of which less than 2,000 were horsemen) and about a dozen cannon. The preparation was made with great splendour — a sort of forerunner of the Great Armada. It seemed to be, as in the case of the projected invasion of England ten years later by Spain, a case of “counting the chickens before they were hatched.”
Some indication of the number of adventurers and camp followers accompanying the army is given by the fact that the 800 craft ordained for the invasion of Morocco carried in all some 24,000 persons, inclusive of the fighting men. The paraphernalia and officials of victory comprised amongst many other luxuries: lists for jousts, a crown ready for the new King of Morocco to put on, and poets with completed poems celebrating victory.
At this time Morocco was entering on the throes of civil war. Muley Abd-el-Mulek, the reigning Sultan, was opposed by his nephew, Mohammed, and to aid the latter, who promised to bring in 400 horsemen, was the immediate object of Sebastian. But the fiery young King of Portugal had undertaken more than he was able to perform. Abd-el-Mulek opposed his 18,000 Portuguese with 55,000 Moors, (of whom 36,000 were horsemen) and with three times his number of cannon. The young Crusader’s generalship was distinctly defective; he was a fine fighting man, but a poor commander. Instead of attacking at once on his arrival and so putting the zeal of his own troops and the discouragement of the enemy to the best advantage, he wasted nearly a week in hunting parties and ineffectual manoeuvring. When finally issue was joined, Abd-el-Mulek, though he was actually dying, surrounded the Portuguese forces and cut them to pieces. Sebastian, though he fought like a lion, and had three horses killed under him, was hopelessly beaten. There was an attendant piece of the grimmest comedy on record. The Sultan died during the battle, but he was a stern old warrior, and as he fell back in his litter he put his finger on his lip to order with his last movement that his death should be kept secret for the time being. The officer beside him closed the curtains and went on with the fight, pretending to take orders from the dead man and to transmit them to the captains.
The fate of Sebastian was sealed in that battle. Whether he lived or died, he disappeared on 5 August, 1578. One story was that after the battle of Alca9er-el-Kebir, his body stripped and showing seven wounds was found in a heap of the slain; that it was taken to Fez and there buried; but was afterwards removed to Europe and found resting place in the Convent of Belen. Another story was that after a brilliant charge on his enemies he was taken in, but having been rescued by Lui de Brito he escaped unpursued. Certainly no one seemed to have seen the King killed, and it was strange that no part of his clothing or accoutrements was ever found. These were of great splendour, beauty and worth, and must have been easily traceable. There was a rumour that on the night following the battle some fugitives, amongst whom was one of commanding distinction, sought refuge at Arzilla.
Alcacer-el-Kebir was known as the “Battle of the three Kings.” All the principals engaged in it perished. Sebastian was killed or disappeared. Abd-el-Mulek died as we have seen, and Mohammed was drowned in trying to cross the river.
The dubiety of Sebastian’s death gave rise in after years to several impostures.
The first began six years after Sebastian’s successor — his uncle, Cardinal Henry — was placed on the throne. The impostor was known as the “King of Penamacor.” The son of a potter at Alcobaca, he established himself at Albuquerque, within the Spanish borders, somewhat to the north of Badajos, and there gave himself out as “a survivor of the African Campaign.” As usual the public went a little further and said openly that he was the missing Don Sebastian. At first he denied the soft impeachment, but later on the temptation became too great for him and he accepted it and set up in
Penamacor, where he became known as the “King of Penamacor.” He was arrested and paraded through Lisbon, bareheaded, as if to let the public see that he in no way resembled the personality of Sebastian. He was sent to the galleys for life. But he must have escaped, for later on he appeared in Paris as Silvio Pellico, Duke of Normandy, and was accepted as such in many of the salons in the exclusive Faubourg St. Germain.
The second personator of Sebastian was one Matheus Alvares, who having failed to become a monk, a year later imitated the first impostor, and in 1585 set up a hermitage at Ericeira. He bore some resemblance to the late king in build, and in the strength of this he boldly gave himself out as “King Sebastian” and set out for Lisbon. But he was arrested by the way and entered as a prisoner. He was tried and executed with frightful accessories to the execution.
The third artist in this imposture appeared in 1594. He was a Spaniard from Madrigal in Old Castile — a cook, sixty years old (Sebastian would have been just forty if he had lived). When arrested he was given but short shrift and shared the same ghastly fate as his predecessor.
The fourth, and last, imposture was more serious. This time the personator began in Venice in 1598, calling himself “Knight of the Cross.” As twenty years had now elapsed since the disappearance of Sebastian, he would have changed much in appearance, so in one respect the personator had less to contend against. Moreover the scene of endeavour was this time laid in Venice, a place even more widely removed in the sixteenth century from Lisbon by circumstances than by geographical position. Again witnesses who could give testimony to the individuality of the missing King of twenty years ago were few and far between. But on the other hand the new impostor had new difficulties to contend against. Henry, the Cardinal, had only occupied the Portuguese throne two years, for in 1580 Philip II of Spain had united the two crowns, and had held the dual monarchy for eighteen years. He was a very different antagonist from any one that might be of purely Portuguese origin.
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