THE COMPLETE SHORT STORIES OF NATHANIEL HAWTHORNE (Illustrated). Nathaniel Hawthorne
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Such was the scene, and such the time, when a figure unlike any that have been described was observed at a distance down the street.
“I espy a strange sail yonder,” remarked a Liverpool captain — ”that woman in the long white garment.”
The sailor seemed much struck by the object, as were several others who at the same moment caught a glimpse of the figure that had attracted his notice. Almost immediately the various topics of conversation gave place to speculations in an undertone on this unwonted occurrence.
“Can there be a funeral so late this afternoon?” inquired some.
They looked for the signs of death at every door — the sexton, the hearse, the assemblage of black-clad relatives, all that makes up the woeful pomp of funerals. They raised their eyes, also, to the sun-gilt spire of the church, and wondered that no clang proceeded from its bell, which had always tolled till now when this figure appeared in the light of day. But none had heard that a corpse was to be borne to its home that afternoon, nor was there any token of a funeral except the apparition of the Old Maid in the Winding-Sheet.
“What may this portend?” asked each man of his neighbor.
All smiled as they put the question, yet with a certain trouble in their eyes, as if pestilence, or some other wide calamity, were prognosticated by the untimely intrusion among the living of one whose presence had always been associated with death and woe. What a comet is to the earth was that sad woman to the town. Still she moved on, while the hum of surprise was hushed at her approach, and the proud and the humble stood aside that her white garment might not wave against them. It was a long, loose robe of spotless purity. Its wearer appeared very old, pale, emaciated and feeble, yet glided onward without the unsteady pace of extreme age. At one point of her course a little rosy boy burst forth from a door and ran with open arms toward the ghostly woman, seeming to expect a kiss from her bloodless lips. She made a slight pause, fixing her eye upon him with an expression of no earthly sweetness, so that the child shivered and stood awestruck rather than affrighted while the Old Maid passed on. Perhaps her garment might have been polluted even by an infant’s touch; perhaps her kiss would have been death to the sweet boy within the year.
“She is but a shadow,” whispered the superstitious. “The child put forth his arms and could not grasp her robe.”
The wonder was increased when the Old Maid passed beneath the porch of the deserted mansion, ascended the moss-covered steps, lifted the iron knocker and gave three raps. The people could only conjecture that some old remembrance, troubling her bewildered brain, had impelled the poor woman hither to visit the friends of her youth — all gone from their home long since and for ever unless their ghosts still haunted it, fit company for the Old Maid in the Winding-Sheet.
An elderly man approached the steps, and, reverently uncovering his gray locks, essayed to explain the matter.
“None, madam,” said he, “have dwelt in this house these fifteen years agone — no, not since the death of old Colonel Fenwicke, whose funeral you may remember to have followed. His heirs, being ill-agreed among themselves, have let the mansion-house go to ruin.”
The Old Maid looked slowly round with a slight gesture of one hand and a finger of the other upon her lip, appearing more shadow-like than ever in the obscurity of the porch. But again she lifted the hammer, and gave, this time, a single rap. Could it be that a footstep was now heard coming down the staircase of the old mansion which all conceived to have been so long untenanted? Slowly, feebly, yet heavily, like the pace of an aged and infirm person, the step approached, more distinct on every downward stair, till it reached the portal. The bar fell on the inside; the door was opened. One upward glance toward the church-spire, whence the sunshine had just faded, was the last that the people saw of the Old Maid in the Winding-Sheet.
“Who undid the door?” asked many.
This question, owing to the depth of shadow beneath the porch, no one could satisfactorily answer. Two or three aged men, while protesting against an inference which might be drawn, affirmed that the person within was a negro and bore a singular resemblance to old Cæsar, formerly a slave in the house, but freed by death some thirty years before.
“Her summons has waked up a servant of the old family,” said one, half seriously.
“Let us wait here,” replied another; “more guests will knock at the door anon. But the gate of the graveyard should be thrown open.”
Twilight had overspread the town before the crowd began to separate or the comments on this incident were exhausted. One after another was wending his way homeward, when a coach — no common spectacle in those days — drove slowly into the street. It was an old-fashioned equipage, hanging close to the ground, with arms on the panels, a footman behind and a grave, corpulent coachman seated high in front, the whole giving an idea of solemn state and dignity. There was something awful in the heavy rumbling of the wheels.
The coach rolled down the street, till, coming to the gateway of the deserted mansion, it drew up, and the footman sprang to the ground.
“Whose grand coach is this?” asked a very inquisitive body.
The footman made no reply, but ascended the steps of the old house, gave three taps with the iron hammer, and returned to open the coach door. An old man possessed of the heraldic lore so common in that day examined the shield of arms on the panel.
“Azure, a lion’s head erased, between three flowers de luce,” said he, then whispered the name of the family to whom these bearings belonged. The last inheritor of its honors was recently dead, after a long residence amid the splendor of the British court, where his birth and wealth had given him no mean station. “He left no child,” continued the herald, “and these arms, being in a lozenge, betoken that the coach appertains to his widow.”
Further disclosures, perhaps, might have been made had not the speaker been suddenly struck dumb by the stern eye of an ancient lady who thrust forth her head from the coach, preparing to descend. As she emerged the people saw that her dress was magnificent, and her figure dignified in spite of age and infirmity — a stately ruin, but with a look at once of pride and wretchedness. Her strong and rigid features had an awe about them unlike that of the white Old Maid, but as of something evil. She passed up the steps, leaning on a gold-headed cane. The door swung open as she ascended, and the light of a torch glittered on the embroidery of her dress and gleamed on the pillars of the porch. After a momentary pause, a glance backward and then a desperate effort, she went in.
The decipherer of the coat-of-arms had ventured up the lower step, and, shrinking back immediately, pale and tremulous, affirmed that the torch was held by the very image of old Cæsar.
“But such a hideous grin,” added he, “was never seen on the face of mortal man, black or white. It will haunt me till my dying-day.”
Meantime, the coach had wheeled round with a prodigious clatter on the pavement and rumbled up the street, disappearing in the twilight, while the ear still tracked its course. Scarcely was it gone when the people began to question whether the coach and attendants, the ancient lady, the spectre of old Cæsar and the Old Maid herself were not all a strangely-combined delusion with some dark purport in its mystery. The whole town was astir, so that, instead of dispersing, the crowd continually increased,