THE COMPLETE SHORT STORIES OF NATHANIEL HAWTHORNE (Illustrated). Nathaniel Hawthorne
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But no; we have no right to ascribe such a wish to our friend Rose. She never failed in a wife’s duty to her poor sick husband. She murmured not though a glimpse of the sunny sky was as strange to her as him, nor answered peevishly though his complaining accents roused her from sweetest dream only to share his wretchedness. He knew her faith, yet nourished a cankered jealousy; and when the slow disease had chilled all his heart save one lukewarm spot which Death’s frozen fingers were searching for, his last words were, “What would my Rose have done for her first love, if she has been so true and kind to a sick old man like me?” And then his poor soul crept away and left the body lifeless, though hardly more so than for years before, and Rose a widow, though in truth it was the wedding-night that widowed her. She felt glad, it must be owned, when Mr. Toothaker was buried, because his corpse had retained such a likeness to the man half alive that she hearkened for the sad murmur of his voice bidding her shift his pillow. But all through the next winter, though the grave had held him many a month, she fancied him calling from that cold bed, “Rose, Rose! Come put a blanket on my feet!”
So now the Rosebud was the widow Toothaker. Her troubles had come early, and, tedious as they seemed, had passed before all her bloom was fled. She was still fair enough to captivate a bachelor, or with a widow’s cheerful gravity she might have won a widower, stealing into his heart in the very guise of his dead wife. But the widow Toothaker had no such projects. By her watchings and continual cares her heart had become knit to her first husband with a constancy which changed its very nature and made her love him for his infirmities, and infirmity for his sake. When the palsied old man was gone, even her early lover could not have supplied his place. She had dwelt in a sick-chamber and been the companion of a half-dead wretch till she could scarcely breathe in a free air and felt ill at ease with the healthy and the happy. She missed the fragrance of the doctor’s stuff. She walked the chamber with a noiseless footfall. If visitors came in, she spoke in soft and soothing accents, and was startled and shocked by their loud voices. Often in the lonesome evening she looked timorously from the fireside to the bed, with almost a hope of recognizing a ghastly face upon the pillow. Then went her thoughts sadly to her husband’s grave. If one impatient throb had wronged him in his lifetime, if she had secretly repined because her buoyant youth was imprisoned with his torpid age, if ever while slumbering beside him a treacherous dream had admitted another into her heart, — yet the sick man had been preparing a revenge which the dead now claimed. On his painful pillow he had cast a spell around her; his groans and misery had proved more captivating charms than gayety and youthful grace; in his semblance Disease itself had won the Rosebud for a bride, nor could his death dissolve the nuptials. By that indissoluble bond she had gained a home in every sick-chamber, and nowhere else; there were her brethren and sisters; thither her husband summoned her with that voice which had seemed to issue from the grave of Toothaker. At length she recognized her destiny.
We have beheld her as the maid, the wife, the widow; now we see her in a separate and insulated character: she was in all her attributes Nurse Toothaker. And Nurse Toothaker alone, with her own shrivelled lips, could make known her experience in that capacity. What a history might she record of the great sicknesses in which she has gone hand in hand with the exterminating angel! She remembers when the smallpox hoisted a red banner on almost every house along the street. She has witnessed when the typhus fever swept off a whole household, young and old, all but a lonely mother, who vainly shrieked to follow her last loved one. Where would be Death’s triumph if none lived to weep? She can speak of strange maladies that have broken out as if spontaneously, but were found to have been imported from foreign lands with rich silks and other merchandise, the costliest portion of the cargo. And once, she recollects, the people died of what was considered a new pestilence, till the doctors traced it to the ancient grave of a young girl who thus caused many deaths a hundred years after her own burial. Strange that such black mischief should lurk in a maiden’s grave! She loves to tell how strong men fight with fiery fevers, utterly refusing to give up their breath, and how consumptive virgins fade out of the world, scarcely reluctant, as if their lovers were wooing them to a far country. — Tell us, thou fearful woman; tell us the death-secrets. Fain would I search out the meaning of words faintly gasped with intermingled sobs and broken sentences half-audibly spoken between earth and the judgment-seat.
An awful woman! She is the patron-saint of young physicians and the bosom-friend of old ones. In the mansions where she enters the inmates provide themselves black garments; the coffin-maker follows her, and the bell tolls as she comes away from the threshold. Death himself has met her at so many a bedside that he puts forth his bony hand to greet Nurse Toothaker. She is an awful woman. And oh, is it conceivable that this handmaid of human infirmity and affliction — so darkly stained, so thoroughly imbued with all that is saddest in the doom of mortals — can ever again be bright and gladsome even though bathed in the sunshine of eternity? By her long communion with woe has she not forfeited her inheritance of immortal joy? Does any germ of bliss survive within her?
Hark! an eager knocking st Nurse Toothaker’s door. She starts from her drowsy reverie, sets aside the empty tumbler and teaspoon, and lights a lamp at the dim embers of the fire. “Rap, rap, rap!” again, and she hurries adown the staircase, wondering which of her friends can be at death’s door now, since there is such an earnest messenger at Nurse Toothaker’s. Again the peal resounds just as her hand is on the lock. “Be quick, Nurse Toothaker!” cries a man on the doorstep. “Old General Fane is taken with the gout in his stomach and has sent for you to watch by his deathbed. Make haste, for there is no time to lose.” — ”Fane! Edward Fane! And has he sent for me at last? I am ready. I will get on my cloak and begone. So,” adds the sable-gowned, ashen-visaged, funereal old figure, “Edward Fane remembers his Rosebud.”
Our question is answered. There is a germ of bliss within her. Her long-hoarded constancy, her memory of the bliss that was remaining amid the gloom of her after-life like a sweet-smelling flower in a coffin, is a symbol that all may be renewed. In some happier clime the Rosebud may revive again with all the dewdrops in its bosom.
THE THREEFOLD DESTINY